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The role of women in the middle ages
The role of women in the middle ages
The role of women in the middle ages
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Women in Medieval times had a limited power because they were considered a minority to men. Most women were seen as a “holy” person because women could weave the life of knights between life and death; they were seen to have a connection to the other world. As well, women were a form of peacemaking between two kingships. Chivalric Romance continues this pattern of portraying a woman of simply being in the background. The audience is only shown the man/the knight point of view instead of a woman. However so, in “Erec and Enide”, the attention is shifting for the chivalrous knight to the beautiful and strong women, that is Enide. Through Enide’s eyes and mindset, the audience sees the portray of love and loyalty from women, what a knight in earlier …show more content…
writing would strive for. As well, as a pro-feminist envision of a woman through Enide from Chretien’s writing. Chretien’s writing of Enide is a pro-feminist of envisioning Enide as a strong and loyal woman. “You have acted very properly, it is right that she should have one of mine, and I shall immediately give her an elegant and beautiful, brand new one.” By Enide receiving a dress fit for a queen, demonstrates the power that Enide will one-day rule. Even so, by Enide immediately receiving the dress from the queen shows the strong aspect of a woman that Enide was already even with her simple everyday worn white dress. Enide is also held in a high respect as soon as she arrives with Erec back to the king and queen. “And the king himself, who always behaved very properly, took her and set her down from her Palfrey.” Normally, servants would take charge of bringing down the woman from her Palfrey but in the instance, the king takes over the role. Therefore, it is clear that Enide is not a mere maiden, but a woman of high status and important part of the court already. As well, a knight or a king's power is seen through their arms because arms are used to wield swords and shields and with Enide been helped by the king’s arm it is as if the king is extending his power of the kingdom to help her. Chretien shows Enide as a complement of Erec’s character, as well shows that both Enide and Erec are both parts of a whole. Overall, Enide is portrayed as a strong and capable woman of protecting her husband and being a reflection of his power and status through her own power and status bestowed to her by the queen and king. Enide’s character development and self-expression is what ultimately leads to Erec’s decision to take a journey with Enide by his side.
Once on the journey, Erec forbids Enide to speak to him. Throughout this journey, Erec is testing Enide’s love and loyalty for him through various scenes and obstacles that present themselves. By Erec forbidden Enide’s words, a constraint is put on Enide power because women in chivalric romance are known for their intelligence rather than their strength. “…My lord will be killed or taken prisoner, for they are three and his is alone. One knight against three is not playing fair; that one is about to strike him even though my lord is not on his guard. God! Am I to be such a coward that I will not dare warn him? I shall not be so cowardly: I will warn him, without fail.” Even though she has been forbidden to speak to Erec, Enide’s agency is still to protect and warn her husband and let him be angry rather than to let him die or being taken, for that would mean that she would become the victor’s maiden. This demonstrates that Enide’s heart and loyalty lies with Erec. Furthermore, Enide’s intelligences and strengths come into play when Enide and Erec meet the count. “…..Hold back until morning, when my lord will wish to rise; then you will be better able to harm him without incurring blame or reproach. But the thoughts of her heart are not the words on her hips.” Enide is using her power of words to seduces the count into believing her to wait till morning because by then Enide would have warn Erec and led him to safety. Enide is resourceful in knowing how to use her intelligence and words to her advantages to protection her husband/knight instead of looking out for her own well-being and safety under the count’s
pledge. Throughout “Erec and Enide”, one is able to see the mindset of a woman. Even though a the begin of the story, one sees Erec’s struggles to prove himself as a knight and in the second half of the story it is Enide’s struggles to prove herself to Erec. This mirror once again shows that both Erec and Enide are both parts of a whole, demonstrating the love and loyalty for Erec. Enide is a strong and loving woman that Chretien envisioned while writing her character. As well, Enide’s character is one of the most developed female characters in chivalric romances.
She stays loyal to Erec when most would not, she defied her lord to save his life when most would not, and Enide is brave, caring, loving and loyal. She is everything a knight like Erec needs. With all these qualities, she is able to prove herself worthy of a knight like Erec. Chretien takes all these qualities and demonstrates how a relationship in chivalric romances should be. He did not just use the same damsel in distress scenario as other writers. Chretien turned Enide into something revolutionary, a strong woman in medieval
In Chrétien de Troyes' Ywain, women represent the moral virtue and arch of all mid-evil civilization. Women of this time had to be an object of love, which meant they had to have beauty, goodness, and be truthful. They had to be a representative of all chivalrous ideals. They also act as civilizing influences throughout the story. Women are put in the story to give men a reason for acting brave and noble. Men become knights in order to demonstrate to women that they are strong and capable of defending themselves against danger. This, they hope, will win the women's heart.
Marie de France’s “Lanval” is a brilliantly witty and captivating narrative poem—one illustrating a knight’s unyielding honor and loyalty to his king as well as his enduring chivalric devotion to the woman he loves. Written in the twelfth century, amidst a time when women were looked down upon and considered useless and unnecessary, Marie’s portrayal of a knight needing to be rescued by his female lover breathes comic irony into this otherwise misogynistic and antifeminist world. In addition to this cleverly depicted romance, a further literary work, Geoffrey Chaucer’s early fifteenth century “The Wife of Bath’s Tale,” extends its own explicitly satirical outlook
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
Popular culture depicts Medieval chivalry as a glamorous and high time for women, with knights bending their knees in worship to them in Pre-Raphaelite paintings, and the fairness and virtue of women being celebrated in literature. Chivalry is often understood as the elevation of the lady fair, with men taking upon themselves the task of protecting and defending women. In fact, though, this was not an elevation of women but a limitation of their freedom and an undermining even of their intelligence and strength of will. Medieval chivalry, in essence, subordinated women to men while claiming to elevate women. In Lanval and Laustic, women are shown to have a subordinate status to men in three ways: being painted as temptresses, being subject to protection from men, and being subservient to orders from men.
A major concern in both the film and the original text is the ‘status of women’. This is represented through the differing roles of women and their denigration within the Elizabethan society. For instance, Hero is accused of committing infidelity; consequently her image in society is tarnished, In addition to this, Claudio insults Hero publicly without even considering confirming the accusation of her being unchaste. This is illustrated through Claudio slandering Hero through the use of usage of Greek Mythological allusions “You seem to as Dian in her orb, but you are more intemperate than Venus in y...
Cunegonde is the daughter of a wealthy German lord. She is described as “extremely beautiful” (Voltaire. 5) and is repeatedly referred to as “the fair Cunegonde.” (39). She is the typical damsel-in-distress: a woman who is completely reliant on male protection and often fainting at the sight of anything the least bit distressing. She is a vapid beauty and completely obsequious to whomever she happens to belong to at the time. However, Voltaire does not blame her foolish naiveté on her femininity. Candide himself is terribly innocent and is unable to make decisions without the advice of a third party. In a way, Cunegonde accepts her situation in life better than Candide does. She knows that as a woman in the eighteenth century she has few options if she wishes to survive and she is not above using her beauty to her advantage. She never questions or philosophizes like many of the male characters. Her acceptance of the sexual slavery she finds herself in belies an understanding of the limited options women had at the time.
Throughout Antigone, Electra, and Medea, many double standards between men and women surface. These become obvious when one selects a hero from these plays, for upon choosing, then one must rationalize his or her choice. The question then arises as to what characteristics make up the hero. How does the character win fame? What exactly is excellent about that character? These questions must be answered in order to choose a hero in these Greek tragedies.
Who knew that Margery could set an example for women in the Middle age time. Feminist speculations can be traced back to the 1300’s, where women, often, were expected to follow traditional, gendered norms. Margery Kempe is a representation that presents how women were objectified. In correlation to feminism, the idea of misogyny and patriarchy concepts can be interpreted through the anti-patriarchal woman, Kempe, who serves as a critical spectator through her novel. Kempe is portrayed as a hysterical woman that endures through the misogynistic, patriarchy and traditional norms in the Middle age time society. It is through religion, Kempe is a critical spectator against gendered expectations, and goes against the patriarchy of England while
In the Iliad we saw women as items of exchange and as markers of status for the men who possessed them (Chryseis and
The knights fought for the most beautiful and did what they pleased with them. They fought for them if necessary to keep respect for themselves and for their maiden. This is what the chivalric ideology was based on and so the knights followed and respected it. In the story of Erec and Enide we see how some women affect the lifestyle and choices that the knights make due to their love. The woman was the prize possession to every man. They were won in various games that were played by the knights. Different ceremonies were held to award to the winner the most beautiful woman in the land. We can see here that women were so important that a knight had to prove he was the best at what he did to gain her hand. These types of games were normal in this time since the woman was respected so much more. Competition was also based on who was th...
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Women in the worlds of Homer and Virgil were viewed as inferior beings to men like most societies did. While they were seen as inferior, they were always seen to be either “good” or “bad” when discussing how they were as women. In their stories, The Iliad, the Odyssey, and Aeneid, Homer and Virgil use the theme of piety to determine whether or not a woman was to be deemed “good” or “bad”.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.