Margery Kempe Feminist Analysis

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Who knew that Margery could set an example for women in the Middle age time. Feminist speculations can be traced back to the 1300’s, where women, often, were expected to follow traditional, gendered norms. Margery Kempe is a representation that presents how women were objectified. In correlation to feminism, the idea of misogyny and patriarchy concepts can be interpreted through the anti-patriarchal woman, Kempe, who serves as a critical spectator through her novel. Kempe is portrayed as a hysterical woman that endures through the misogynistic, patriarchy and traditional norms in the Middle age time society. It is through religion, Kempe is a critical spectator against gendered expectations, and goes against the patriarchy of England while …show more content…

The book is a historical component that explains a woman during a discriminating period, where women were considered “contingent being” different from men because men vowed that God created them differently from women (Crawford, 7) Astonishingly, Kempe’s literature is a significant surviving work of literature, because women’s records were deemed less important than men (Crawford, 2). Kempe’s involvement in Christ, shaped the times of the Medieval times, where religion tended to shape the politics and the thinking in that age (Crawford, 6). Inevitably, Kempe’s literature shows that Kempe is a critical spectator who was lesser at the time but could shape the ways that the church officials conducted their continuance ideology of the weak, female body. However, Kempe may be somewhat subordinate to her religion, but she is, simultaneously, in search for a meaning in her life, to deem her as significant. With great attributions, she can accomplish power and dignity with her composed works as “this creature,” to give relevance to herself and still humbly as a lesser individual in the eyes of her religion; as the religion always leaned towards the idea of “justifying female subordination,” which allowed Kempe to stay in control and at the same time modest (Crawford,

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