Who knew that Margery could set an example for women in the Middle age time. Feminist speculations can be traced back to the 1300’s, where women, often, were expected to follow traditional, gendered norms. Margery Kempe is a representation that presents how women were objectified. In correlation to feminism, the idea of misogyny and patriarchy concepts can be interpreted through the anti-patriarchal woman, Kempe, who serves as a critical spectator through her novel. Kempe is portrayed as a hysterical woman that endures through the misogynistic, patriarchy and traditional norms in the Middle age time society. It is through religion, Kempe is a critical spectator against gendered expectations, and goes against the patriarchy of England while …show more content…
The book is a historical component that explains a woman during a discriminating period, where women were considered “contingent being” different from men because men vowed that God created them differently from women (Crawford, 7) Astonishingly, Kempe’s literature is a significant surviving work of literature, because women’s records were deemed less important than men (Crawford, 2). Kempe’s involvement in Christ, shaped the times of the Medieval times, where religion tended to shape the politics and the thinking in that age (Crawford, 6). Inevitably, Kempe’s literature shows that Kempe is a critical spectator who was lesser at the time but could shape the ways that the church officials conducted their continuance ideology of the weak, female body. However, Kempe may be somewhat subordinate to her religion, but she is, simultaneously, in search for a meaning in her life, to deem her as significant. With great attributions, she can accomplish power and dignity with her composed works as “this creature,” to give relevance to herself and still humbly as a lesser individual in the eyes of her religion; as the religion always leaned towards the idea of “justifying female subordination,” which allowed Kempe to stay in control and at the same time modest (Crawford,
Again, Kempe and Elizabeth seemed to challenge this attitude by doing the opposite. Margery Kempe was seen as a hysterical woman because of her “visions” and gender ambiguity. An example of this would be when Kempe was at mass and when the priest was holding up the sacraments she had a “vision” with Christ speaking to her. Kempe went against all social codes along with the Church being displeased with her for her actions. Kempe would weep loudly whenever she saw the Christ story, young men, or babies, which drew a lot of attention from the
What was the predominant image of women and women’s place in medieval society? Actual historical events, such as the scandal and subsequent litigation revolving around Anna Buschler which Steven Ozment detail’s in the Burgermeisters Daughter, suggests something off a compromise between these two literary extremes. It is easy to say that life in the sixteenth century was surely no utopia for women but at least they had some rights.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
According to feminist Victoria L. Bromley, if feminism is about combating all forms of inequalities, including oppression, towards all social groups, then feminists must study how masculinity oppresses both men and women. Patriarchy, men’s powers and dominance, hegemonic masculinity, the idea that the “dominant group” in society is most powerful, and hyper masculinity, the exaggeration of the emphasis on male characteristics, all lead to oppression through multiple forms: privileges and unearned privileges, hierarchies of power and exclusion. Bromley argues that the feminist approach towards eliminating oppression, is to use an intersectional analysis, a theoretical tool used for understanding how multiple identities are connected and how systems
Caroline Walker Bynum raised several thought-provoking claims in her book Holy Feast and Holy Fast, but her main argument of the mindset of medieval women with regards to their status in society was the most intriguing. Rather than simply agreeing with most traditional medievalists, she analyzes the male/female difference in terms of which symbols each gender used, and how these symbols tied in to their distinct religious concerns. She maintains that women accepted their place in society and religion, and instead of succumbing to the misogyny, they used their association with the flesh and humanness to connect themselves to the humanity of God. Her arguments regarding medieval women and their practices also implies that she is accepting of the idea of gender as a valuable category of historical analysis.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Baron Richard Von Krafft-Ebing, a 19th century German psychiatrist, was quoted as having said, "We find that the sexual instinct, when disappointed and unappeased, frequently seeks and finds a substitute in religion." This may have been the condition of Margery Kempe when she desired to cease all sexual activity with her spouse because of her devotion to God. Instead of performing her duties as a wife, she chose instead to spread her knowledge of God to her community and did so not only in speech, but also in literature. Whatever her motivation for creating such descriptive language, it is evident that her faith in God conquered both her fear of public opinion and the constraints placed upon all women during the period. Living in the 1400s, she steps out of a woman's role and into the territory of a man by living her life publicly, abandoning her position of mother and wife, and recording her life in writing. Fortunately, because she was writing for religious reasons, her work was both permitted and accepted. In The Book of Margery Kempe, she describes her experiences with brilliant imagery, some of which is sexual, all of which is sensual. By using her own senses to portray her spiritual...
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
In 1790, Judith Sargent Murray submitted her essay, On the Equality of the Sexes, for publishing in The Massachusetts Magazine. Her essay called for women’s rights through education. Murray’s belief that women “are endowed with the qualities of imagination, reason, memory, and judgment” (Murray 177) aided her argument and showed that women deserve an education like their male counterparts. Furthermore, her evidence and rational explanation of the Creation Story, a chapter in the Christian Bible, solidifies her argument of equal education in a time when some of the population took the Bible at face value. There are limits to Murray’s progressive education beliefs, which can be viewed as being a product of her time. On the Equality of the Sexes
“Imagine living in a world where there is no domination, where females and males are not alike or even always equal, but where a vision of mutuality is the ethos shaping our interaction. Imagine living in a world where we can all be who we are, a world of peace and possibility.” (Feminism is for everybody, page 8). This particular quote from the assigned reading really spoke to me. How amazing would it be to live in a world where no one group dominates another, or more importantly no one group discriminates one another. Obviously, just as bell hooks’ said following this quote, the feminist movement cannot do all of this alone. There are so many other things going on in the world that need attention as well, such as racism, class exclusivity, and imperialism. Over the past few years I have become more informed on the feminist movement and the assigned reading only heightened my
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
In the book Feminist Theory: From Margin to Center written by bell hooks, an African-American author, social activist and feminist first published in 1984 the author explains what she believes are the core principles of feminism. Throughout the book the author examines the early feminist theory and goes on to criticize it saying that it did not aim for a systematic change also that the movement has the potential to improve the lives of both men and women immensely. In the book the author investigates the performance of African-American women in the movement and what is needed to drive the movement towards ending oppression of all kinds.
The Book of Margery Kempe is an autobiography of Margery Kempe, a women from King 's Lynn during medieval times. Kempe 's autobiography talks about the struggles she encountered on her journey for a holy life. Margery gave birth to her first child when she was about twenty years old, and after giving birth she had a nervous breakdown. She saw visions of the devil all around her, and her actions proved her to be anything but holy. It wasn 't until she recovered due to a vision of Jesus Christ that she was determined to devote her life to religiousness and to studying God. This vision led her on her journey to a union with God to fulfill her life purpose. Throughout her journey she received personal visions from Christ and the Virgin Mary which
Chimamanda Ngozi Adichie is a Nigerian author who has received numerous awards and distinctions. Her main argument is that everyone should be a feminist not because of our gender, but because it is what is right. Adichie has been featured in Beyonce’s song, “Flawless”, spreading awareness to the idea of feminism. “We Should All Be Feminists” is a book about her experiences in Nigeria, where men are more powerful than women. The intended audience of the passage is each and every person residing in heavily patriarchal societies. Hesr thesis is “we should all be feminists”.