A Feminist Reading of Their Eyes Were Watching God

2158 Words5 Pages

A Feminist Reading of Their Eyes Were Watching God

In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...

... middle of paper ...

... 1930's can also be applied today, within the context of my own personal life and that of the surrounding society. The challenges Janie struggles with as she moves through her life are the same struggles every woman, no matter where or when she lives, have had to face. In my opinion, it is this universality that renders Their Eyes Were Watching God and its companion criticisms so valuable for readers.

Works Cited

Cixous, Hélène. “The Laugh of the Medusa.” The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1454-1466.

Hurston, Zora Neale. Their Eyes Were Watching God. New York: HarperPerennial, 1998.

Irigaray, Luce. “That Sex Which is Not One.” The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1467-1471.

Show More
Related

  • Their Eyes Were Watching God by Zora Neale Hurston

    974 Words  | 2 Pages

    Walker, Kristen. "Feminism Present in Zora Neale Hurston's Their Eyes Were Watching God." 7 February 2007. Yahoo Voices. 27 January 2014 .

    Read More

  • Analysis Of Janie's Evolution Through Hardship In Their Eyes Were Watching God

    980 Words  | 2 Pages

    In Their Eyes Were Watching God, Janie Crawford confronts social and emotional hardships that shape who she is from the beginning to the end of the novel. Living in Florida during the 1900s, it was very common for an African American woman to face discrimination on a daily basis. Janie faces gender inequality, racial discrimination, and social class prejudice that she is able to overcome and use to help her develop as a person.

    Read More

  • Jay Gatsby vs. Janie Crawford: A Race to Make Dreams Come True

    1211 Words  | 3 Pages

    Like Jay Gatsby, many elements of the paragraph in that opens the novel Their Eyes Were Watching God plays into Janie Crawford and how she fits into the gender roles that Zora Neal Hurston describes and in ways, twists, into the narrative of her novel and in the paragraphs mentioned. With these two different characters in two different stories, the narrator of the paragraph conveys a message and draws the distinctions between men, women and how they attain their dreams and the differences between them in doing so.

    Read More

  • Their Eyes Were Watching God Book Analysis

    1804 Words  | 4 Pages

    Oprah Winfrey mutilated the classic novel, Their Eyes Were Watching God written by Zora Neale Hurston by turning the movie into a story with no resemblance to the book. Throughout Janie Crawford’s life, love is a dream she wished to achieve. Oprah makes changes to Janie’s character, her marriages, and the differences of symbolism, the change of themes, and the significance of Janie’s childhood which will alter the entire moral of the story. Another difference is the way the townspeople gossip. Oprah changes the point of Janie’s life journey to find herself to a love story.

    Read More

  • Free Essays - Janie's Metamorphosis in Their Eyes Were Watching God

    912 Words  | 2 Pages

    Their Eyes Were Watching God is a story about identity and reality to say the least. Each stage in Janie's life was a shaping moment. Her exact metamorphosis, while ambiguous was quite significant. Janie's psychological identification was molded by many people, foremost, Nanny, her grandmother and her established companions. Reality, identity, and experience go hand in hand in philosophy, identity is shaped by experience and with experience you accept reality. Life is irrefutably the search for identity and the shaping of it through the acceptance of reality and the experiences in life.

    Read More

  • Comparing the Role of Women in Their Eyes Were Watching God and Go Tell It On the Mountain

    2317 Words  | 5 Pages

    Kubitschek, Missy Dehn. " 'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God." Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.

    Read More

  • Response to the Article on Vodou Imagery, African-American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God.

    963 Words  | 2 Pages

    Your analysis of the Vodou imagery in Their Eyes Were Watching God is detailed, even though it is not comprehensive. Your assertion that the Vodou imagery Hurston uses empowers women is justified, because I contend that her husbands were all just stepping stones for Janie’s quest for self-discovery. After each husband Janie has, she progresses on her quest and becomes stronger. You claim that Janie’s tale serves to highlight the potential that exists within all black women (167). I concur, because Janie shows a degree of self-expression and independence that was unexpected of most black women at the time. Hurston’s use of Vodou imagery in Their Eyes Were Watching God serves to challenge the stereotypical representation of African American women in the early twentieth century.

    Read More

  • Janie's Self-Discovery

    1473 Words  | 3 Pages

    Jordan, Jennifer. “Feminist Fantasies: Zora Neale Hurston’s Their Eyes Were Watching God’.” Tulsa Studies in Women’s Literature 7.1 (Spring 1988): 105-117. Literature Resource Center. Web. 9 Feb. 2011.

    Read More

  • Description and Analysis of the Different Types of Gangs in the US

    1071 Words  | 3 Pages

    Historically, gangs began to develop around the time frame of the 1970’s. Irish gangs have been known to be the first initial gang, followed by the Germans, Jewish, and Italians (Pacheco, 2010, p. 10). Gangs are larger in population and tend to be more prevalent in the United States, compared to other countries. In 2008, statistics showed that there were 20,000 active gangs and more than 1 million gang members in the United States (Pacheco, 2010, p. 12). According to Pacheco (2010) there are different types of gangs. Although these gangs are formed for individual purposes, broken up, they can form a multitude of different types of gangs. There are your traditional gangs (Crips, Bloods). Business, profit gangs, which are generated around financial gains. Hate group gangs, which their purpose is to target different ethnic groups, races or homosexuals. Copycat and delinquent social gangs, which seem to be the least relevant. Street gangs, which are prone to target younger individuals, but the actual ages of the gang members vary. Third generation gangs which are known as “terrorist”. Hybrid gangs are new to this generation, they could be considered the “hipster” of gangs. Then there are prison gangs. They are usually small in population and are structured along an individuals ethnicity (Pacheco, 2010, pp. 12-15). Gangs serve a multitude of purposes for their members. The gang becomes their family. They are able to trust them, rely on them, and the gang gives them a sense of self and importance. Gangs have the ability to offer status, refuge, protection, and opportunity of stigma free life within this population (Tower, 2013, p. 82). In the PBS show Interrupter ex-gang members and ex-gang enforcers joined together ...

    Read More

  • Their Eyes Were Watching God Gender Analysis

    1685 Words  | 4 Pages

    Different social classes come with different perspectives and challenges, usually the belief is that higher society is much happier than those in the lower rank, but not including race into the education does not give all sides of that story. By evaluating parts in Cane by Jean Toomer, Quicksand and Passing by Nella Larsen, and Their Eyes Were Watching God by Zora Neale Hurston story of class and race is being told. Color and classism have gone hand in hand for many years and evaluating the lives of characters that are considered the lowest of the low and yet made it up the totem pole brings up an important discussion. The conflicting ideas of race and class actually encourage racism and ruin the lives of characters in the black bourgeoisie.

    Read More

  • Their Eyes Were Watching God By Zora Hurston

    616 Words  | 2 Pages

    In the novel Their Eyes were watching God by Zora Hurston, Zora shows evident gender roles through strong symbols, diction and Juxtaposition. Feminism is one of the biggest issues in this piece of literature; Janie, the main character of the book, faces the struggle to escape society’s expectations that she lives her life doing what she is told, rather than reaching out of the domestic sphere she is in and pursuing her dreams.

    Read More

  • Gangs Around the World

    526 Words  | 2 Pages

    Gangs originated in the mid 1800’s in the cardinal direction using it as a method to defend themselves against outsiders.The idea of gangs became populous, powerful, and a broad influence. But like all powers, they tend to corrupt and recognizes violence as a way of getting what they want faster than other methods.They turn violence into fun, profit, and control.Creating a situation that affects youth in today’s society.

    Read More

  • Treatment of Women in Ancient Literature

    2408 Words  | 5 Pages

    Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.

    Read More

  • Short Stories

    537 Words  | 2 Pages

    In The Cask of Amontillado, Poe describes the picture on the crest as a golden foot crushing a serpent, which has its fangs imbedded in the heel of the foot. Poe also mentions the motto “Nemo me impune lacessit (no one provokes me with impunity)” told by Montresor to Fortunato, which signifies the analysis of this profound picture on the crest. According to the plot of the story, the foot represents not only Montresor but also his status-consciousness and cruelty towards Fortunato. As image of the picture demonstrates, not only will the Montresors punish anyone whom they feel harms or insults them, but they will also administer that punishment with a sense of authority. The serpent, however, depicts Fortunato and his actions that insult Montresor. Poe specifically used serpent here to emphasize upon Fortunato’s role play because it signifies death and destruction with a combination of strength which in this story foreshadows Fortunato’s death due to the strong impact of insult on Montresor’s life. Serpent is also the symbol wisdom and blind passion. The serpent biting the heel embod...

    Read More

  • Short Story Writers

    654 Words  | 2 Pages

    "And then I woke up."Thus goes the kind of "trick ending" that every first year writing student is told to avoid, a mark of cheap theatrics and poor craftsmanship.Historically, this kind of ending is often associated with Guy de Maupassant, the prolific French writer of the 19th century, or his 20th century American heir apparent, O. Henry (William S. Porter).In this well researched and at moments insightful book, Richard Fusco argues that Maupassant's bad rap as first and foremost the inventor and disseminator of the "trick ending" is undeserved.What Fusco feels Maupassant does deserve is recognition as perhaps the single most important influence on American short story writers of the late 19th and early 20th century, particularly Ambrose Bierce, Kate Chopin, Henry James, and of course O. Henry.However, even as Fusco's readings of these writers are laudable in their thoroughness (with the exception of his treatment of O. Henry), his overall argument seems finally too dependent on an understanding of "trick ending" which does not make necessary distinctions, and is therefore superficial enough to accommodate nearly any writer one cares to name.

    Read More

More about A Feminist Reading of Their Eyes Were Watching God

Open Document