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Janie’s Evolution Through Hardship In Their Eyes Were Watching God, Janie Crawford confronts social and emotional hardships that shape who she is from the beginning to the end of the novel. Living in Florida during the 1900s, it was very common for an African American woman to face discrimination on a daily basis. Janie faces gender inequality, racial discrimination, and social class prejudice that she is able to overcome and use to help her develop as a person. Sexual dominance of males in this novel was a prominent view held by most of the main characters. Women are supposed to follow the demands of men and this is especially true for Janie in her relationship with Jody. Jody set very strict regulations for Janie during the time of their …show more content…
Jody requires that Janie hold her hair in a head rag because it didn’t make sense for her to have it down. In reality, Jody was jealous about how the other men looked at Janie when she had her hair down. In fact, “one night he had caught Walter standing behind and brushing the back of his hand back and forth across the loose end of her braid ever so lightly so as to enjoy the feel of it without Janie knowing what he was doing” (Hurston 55). This infuriated Jody and he ordered Janie to always have her hair tied up when she was in the store because, “she was there in the store for him to look at, not those others” (Hurston 55). Janie’s hair can be seen as a symbol of her independence, but with Jody’s demands, her independence is lost. This inequality only exists for Janie, because she is a woman. She could not make similar demands from Jody, or else she would be punished. However, in her relationship with Tea Cake, Janie is allowed to be somewhat free of gender bias. Tea Cake was the only person that treated her as an equal. It begins with the game of checkers, which Tea Cake sets up himself, a sign that he wanted to play with her and saw her as an …show more content…
Logan is one of the first characters to make a comment about Janie’s class. He says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard.” (Hurston 30). Logan means that he is of a higher social class than Janie because she was a slave for the Whites for a large majority of her life. Once again, Janie holds this idea as true, until she meets Jody. When Jody gets elected as mayor, Janie and his position on the social class stratification gets moved up. However, Jody becomes a changed man and their relationship becomes strained. Janie tells Jody about his position on mayor, “You’se always off talkin’ and fixin’ things, and Ah feels lak Ah’m jus’ markin’ time” (Hurston 46). Janie immediately does not like their new social position. It is taking time away from them being together as Jody is constantly attending to problems of the town. Her ideas on the higher position stay the same even into her relationship with Tea Cake, because he belonged to a lower
In this quote, Jody stifles Janie’s speech and prevents her from speaking and having a mind of her own. In this quote, we can see Jody’s interruption with the dash Hurston uses to represent him preventing Janie from talking and being an active part of the conversation. To Jody, Janie is his possession and does not need to hear her opinion. Jody also treats Janie like his employee. In this passage the reader can infer from her diction that Janie does not want to work at the store when Jody is not around. As a result, when Jody leaves the store, Janie feels helpless. Janie’s hatred of him stems from this suppression of her individuality. Tea Cake, on the other hand, engages her speech, conversing with her and putting himself on equal terms with her. Janie’s diction changes when she is with Tea Cake, she is no longer interrupted or stutters. This use of diction is intended to show that Janie feels helpless in her current marriage and is
After years of surrendering her dignity in the name of a constructed love she is free to be and to find herself after the death of her second husband Joe Starks, or “Jody”. Her hair symbolising her woman-hood is let down to be free after she burns the head scarves that symbolically and literally hid a piece of herself from the world she wanted to be a part of. While janie sacrificed her dignity and her morals for Jody she was not sacrificing in order to live by what she values most, it was for survival more than want. However, we see her true need for real love when she begins seeing Teacake and risking multiple aspects of her life for him. Janie is a lighter skinned woman, putting her in a higher social rank due to the racism infringed on people even in the African American community. She has a good amount of money in the bank and she has a rather high social ranking due to her deceased husband Jody being the mayor of the town prior to his death. These factors all lead to Janie not only being an upstanding member of the community but also a very desirable woman for a number of men in the town. Teacake on the other hand is nearly the opposite. He is very dark skinned causing bias’ against him and his relations with Janie. While much of the town judged behind her back on this aspect one character, Mrs. Turner,
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
Janie’s character undergoes a major change after Joe’s death. She has freedom. While the town goes to watch a ball game Janie meets Tea Cake. Tea Cake teaches Janie how to play checkers, hunt, and fish. That made Janie happy. “Somebody wanted her to play. Somebody thought it natural for her to play. That was even nice. She looked him over and got little thrills from every one of his good points” (Hurston 96). Tea Cake gave her the comfort of feeling wanted. Janie realizes Tea Cake’s difference from her prior relationships because he wants her to become happy and cares about what she likes to do. Janie tells Pheoby about moving away with Tea Cake and Pheoby tells her that people disapprove of the way she behaves right after the death of her husband. Janie says she controls her life and it has become time for her to live it her way. “Dis ain’t no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine” (Hurston 114). Janie becomes stronger as she dates Tea Cake because she no longer does for everyone else. Janie and Tea Cake decided to move to the Everglades, the muck. One afternoon, a hurricane came. The hurricane symbolizes disaster and another change in Janie’s life. “Capricious but impersonal, it is a concrete example of the destructive power found in nature. Janie, Tea Cake, and their friends can only look on in terror as the hurricane destroys the
Their Eyes Were Watching God is a story about identity and reality to say the least. Each stage in Janie's life was a shaping moment. Her exact metamorphosis, while ambiguous was quite significant. Janie's psychological identification was molded by many people, foremost, Nanny, her grandmother and her established companions. Reality, identity, and experience go hand in hand in philosophy, identity is shaped by experience and with experience you accept reality. Life is irrefutably the search for identity and the shaping of it through the acceptance of reality and the experiences in life.
In such cases, when he would usher her off the front porch of the store, when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT shown in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over the course of their marriage, he had silenced her so much that she found it better to not talk back when they got this way.
When Tea Cake enters Janie's life, Janie really starts to come out of her shell. She lets down her hair that was kept up the entire time with Starks. This symbolizes Janie letting all her inhibitions out. In finding Tea Cake, Janie has "completed her voyage" of self-discovery. Tea Cake allows her to feel exhilarated and young again. She makes more friends and becomes more social. During this time in her life Janie is an excellent role model for other black women. She does not give a second look at what other people think about her, which is very admirable. This is shown when Hezekiah Potts tells Janie that Tea Cake is too low of a man for Janie yet, she stills persists on seeing him. Many people also think that Tea Cake is courting Janie for her money only. Janie pays no regard to these onlookers though.
Their Eyes Were Watching God is a good place to start examining the roles of African-American women. It is written by a woman, Zora Neale Hurston, and from a woman's perspective. This book examines the relationship between Janie and...
Their Eyes Were Watching God is a novel that presents a happy ending through the moral development of Janie, the protagonist. The novel divulges Janie’s reflection on her life’s adventures, by narrating the novel in flashback form. Her story is disclosed to Janie’s best friend Phoebe who comes to learn the motive for Janie’s return to Eatonville. By writing the novel in this style they witness Janie’s childhood, marriages, and present life, to observe Janie’s growth into a dynamic character and achievement of her quest to discover identity and spirit.
In Their Eyes Were Watching God Janie goes through several marriages in her journey to seek love. As Janie's husbands change so does her wardrobe. Janie's different marriages are symbolized by her very different wardrobes.
& nbsp;   ; Second, Janie sees Logan Killicks' perception of marriage. In the beginning it appears to Janie that Logan is a very nice gentleman, who is. constantly treating her well. However, as time goes on, Janie sees Logan's the "true colors" of the.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey
Once Janie was of age to have serious relationships, Janie’s grandmother tried to guide Janie in the direction of the upper class and money. The point was so that Janie would never have to work a day in her life and only have to fulfill her normal housewife duties. But once word got
In the novel Their eyes were watching God Janie feels safe in her relationship with Tea Cake because he cares for her, he shows her off, and he always stays with her, this is important because she can finally see her full potential. Tea Cake always takes care of Janie and makes her feel wanted. “Feels jus’ lak underneath uh dove’s wing next to mah face.” (103) This is important because he took the time to sit down and brush her hair and show her that she is important to him. He also is not afraid to show her off to his friends and that shows her that she is important to him. “Me scrambled ‘round tuh git de money tuh take yuh…” (108) This is important because he wanted to take her and show her off to his friends and he worked hard to make sure