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Their eyes were watching god feminist perspective
Symbolism and metaphor their eyes were watching God
Symbolism and metaphor their eyes were watching God
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Recommended: Their eyes were watching god feminist perspective
In the novel Their Eyes were watching God by Zora Hurston, Zora shows evident gender roles through strong symbols, diction and Juxtaposition. Feminism is one of the biggest issues in this piece of literature; Janie, the main character of the book, faces the struggle to escape society’s expectations that she lives her life doing what she is told, rather than reaching out of the domestic sphere she is in and pursuing her dreams.
The first paragraph of the story reads; “Ships at a distance have every man’s wish on board.” While woman forget all of those things they don’t want to remember. The book compares on many occasions, the wishes and dreams of men and women in an interesting way, using the “sea” as a symbol giving the impression that saving
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I god, they sho don’t think none theirselves.". This idea of thinking greatly influences Janie, and gives her the notion that, as it’s said for children, she should be only seen, and not heard. Joe greatly influences her with this and similar ideas, making Janie feel as if she cannot think, act, or feel for herself, and she is a pawn in Joes Chess game of life. Joe puts all women, and Janie, on the same level as children, and animals, giving Janie the strong impression that she is more an object, and not a human being. While Janie is an employee of her husband Joe’s store, she lives her life in the shadows of Joes life. Joe forces onto her the idea that it is not proper for her to speak to anyone within the town, or participate in any of their games and activities. As more attention is brought to Janie over time, Joe begins to feel insecure of himself, and therefore forces Janie to hide her only forms of self-individuality, and creates in Janie the feeling of being a puppet on strings, having no self-worth, and that she has been brought into this world by mistake. The story strongly expresses many different ideas and thoughts on sexism, gender roles, and feminism. The story tells a great tale of a woman who begins to overcome all of these ideas and beliefs, along with many
Both Zora Neale Hurston’s Their Eyes Were Watching God and Seraph on the Suwannee act as accounts of female recognition. The two protagonists of the novels, Janie and Arvay, come realize the significance of personal enjoyment of life for one’s self, and how such an awareness causes you to be surrounded you with people who love you for your own happiness. In both novels Hurston uses literal and figurative imagery of the sea as a symbol for this self-affirmation. The connection is more pronounced with Arvay, as she and Jim finally return to one another while actually at sea, yet the connection runs with Janie throughout Their Eyes… as well as both women struggle to reach their “horizons” of answers and satisfaction.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Kubitschek, Missy Dehn. " 'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God." Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
Kubitschek, Missy Dehn. " 'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God." Modern Critical Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
The late first lady Eleanor Roosevelt once said, "Hate and force cannot be in just one part of the world without having an effect on the rest of it." Mrs. Roosevelt means that although one person may feel alone through the hardships one faces, one has millions beside oneself who can relate to and understand what one may feel. Zora Neale Hurston shows that even though Janie's family and spouses continue to be abusive and harsh toward Janie, their hate and control left her stronger than before, preparing her for the next challenges thrown at her. In Their Eyes Were Watching God, the deaths of close relatives and family positively affect Janie because she tends to become more educated and wiser with each death she overcomes in the obstacles she calls her life. In Their Eyes Were Watching God, Janie is positively affected by Joe Stark's death because she finally feels free of all control.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
The main female characters of Their Eyes Were Watching God, and Seraph on the Suwanee, move from oppression to liberation throughout the course of the novel. Their journey to find their own “niche” in life occurs via their relationships with men. For Janie, her relationships with dominant male figures stifle her identity as well as her ability to achieve self-actualization. For Arvay Meserve, her personal background and relationship with her authoritarian husband cause miscommunication and thus prevent her from personal growth and awareness. In both cases, a hurricane is the mechanism through which both women find their identities and place in life.
In Conclusion Zora Hurston’s novel Their Eyes Were Watching God, Janie uses marriage to find her identity, but ultimately she finds independence and self worth on her own. I went into detail about my thesis statement and showed what Janie went through to find independence, happiness, and identity. Hurston is important to the American Literary tradition by being the first African American to write books in her community. Her novels tell interesting stories. People should continue to read her books because they are interesting and will keep you interested and will entertain you.
Throughout the twentieth century, women have struggled with their rights in the social, economic, and political fields. Women have gained a lot of ground towards equality through organizations such as the League of Nations (De Haan 58). The twentieth century dealt heavily with creating a stronger and more independent identity for women as a result of their actions to achieve equality. The growth in independence and strength of women during the twentieth century is an idea echoed in Zora Neale Hurston’s Their Eyes Were Watching God. In the novel Zora Neale Hurston compares the lives of men and woman and uses Janie’s three husbands to reveal a theme that as a woman ages, the woman grows stronger, more independent, and more mature as a result
Zora Neal Hurston’s book, Their Eyes Were Watching God, reveals one of life’s most relevant purposes that stretches across cultures and relates to every aspect of enlightenment. The novel examines the life of the strong-willed Janie Crawford, as she goes down the path of self-discovery by way of her past relationships. Ideas regarding the path of liberation date all the way back to the teachings of Siddhartha. Yet, its concept is still recycled in the twenty-first century, as it inspires all humanity to look beyond the “horizon,” as Janie explains. Self-identification, or self-fulfillment, is a theme that persists throughout the book, remaining a quest for Janie Crawford to discover, from the time she begins to tell the story to her best friend, Pheoby Watson. Hurston makes a point at the beginning of the novel to separate the male and female identities from one another. This is important for the reader to note. The theme for identity, as it relates to Janie, carefully unfolds as the story goes on to expand the depths of the female interior.