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Courtly love in Shakespeare's time
Gender inequality in the Renaissance
Gender inequality in the Renaissance
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Recommended: Courtly love in Shakespeare's time
Chretein de Troyes, Arthurian Romances
From the Classical age through the medieval age, women were greatly disrespected. They did not have any say in anything and were not appreciated. In Classical texts such as The Odyssey, the women were treated as if they were animals. They did not have the respect of others and some were thought of as whores. In the stories of Erec and Enide, Lancelot, and Perceval, we see a dramatic change in this, due to the system of government that Arthur entails giving them the freedom and rights they deserved. The new man to woman relationship brought about in these stories is very different then the past stories we have read from the classical age. This system gave great honor and respect to women, which became part of the chivalric code that was followed by the knights and royalty of that time. The courtly relationship between man and woman is the theme created throughout the stories in the Arthurian Romances. The ideas of courtly love and chivalry are summarized in these stories. We see many instances where knights go out of their way to please their woman. Once a knight chooses his woman, she thought of as his chattel, or property. He can do what he pleases with her and she must listen to him or possibly be killed. He respects and loves her as long as she is loyal and faithful to him. If someone were to interfere in his or her relationship, they would fight ‘til death or until someone begs for mercy. The knights fought for the most beautiful and did what they pleased with them. They fought for them if necessary to keep respect for themselves and for their maiden. This is what the chivalric ideology was based on and so the knights followed and respected it. In the story of Erec and Enide we see how some women affect the lifestyle and choices that the knights make due to their love. The woman was the prize possession to every man. They were won in various games that were played by the knights. Different ceremonies were held to award to the winner the most beautiful woman in the land. We can see here that women were so important that a knight had to prove he was the best at what he did to gain her hand. These types of games were normal in this time since the woman was respected so much more. Competition was also based on who was th...
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...confess all his sins and feels guilty about all he has done. He meets up with the lady he raped and her knight on a quest. He confesses all he has done to her along with his other sins and this infuriates the knight. They battle and Perceval defeats him and sends him to his maiden. All he defeats he send to his maiden as a gift to show her that he still loves her. Through his atonement and courtly love, Perceval returns back to normal and remains King Arthur’s faithful knight.
In conclusion I feel that the medieval period allowed the women to gain a powerful status in society. They gained honorable reputations and were respected by everyone. The chivalric attitudes that the knights obtained allowed for an uprising of the public status between the sexes. Their attitudes toward each other had a tremendous change from the classical era to the Medieval one. We can still see the medieval attitude today towards some women. Some men go out of their way to help the lady. Men open doors for ladies and keep them warm. Instead of them being called knights, they are called gentlemen. This can be an indication of the existence of medieval knights and the chivalric code they followed.
In Chrétien de Troyes' Ywain, women represent the moral virtue and arch of all mid-evil civilization. Women of this time had to be an object of love, which meant they had to have beauty, goodness, and be truthful. They had to be a representative of all chivalrous ideals. They also act as civilizing influences throughout the story. Women are put in the story to give men a reason for acting brave and noble. Men become knights in order to demonstrate to women that they are strong and capable of defending themselves against danger. This, they hope, will win the women's heart.
Women in Medieval times had a limited power because they were considered a minority to men. Most women were seen as a “holy” person because women could weave the life of knights between life and death; they were seen to have a connection to the other world. As well, women were a form of peacemaking between two kingships. Chivalric Romance continues this pattern of portraying a woman of simply being in the background. The audience is only shown the man/the knight point of view instead of a woman. However so, in “Erec and Enide”, the attention is shifting for the chivalrous knight to the beautiful and strong women, that is Enide. Through Enide’s eyes and mindset, the audience sees the portray of love and loyalty from women, what a knight in earlier
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
. The amount of stress Guy has faces from the extreme poverty and lack of resources to the lack of work and money, he can obtain to give to his family leads to many stressful choices to make. The stressful events Guy faces is inestimable, compared to the amount of events that bring him happiness. In the story Guy had a dream where he explains how he “just want[s] to take that big balloon and ride it up in the air” (Danticat 347). Guy’s dream to fly off into the skies of Haiti foreshadows to what will end up happening to Guy. Guy is facing a lot stress either from his family or the living conditions in Haiti, which will end up leaving him to try to escape. After Guy reveals his dream, Lili, his wife, questions “If you [Guy] were to take that balloon and fly away, would you take me and the boy?” (Danticat 347). By inquiring if Guy is going to leave his family illustrates that Guy
In the beginning of “The Wife of Bath’s Tale”, the Knight takes advantage of a virgin woman, but by the end he is letting a woman make a decision for him. The knight gives up all of his power and tells the old woman “I leave the matter to your wise decision. / You make the choice yourself for the provision” (Chaucer 376-377). By saying this, it shows that on the knight’s quest for the answer to what women truly want, he has earned his honor and respects women, because that is what they truly want. The knight then goes on to say how men should let their wives have power and that God should “cut short the lives/Of those who won’t be governed by their wives” (407-408). This is ironic,
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In William Shakespeare’s “Othello, the Moor of Venice”, we observe several different characters to include the Moor himself; however, Othello’s trusted and loyal ensign Iago continually surfaces as somewhat of the play’s director that holds a generalized hate with the world (Web.b.ebscohost.com.bethelu.idm.oclc.org, 2015). Consequently, Iago uses his very strategic skills to manipulate and control people’s emotion for his personal gain. Iago, also known as “honest Iago”, is initially presented as being direct and truthful, when in fact his actions are not consistent with his reputation (Bevington, 2014). Ultimately, throughout Shakespeare’s masterpiece we see Iago pretend to befriend, manipulate, create chaos, and eventually kill people by gaining their trust. This type of behavior is what classifies Iago as the villain in this tragedy. Although Iago
Each different aspect of the code of chivalry held a separate role in society. Whether it be religious or barbaric, chivalry tended to hold a moral guideline among those who followed it. This moral guideline held them true to their duties to man, God, and women (Sex, Society, and Medieval Women). All of which are reflected in the three themes of Chivalry: Warrior chivalry, religious chivalry, and courtly love chivalry (Sex, Society, and Medieval Women). These three hold their individual roles, all stimulating a different part of the mind and creating a code held by all areas of life in those who hold it. The underlying question posed in this intense pledge is whether those who took the oath lived it out accordingly. To live out Chivalry is to go against the logic of the human mind. That is a hard task. Canterbury Tales provides one example of a man fighting against the odds. The kenight portrayed in the story can be compared to that of the quarterback of a football team. That knight truly took the leadership of his role and lived out all of its responsibilities. On the other hand, in midst of the popularity, a large majority of knights truly embraced only certain aspects of the pledge of Chivalry. They used their title and their pledge to court women and gain an upper hand on everyone else around them. The corrupt behavior of these knights is why the general consensus of a knight’s success in following the pledge of Chivalry is failure. The mind of a man still finds its origin in the Social Darwinism concept of a man’s mind. This idea plays the leading role in the failure of knights in the medieval period to live out their oath of Chivalry in every aspect of this oath.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
In other words, workfare only comes about when society fails at providing accurate resources to escape poverty. Workfare is the obligation impoverished people are facing to work jobs with little security and no benefits which keep them living below the poverty line. Wacquant states “Today one in three Americans in the labor force is a non standard wage worker” (55) Another aspect of the transition from welfare to workfare is that to receive public aid you must have a job. In order to receive benefits one must accept any job offered regardless of conditions, pay, or lack of benefits. This may seem like a way to help people or make them prove they are trying to improve their lives however, this rule prevents people from searching for better jobs or going to
A good, chivalric knight should hold ladies in esteem. He should do all in his power to serve and protect ladies. Perceval’s mother instructs him to never “withhold [his] aid” from a lady or a “maiden in distress” (Lawall 1333). She says that “he who does not yield honor to ladies, loses his honor” (Lawall 1333)....
...tured by jealousy, this insinuation is tempting Othello to do the complete opposite of what Iago is saying and this is Iago’s plan. Othello is already convinced of Desdemona’s unfaithfulness and now cannot move from his mind-set, Iago has ingeniously used Othello’s credulousness and his own subterfuge to destroy him. Iago is desperate to have Othello commit murder to his own wife; Iago is determined to destroy Othello’s reputation, to make him lose his wife and his job.
...s more of a witty and satirical change from Childe Harold’s Pilgrimage. Byron started writing this poem in 1818, adding parts to it up until his death, leaving it unfinished. During this time, Byron continued in his lustful ways with women, possibly seen in the poem in the way that the main character is the opposite of a womanizer, falling victim to women seducing him. Often the main character’s adventures are poetic perceptions of Byron’s sexual escapades.