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The iliad and the roles of women
Women in the greek mythology 123help
Iliad women's role
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Women of the Iliad
In the Iliad we saw women as items of exchange and as markers of status for the men who possessed them (Chryseis and
Briseis, whom Agame mnon and Achilles argue over in Book I). We saw them in their normal social roles as mothers and wives
(Hecuba, Andromache in Book VI). We saw stereotypical characterizations of them as fickle (Helen in Book VI), seductive,
and deceitful (Hera in Book XIV). We see them as an obstacle that the male hero has to overcome or resist to fulfill his heroic
destiny (Andromache's entreaties to Hector in Book VI).
In all, the few times women show up in what is basically a story told in the male sphere, the story is nothing that subverts or calls
into question the structure of the society that is being portrayed... or is there?
To the extent that the Iliad has a moral lesson to impart to its readers, part of it would have to be that the behavior of Agam
emnon and Achilles in the first book (and beyond) is excessive. Both men are so fixated on their own images as heroic warriors
that they end up bringing woe upon themselves and the rest of the Greeks. Part of that behavior is the way they treat the wome
n not as human beings but as emblems of their own status and martial prowess. Look carefully at what Agamemnon says to the
prophet who declared that he had to give back Chryseis (Page 62):
Now once more you make divination to the Dana ans, argue
forth your reason why he who strikes from afar afflicts them,
because I for the sake of the girl Chryseis would not take
the shining ransom; and indeed I wish greatly to have her
in my own house; since I like her be tter than Klytaimestra
my own wife, for in truth she is no way inferior
To those who already knew the stories of the Trojan War heroes (which all of the original Greek audience of the epic would),
these words would be ominous ones. They would know that Agamemnon had angered hi s wife Klytaimestra (Clytemnestra),
The Trojan War veterans of The Odyssey succeeded in defeating their enemies on the battlefield. The end of combat did not mean relief from burdens for them. War is cruel, but in it these men see a glory they cannot find outside. Achilleus’ death in war is treated with ceremony and respect. Agamemnon, having survived that same war, dies a pitiful death and Klytaimestra “was so hard that her hands would not/ press shut [his] eyes and mouth though [he] was going to Hades” (XI, 425-426). Dying at home meant being denied even simple acts of dignity. Reflecting back on it Hades, Agamemnon characterizes the veteran’s struggles when he asks, “What pleasure was there for me when I had wound up the fighting?” (XXIV, 95).
In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
However, when reading the Iliad, there is a shock factor of how some of the men weren’t as kindly receptive to the influences of women as Enkidu was. Enkidu treasured Shamhat, but Agamemnon treated Chryseis and Briseis as mere objects of pleasure. Chryses was influenced by Chyseis’, his daughter’s, capture to call on Apollo, the health god, to place a deadly plague over the Greeks. This resulted in Achilles confronting Agamemnon who reluctantly stated, “Still, I’ll give her back, if that’s what’s best. / I don’t want to see the army destroyed like this. / But I want another prize ready for me right away. / I’m not going to be the only Greek without a prize,” (1.124-127). Sadly, the prize Agamemnon ended up taking was Briseis, and she originally belonged to Achilles. Because Agamemnon took Briseis, Achilles was angry and went to Thetis, his sea nymph mother, saying “And heralds led away my girl, Briseis, / Whom the army had given to me. / Now you have to help me, if you can” (1.406-408). Thetis went to speak with Zeus and Achilles did not fight in the Trojan War for some time. While Shamhat, in Gilgamesh, influenced Enkidu to fight and be a better man, Chryseis’ influence affected Agamemnon to make a foolish decision, which influenced him to take Briseis, and Briseis being taken influenced Achilles to withdraw from
In Greek mythology, women are typically associated with everything natural and evil, such as passion, jealousy, anger etc… and in Classical Athens, society feared their union because they thought some sort of crazy ritual must be going on. Some of these characteristics are depicted in the Odyssey. In fact, the slaves are shown serving the suitors, obeying their commands to meet their needs (even sexually). Also, the beautiful nymph Calypso is a perfect example of how she seduces Odysseus, falls crazy in love with him and holds him prisoner for years. And, Circe transforms Odysseus’s
The representation of women within The Odyssey reflects the perception of women within modern society. The ideas of women over time have shifted into a more empowering sense of what is right for a woman how she must be represented within a culture. Within today’s culture the women of The Odyssey would receive backlash from those who would call the characters’ temptresses or seductresses, yet they represent so much more than that. The women of The Odyssey are strong, empowering, and loyal. To take the element of sexualization away from the characters allows a specific level of praise that should be given for being so liberating, loyal, and determined. Penelope, Calypso, and Clytemnestra are all representatives of the modern woman despite the
The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.
Throughout the Iliad, Homer portraits the extent to which honor plays a role in the lives of Greeks and the manner in which they are willing to sacrifice in order to reach their goals. The Iliad is set during the Trojan War, a particularly long and bloody war, fought not over boundary disagreements, and not over political conflicts, and not to protect the nation. Rather, it was a war fought to defend the personal honor. The possession of women was important to a man’s standing and honor. Paris’ theft of Helen struck a huge blow to the honor of Menelaus and becomes the initial cause of the Trojan War. Consequently, Menelaus, the Spartan ruler, called upon his brother Agamemnon to gather the Greek forces to launch the war against Paris demanding the return of Helen and reinstating the honor for the king. The war lasted for ten years and cost innumerable Greeks’ lives and brought incurable pain upon their families. To Greek heroes, honor is more important than their life as much as that life would be meaningless without it, and they even willingly sacrifice their lives in order...
The ethical values reflected in the Iliad should be taken seriously because they are not only plausible, but also congruent with the time and place. Homer is narrating tales of a society where men expect to fight and likely die in battle, where courage is demanded of all men, and where honor and glory are seen as steps toward achieving excellence. What makes the Iliad a masterpiece of Western civilization is not just the stirring story, but most of all Homer’s even-handed portrayal of the Homeric world, for the Trojans are never depicted as being less than the Greeks. The Greeks, even their greatest military heroes, are seen as flawed human beings. In conclusion, what Homer presents in the Iliad is a worldview rather than the local perspective of a distant war. In the end, Homer seems to be saying that all men may aspire to virtue.
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men.
Unlike today where women are usually regarded as important as men are, the ancient Greek men were ranked much higher than women in the hierarchy and therefore there was quite a gap between them. This meant that men were able to order women around and information was available to them before anybody else. Men were regarded as smarter than women so they were chosen to do special tasks while the women were left to be servants. But men didn?t seem to understand women much at all. Some men believed that they were just ?Poor women?, ?Harping on trouble?, where really they were doing things that would have helped themselves as well as the people around them. Medea is expecte...
What would you expect to be the role of a woman in the society? Most of us will believe that women play an important role in our society. They give birth, take care of the family, listen to and are loyal to their husbands. This is how we usually think of women. However, Ancient Egyptian Literatures bring us to the complete opposite view of woman. They believe that women cause many troubles to their husband and society. They are treacherous and unacceptable. Women are portrayed as troublemakers, as shown through Eve from Genesis in the Hebrew Bible, who caused her husband got into trouble; Clytemnestra from The Odyssey, who betrayed her husband; and Ishtar from The Epic of Gilgamesh, who wanted to kill her lover when he didn’t accept her love.
Although the story is about Odysseus and his crew's trials to get home, the female characters each have an impact on their odyssey. Calypso, Circe, and Penelope are three very different women whose traits and personalities affect the roles they play in the Odyssey of Odysseus.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
One significant woman role during this poem is women characters Chryseis and Briseis as war prizes. These women have a role where they have little control over their destiny, and this destiny, actually causes a lot of disruption between Achilles and Agamemnon. Chryseis and Briseis are both women characters who play the role of seized maidens who are looked at as loot of