Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sexual awakenings in literature
Sexuality in literature
Sexuality in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sexual awakenings in literature
Consequences of Passion Exposed in The Romance of Tristan and Iseult
The story of Tristan and Iseult celebrates the triumph of adultery. When looking vaguely at this romance, readers may think the potion of love that they both drink is the one that makes them to commit adultery. However, this is only a representation of the power of passion and lust Tristan and Iseult have for each other.
To better understand this love story, one must realize that Tristan is a marshal hero who volunteers to take a battle against the King of Ireland, in order to redeem the people and the monarch of King Mark. It would therefore, be suitable to say that King Mark has given his nephew the trust to accomplish the mammoth exercise. In Ireland, Tristan faces the challenge of killing a beast that has terrorized the community, and the reward for this is to gain Iseult -- the daughter of the king. Indeed, Tristan’s military prowess earns him the honor of taking Iseult as a wife to King Mark. Tristan is kind and gentle in his speech of promise about reverence that the would-be-queen is entitled to in Cornwall upon their arrival.
Iseult’s mother gives stern instructions to Tristan concerning the wedding night of King Mark and Iseult, and believing that Tristan as a nephew to the king would honor such promises.
Child, it is yours to go with Iseult to King Mark’s country, for you love her with a faithful love. Take then this pitcher and remember well my words. Hide it so that no eye shall see nor no lip go near it: but when the wedding night has come and that moment in which the wedded are left alone, pour this essenced wine into a cup and offer it to King Mark and to Iseult his queen. Oh! Take all care, my child, that they alone shall taste th...
... middle of paper ...
...e seen in a less stringent sense than the infidelity that is skyrocketing in many marriages of today. Iseult has not vowed to love King Mark, but she was only given away as a prize to the king because, "for the love of King Mark, did Tristan conquer the Queen of the Hair of Gold" (367). Honestly, there should not be serious consequences for Tristan and Iseult in the same way that the Clintons had to endure the outcomes of an unfaithful spouse. Both Tristan and Iseult reacted against the religious code of being faithful to King Mark, while they burned with passions for each other. Closely analyzing this scenario, the reader of this story would have sympathy for Tristan and Iseult as "star-crossed lovers," to use the language of William Shakespeare in Romeo and Juliet.
Work Cited
Bedier, Joseph. The Romance of Tristan and Iseult. New York: Pantheon Books, 1964.
Lust or Love: An Essay Analyzing the Relationship of Romeo and Juliet in Romeo and Juliet
Lanval, a handsome knight, falls desperately in love with a beautiful maiden, who grants the knight her love on the condition that he keep their bliss in full secrecy. Upon returning home, Lanval is confronted by Guinevere, who attempts to seduce him . After her initial advances are rejected, the Queen tries a new tactic, attacking Lanval 's masculinity: "I have been told often enough that you have no desire for women. Base coward, wicked recreant, my lord is extremely unfortunate to have suffered you near him. " By questioning Lanval 's worthiness to serve by Arthur, Guinevere is questioning Lanval 's very status as a knight, and once again we see a knightly protagonist put into a hopeless situation as many of his chivalric duties--- courteousness to the Queen, faithfulness to his King, honesty and loyalty to his lover, and defense of his own honor--- are forced into an unresolvable conflict. Lanval defends his honor and honors his King 's trust, but breaks his promise to his lover and grievously insults the Queen: "I love and am loved by a lady who should be prized above all others... you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness. " Lanval 's inability to simultaneously commit to all of his knightly responsibilities is comically underscored by his polite hesitation ("my lady the Queen") even
Love is dependent upon the slightest change, but it can cause the utmost drastic consequences. This is the truth of two lovers in William Shakespeare’s furthermost celebrated play, The Tragedy of Romeo and Juliet. In the case of Romeo and Juliet, love is inimical. Romeo comes from the family of Montague while Juliet comes from the family of Capulet. For reasons unknown, these two families are sworn enemies. However, Romeo and Juliet are not. In fact, they are in a secret relationship that only two others know about. The only two that Romeo and Juliet trust, the Nurse and the Friar. While the Nurse, Friar, and Juliet’s father, Lord Capulet, all have good intentions, they are all responsible for the suicides of Romeo and Juliet in the
The elements of courtly love operate at several levels simultaneously in The Knight of the Cart; they are expressed by the behaviors of Lancelot, Queen Guinevere, Meleagant and other characters in the story. Two vividly deployed elements are the concepts of loyalt...
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
...tion of both methods can be used to show France’s idea of what love is. Patrick John Ireland argued that France’s idea of love “is a human force controlled by man with great difficulty; it is a spontaneous, natural, and all-consuming power, the experience of which leads to an almost blind passion at times” (133). To be in love, one must be entirely devoted and passionate to one another to the point of blind passion. This is so for Yonec (the Princess jumps out of the tower) and Lanval (Lanval’s complete rejection of the human world until he is brought into the world of his lover). Not only does France portray love as natural and all-consuming, but also shows the private and unearthly nature of love that cannot be contained to the realm of the human world. Rather, love transcends the boundaries of the human world and enters into a world where love reigns supreme.
Infatuation is love which is self-indulgent, obsessive and irrational. It causes people to lose their self-control and perspective. It is often a product of the senses, which is of physical infatuation rather than mental compatibility, thus it is appropriate for Oberon's love potion to be applied to the eyes which is the strongest senses a person depends on to view the world.
Tristan makes himself into the perfectly chivalric knight. This is the view from the outside, however, he is clever and cunning outwitting the King to pursue his love. Iseult is the wife of King Mark, Tristan’s uncle, and Lord. Tristan and Iseult both individually owe complete loyalty to King Mark. At the end of any competition, it is customary to give something
...ifestyle of the relationship between Abelard and Heloise. If the two were truly in love, then they would fight to stay together rather than give up themselves to a higher being or to what society was asking for in the way of how a relationship should be defined religiously. If Abelard and Heloise were truly in love, even the Church would be unable to separate the two.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In Perrault’s “The Sleeping Beauty in the Woods”, love is a general theme. With a prince finding his princess, the two of them are bound to the lies that come with the choice of their young love. However, this love grows a prince into a king and a princess into a queen. Love sometimes also involves parental involvement. Love is so big sometimes that is seconds as blinders. Being a different type of mother, the former queen has always been seen as a normal person. But, she loses sight of the love she has for her son until a tragic and horrific scene reminds her of what love really is. Through Perrault’s idealistic view, he reminds his audience that love conquers all things.
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
According to Capellanus, “Good character alone makes any man worthy of love”. In Lanval, the fairy lover chooses Lanval because he is “worthy and courtly” (Lawall 1319). Lanval gladly accepts the fairy’s love. He promises to “abandon all others for [her]” (Lawall 1319). Capellanus also says that “a true lover does not desire to embrace in love anyone except his beloved”. Therefore, Lanval loves his fairy lover solely. When the Queen offers her love to Lanval, he rejects her because his heart is devoted to his fairy lover. His beloved is one whom he “prized above all others” (Lawall 1320). Lanval desires no one more than his fairy lover. She provides him with “great joy and pleasure” that he can forego the other pleasures of the world (Lawall 1320). The claim she has on him is like that of a king’s.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
In all of Shakespeare's plays, there is a definitive style present, a style he perfected. From his very first play (The Comedy of Errors) to his very last (The Tempest), he uses unique symbolism and descriptive poetry to express and explain the actions and events he writes about. Twelfth Night, The Tempest and A Midsummer Night's Dream are all tragicomedies that epitomise the best use of the themes and ideology that Shakespeare puts forth.