Encounters with Death in The Masque of Red Death
After reading Edgar Allan Poe's "The Masque of Red Death" (317-22), the reader can only conclude that death is the theme once again in another thrilling horror tale. Other critics such as Patricia H. Wheat, view this tale as a battle between life and death (51-56). Yet, Leonard Cassuto brings an interesting theory to this tale--"According to the narrator's own account, no one survives the Red Death. The only one who(lives) is Death. The narrator must be death himself" (317-20). Reflecting back to the various critical analogies on tone, character, and allegory on "The Masque of Red Death" a certain aspect of this work has yet to be defined. The plague that devastated a whole countryside could only be described. Could it be that Poe uses this fiction to chronicle his own encounters with death in his own life? To better understand this viewpoint a short summary is incorporated:
" The Red Death had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and it's seal-the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim was the pest ban, which shut him out from the aid and from the sympathy of his fellow men. And the whole seizure, progress, and termination of the disease were the incidents of half an hour" (Poe 317-22).
In this passage Poe describes a plague that death uses to take its victims. The horrific manner in which the disease appears -- bleeding at the pores, sharp pains, and seizures--can be related back to episodes in...
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...Tales of Mystery and Imagination Norwalk: Heritage P.,1969. 317-322.
Starret, Vincent. "Tales of Mystery and Imagination." Norwalk: Heritage P., 1969. Intro.
Wheat, Patricia H. " The Masque of Indifference in The Masque of Red Death". Stud Short Fiction, 19(1982), 51-56.
Works Consulted
Alton, Laura. "Masque of Red Allegory." 30 Oct.,1999. <http://www.neo.Irun.com/12stark/12smith/Netpages/Masque/alton.htm>.
Bell, H.H. " The Masque of Red Death An Interpretation." South Atlantic Bulletin. 38 (Nov. 1973) 101-105.
Dudley, Leonard. " The Coy Reaper: Unmasque-ing the Red Death". Stud Short Fiction. 30 (1993), 169-73.
Silk, Richard D. "Poe's The Masque of Red Death". Explicator, 47(1989) 24-26.
Womack, Martha. "Edgar Allan Poe's The Masque of Red Death." 28 Oct. 1999. <http://www.poedecoder.com/essays/masque/>.
in this paper is called "The Masqe of the Red Death." This story is nice and
Roth, Martin. "Inside "Masque of the Red Death"" SubStance 13.43 (1984): 50-53. JSTOR. Web. 8 May 2012. .
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
In “The Masque of the Red Death,” Edgar Allan Poe uses imagery, sensory detail and symbolism not only to build suspense, but also to convey the idea that an individual can not hide or run away from death which becomes closer as time passes on. Throughout the story Poe uses imagery details to create suspense in the story. For example when the author is describing the disease that has taken many lives he describes the unfortunate event as, “ Blood was its Avator and its seal- the redness and the horror of blood. One can understand that in the story the tragic death of someone might occur as tragically as the disease is described. Accordingly, as the story progresses the deep shade of the color red is evident in many areas to represent symbolism.
Poe, Edgar Allan. "The Masque of the Red Death." The American Tradition in Literature. Ed. George Perkins and Barbara Perkins. 9th ed. vol. 1. New York: McGraw, 1998.
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
The “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal—the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.
Roth, Martin. “Inside ‘The Masque of the Red Death’.” SubStance 13.2 (1984): p50-53. Literature Resource Center. Web. 19 March 2012.
In Edgar Allan Poe’s “The Masque of the Red Death,” the symbolism of the mummer, the masques, and the fortress convey the idea that no matter how much one tries to control death, fate will override. There is nothing man can do to control all aspects of life. “Frail humanity can never escape the inevitable ravages of time” (Zimmerman par. 12). Poe’s story serves as a lesson to the reader that when they try to change their fate , they will drop, and die in the despairing posture of their
In the story, “Masque of the Red Death” it covers six months during the Red Death.It takes place in a castle which has seven different colored rooms.In the beginning of the story it describes the main character prince Prospero as happy,fearless and wise. Towards the end of the story a new guest appears to the party and everyone is scared and Prospero goes from being happy to mad and in the end the new guest kills Prospero and everyone dies because he was the Red Death. The message in this analogy ,”The Masque of the Red Death “ by Poe is life passes by so quick that you don't realize what's going on until it's your time to die.
Edgar Allen Poe's The Masque of the Red Death is an elaborate allegory that combines
In “The Masque Of The Red Death” and “The Cask Of Amontillado”, Edgar Allan Poe warns his readers, that when people hesitate to accept the reality it often results in death. To convey this idea Poe has used a combination of similar setting and characters.
“The Masque of the Red Death.” Short Stories for Students. Ed. Ira Milne. Vol. Detroit: Thomson Gale, 2000. 232-260. Short Stories for Students. Web. 12 Jan. 2010.
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
Edgar Allan Poe is known for his masterful writing on all aspects of mortality, but his famous short story “The Masque of the Red Death” proves to be more than a simple story about death. While it is about death, Poe’s short story can be read and applied as a cautionary tale whose purpose is to illustrate a worthy way to live and die by portraying the opposite of both. This interpretation comes about when the story is viewed through the lens of New Criticism. This viewpoint shows how the story uses its formal elements converge to create one complex theme. Poe’s short story develops its theme through the use of paradox, tension, irony and ambiguity, all of which come together to identify