Throughout all of Edgar Allan Poe's works are common ideas that oppose each such as madness versus sanity, reality versus the imagined reality and life versus death. Usually these sentiments are taken as contrasting ideas with little similarities to each other, like black and white. However, many of these motifs are situated in the grey category. Poe uses the communal thought pathway to highlight its antithesis; the pathway of grey. With the new pathway, he emphasizes the similarities of the opposing ideas until they meld into one solid grey idea. One without the other is nothing more than absolutely nothing at all. Poe creates the grey to both discredit society’s division between black and white and to stress that the first perception is not always the most accurate one. This is especially true when the subjects of life and death, love and hate, and fortune and misfortune, come into the game. In his short stories, Edgar Allan Poe uses the juxtaposition of opposing ideas to reveal similarities between what appear to be opposites.
Within Edgar A. Poe’s stories, there is often a duality of emotions or sentiments, often in direct conflict with each other. Such is the case with two of his short stories focused at the motif of life versus death. “Masque of the Red Death” and “Hop-Frog” are two stories that exemplify the contrast between the two themes vividly.
In the short story, “Hop-Frog”, the main character is driven to find a way out of his prison. To escape, he believes that he needs to kill his captor, the king. In the instant that he creates the connection between the king being death and his death being freedom, he has created the grey effect. The connection between life and death is established and cannot be driven apart...
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... to power may have been Poe’s ideals in Hop-Frog and The Purloined Letter, but the reality of the situation was that monetary wealth was the single most useful means of gaining power, at least in the publishing industry. The Masque of the Red Death was a poignant social commentary on this uneven field of play and Poe’s point of view concerning the wealthy capitalists. Nonetheless, the possibility of altering the rules on the field of play lay not in the hands of the mentally acute and those who possessed information, but completely with those who possessed capital.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
In “The Masque of the Red Death,” Edgar Allan Poe uses imagery, sensory detail and symbolism not only to build suspense, but also to convey the idea that an individual can not hide or run away from death which becomes closer as time passes on. Throughout the story Poe uses imagery details to create suspense in the story. For example when the author is describing the disease that has taken many lives he describes the unfortunate event as, “ Blood was its Avator and its seal- the redness and the horror of blood. One can understand that in the story the tragic death of someone might occur as tragically as the disease is described. Accordingly, as the story progresses the deep shade of the color red is evident in many areas to represent symbolism.
Edgar Allan Poe was famous for his poems, short stories, motifs, themes, etc. After reading three of his most famous works: “The Pit and the Pendulum,” “The Raven,” and “The Masque of the Red Death,” I found that the “Masque of the Red Death” was my personal favorite. In this story, Edgar Allan Poe enthralled the reader with his entire concept, symbols, and the way he infused history into the interesting and haunting story.
In the short story “ The Masque of the Red Death,” Edgar Allen Poe uses symbolism to express ideas to develop his theme and characters. “ The Masque of the Red Death” tells a story of prince Prospero who locks his friends and himself in a castle to escape the Red Death, a deadly disease. Much to Prospero’s dismay, in the end, the deadly disease causes them to perish. Poe uses the dark room to reveal Prospero’s unusual character and reveal that death is always there and cannot be avoided.
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Death, despair, and revenge, these three words form a treacherous triangle to any reader who dare enter the mind of Edgar Allen Poe. In many of his works these expressions seem to form a reoccurring theme. Comparing the works "The Mask of the Red Death" and "The Cask of Amontillado", we will discuss these themes while analyzing the method behind Poe’s madness.
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Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
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