Language and Symbolism in The Masque of the Red Death

Language and Symbolism in The Masque of the Red Death

Edgar Allen Poe's The Masque of the Red Death is an elaborate allegory that combines

objects in the story with visual descriptions to give focus to the reader's imagination. In the story,

a prince named Properso tries to dodge the Red Death through isolation and seclusion. He hides

behind impenetrable walls of his castellated abbey and lets the world take care of its own. But no

walls can stop death because it is unavoidable and inevitable. Visual descriptions in the story are

used to symbolize death. Poe's use of language and symbolism is shown in his description of the

seventh room in the suite, the ebony clock, and the fire. These objects are used to depict the

theme of the story death "held illimitable dominion over all" (363).

The first symbolic mean of death is depicted in the seventh room in the suite. Poe says,

"The seventh apartment was closely shrouded in black velvet tapestries that hung all over the

ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue"

(359). He uses the seventh room to symbolize the final stage of life, death. He sees the black

velvet tapestries as blood flowing from the ceiling and walls to the floor. The relationship

between blood and death is important because he wants the reader to have a visual image of the

blood pouring down the walls as a form of death.

The fire lighting the suite of rooms is another object in the story that represented death.

He says, "...There stood, opposite to each window, a heavy tripod, bearing a brazier of fire that

projected its rays through the tinted glass... But in the western or black chamber the effect of the

firelight that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the

extreme, and produced so wild a look upon the countenances of those who entered..." (359). The

fire was meant to produce a shadowy atmosphere in the west and a favorable one in the east.

This is symbolic to the sunrise in the east and sunset in the west because light means life and

darkness means death. Poe uses darkness as another visual representation of death.

The gigantic clock of ebony is another symbolic object in the story. "Its pendulum swung

to and fro with a dull, heavy, monotonous clang; and when the minute hand made the circuit.