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Recommended: Poetry poems
Throughout the poem "Two Hangovers" many vivid and descriptive images are given by the author. The images the reader gets are cold, lonely, and dark as some think winter to be; however, in the second part the reader receives an image of bright colors which could be interpreted as a time of renewal, spring, or a time when things are looking up. Imagery and metaphors are used to show the reader the feeling and life depiction of the person in the poem while portraying the image that reflects this. In "Two Hangovers," James Wright uses imagery and metaphors to illustrate a harsh winter changing into spring, and how he feels and acts during these seasons. As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter. The end of Number one also reinforces the impression of winter. The image of a sparrow, generally a brown or dark bird, that "sings of the Hanna Coal Co. and the dead moon," reinforces the description of winter once again, because there is no life during winter as opposed to a harvest moon in fall when it is warm, life is good, and food is plenty. "The filaments of cold light bulbs tremble," gives a very cold image and it is like music, but he can not listen to it.
“Winter Evening” by Archibald Lampman, and “Stories of Snow” by P.K Page are two poems describing the human experience of winter. Winter is seen, by some, to be blissful, magical and serene. Winter could also be described as pure and heavenly, with the white snow resembling clouds. However, others have a contrasting viewpoint; they paint winter in harsher light, giving the impression that winter is bitter and ruthless. Others still, have a mixed viewpoint and may recognize both the positives and negatives to the season.
The setting takes place mostly in the woods around Andy’s house in Pennsylvania. The season is winter and snow has covered every inch of the woods and Andy’s favorite place to be in, “They had been in her dreams, and she had never lost' sight of them…woods always stayed the same.” (327). While the woods manage to continually stay the same, Andy wants to stay the same too because she is scared of growing up. The woods are where she can do manly activities such as hunting, fishing and camping with her father. According to Andy, she thinks of the woods as peaceful and relaxing, even when the snow hits the grounds making the woods sparkle and shimmer. When they got to the campsite, they immediately started heading out to hunt for a doe. Andy describes the woods as always being the same, but she claims that “If they weren't there, everything would be quieter, and the woods would be the same as before. But they are here and so it's all different.” (329) By them being in the woods, everything is different, and Andy hates different. The authors use of literary elements contributes to the effect of the theme by explaining what the setting means to Andy. The woods make Andy happy and she wants to be there all the time, but meanwhile the woods give Andy a realization that she must grow up. Even though the woods change she must change as
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
She describes the September morning as “mild, benignant, yet with a keener breath than the summer months.” She then goes on to describe the field outside her window, using word choice that is quite the opposite of words that would be used to describe a depressing story. She depicts the exact opposite of death, and creates a feeling of joy, happiness, and life to the world outside her room. After this, she goes into great detail about the “festivities” of the rooks among the treetops, and how they “soared round the treetops until it looked as if a vast net with thousands of black knots in it had been cast up into the air”. There is so much going on around her that “it was difficult to keep the eyes strictly turned upon the book.” Descriptions like these are no way to describe a seemingly depressing story about a moth, but by using these, joyful descriptions, Woolf connects everything happening outside to a single strand of energy. These images set a lively tone for the world around her, and now allow her to further introduce the moth into the story.
The image is tantalizing: a small, desolate town, cursed with numbing chilliness, has its streets, its buildings, and its trees blotchily painted upon layers and layers of colorless coldness. The heavy snow continues falling, stacking, growing, and engulfing the town in white, dull skies threatening no stop, until there is a sudden halt. Just for a moment, the skies are clear, pure and bright. A pleasant warmth touches every spot, every nook, and every cranny drenched in snow. Everything seems to be filled with a bright warmth before the cold chill engulfs the town once more and continues to bury the town even further into a bitter, cold winter. In Edith Wharton's novel, Ethan Frome, the dark climate exemplifies Ethan's grief of living a miserable life in Starkfield. His long term marriage with his bitter wife, Zeenobia, only adds to his hardships and it is clear that his only source of joy comes from the company of Zeena's young and cheerful cousin, Mattie Silver.
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
The use of visual imagery in each poem immensely contributed to conveying the theme. In the poem “Reluctance”, Robert Frost used this poetic device to better illustrate the leaves of autumn:
Written in the late eighteenth century “Written in October” displays characteristics of Romantic poetry such as close description of nature, plants and the seasons, and the relation of these to the individual’s state of mind (Brooks, 16). Smith uses the theme of autumn in a comparison to the speakers own personal situation and “dejected mood” (5). Although the poem is predominantly concerned with the sense of loss often associated with autumn, Smith uses the hopefulness of spring in contrast to the end of life that autumn brings. It is as if the speaker is comparing themselves to the changing season, suggesting that she is also coming to the end of her cycle and sees the “fading foliage” as a refle...
In many ways, the ideas and themes expressed in Edith Wharton’s Ethan Frome are comparable to those detailed in Margaret Atwood’s poem, “February”. As both works of literature feature the cold winter months or a single harsh winter month as the respective settings for the pieces, the messages that the writers intend to convey to their readers is incredibly similar. In both cases, winter symbolizes the repression of love and passion and the increased frequency of depressing thoughts. Atwood writes that in February, “famine / crouches in the bed sheets.../ and pollution pours / out of our chimneys to keep us warm” (20-24). In the life of her speaker, there is no love during this cold, brutal month. She has no one else to keep her bed warm,
Fitzgerald, F. Scott. "Winter Dreams." Print. Rpt. in English 102 Course Pack. By Megan Newell. Montreal: Eastman Systems, 2012. 33-40. Print.
It begins with the narrator stating, “Slowly I slip into oncoming twilight in unutterable silence of fog and green light” (Stanza 1). Thus, the foggy atmosphere represents her loneliness now that her man has vanished. When the narrator lays her, “back against the ancient elms until they shiver with their age,” (Stanza 2) she reminisces the memories of her love. Larsen demonstrates how the elms are growing old just like her lover, and she slowly illustrates the memorial in the background as the stanzas continue. As the memorial becomes more visible, the narrator recounts, “I watch him light on a blade of grass and he stays without breath, without motion,” (Stanza 4). Using the firefly to represent the deceased, Larsen also compares the forest to a memorial through her description of the atmosphere and visuals faded behind her
The opening lines of the poem paint a picture of a bright forest in autumn, when the leaves are just turning red and nature is preparing for the coming of winter. However, this forest is empty. The “light in the nothingness” (line 2) is an image describing the way this person feels and the grief that now stares him in the face because of the cremation of his father. His father is now “dull cinders and grit” (line 4), something that is no longer human, and yet the author wants to look at the ashes as though they are still human. When he sees the “round
In both, out of some onomatopoeic words for a bird song and realistic sceneries of nature, the true beauty and ugliness is doubted. While we all suppose spring to be the most beautiful fantastic global fete, the poet shows us a mocking unpleasing view out of that. Or on the other hand he shows us a delicate heartsome scene in the lifeless vapid "Winter."
Images of different different seasons of the year to explain the process of growing older. Images that depict the fading of light in a persons soul transforming into darkness. Images that the reader can perceive as vivid actions. Images that all symbolize one thing, death. In the first quatrain the speaker begins by comparing an old middle age man to a tree with few to none yellow leaves hanging on its branch, and branches moving to the wind of a cold late autumn/early winter day. Image that depicts a lifeless trees and shivering branches, branches that perhaps represent the weak muscles of the speaker. Another image is depicted in the first quatrain containing the same idea. The image of an old church choirs in ruins. In the second quatrain the speaker depicts a moving image of a twilight that can be seen fading on him as the sun sets in the west and soon turns into darkness. Symbolizing the last moments of life the speaker has. In the third quatrain the speaker depicts an image with a similar meaning as the previous, except for one distinctly last thought. The speaker depicts a living image of a bonfire extinguishing and turning into ashes, ashes that may represent his well lived youth. The image gives the idea that ashes represent what once was a beautiful life to the speaker. Overall the images representing the
The more Pitch thought on the matter the more clearly the string of events became in his mind. From the time Jack had broken from his control to the moment he had wrapped his hand around the winter spirits neck. He could still see the look in Jack's eyes as he struggled to free himself from his grasp. To free himself so that he could breath once more. Perhaps though what he could see most clearly was the sight of the life fade from ...