The ordinary, but shepherd-like and curious enough to look realistically at the nature, Speaker of this poem shall be married; this much realizing the subtle fears and emotions of a "married ear" and sympathizing with it.
Names of specific various flowers and animals, indicating the time of year- the first days of spring - accompanied some other rustic words i.e. shepherd and ploughman brings to the mind the image of a rural life, something like what we saw in " Winter" ( the same author)
In both, out of some onomatopoeic words for a bird song and realistic sceneries of nature, the true beauty and ugliness is doubted. While we all suppose spring to be the most beautiful fantastic global fete, the poet shows us a mocking unpleasing view out of that. Or on the other hand he shows us a delicate heartsome scene in the lifeless vapid "Winter."
Again in both the musicality of the words and right diction of the rural setting and season plays the major role. The semi humorous tone helps the habituated literature of "Spring" in case of the new view ans sarcastic butt.
There are some words that can be defined for a better understanding:
the cuckoo occupies the nest and eats the eggs of other bird. It was usual to alarm a husband at the approach of an adulterer by calling out cuckoo., which by mistake was applied in the person warned.(1)
Garden cress, botanically was called Cardomine, a diminutive of Cardamom, called in Latin Nasturtium, sometimes called nose-smart ( kara-damon, Heart-afflicting), so nasturtium is nasi-tortium ( nose-twisting), called so in sequence of its pungency, Called Ladies smock because the flowers resemble linen exposed to whiten on grass. There is, however, a purple tint which mars its perfect whiteness.
Archibald Lampman’s “Winter Evening” and P.K. Page’s “Stories of Snow” both initially describe winter to be delicate and blissful, yet, as one delves deeper into the poem, it is revealed that the speakers believe winter to be harsh and forceful. Archibald Lampman’s “Winter Evening,” starts describing an evening
In John Knowles’ novel, A Separate Piece, the main Character, Gene Forrester, has to learn to become friends with his hazardous roommate, Phineas, at his school, Devon, in New Hampshire. The novel is affected by a number of changes, however the largest and most significant change is the change in seasons. In Thomas C. Foster’s novel, How to read literature like a Professor, chapter twenty explains the significance of the seasons. Foster states that, “Summer [symbolizes] adulthood and romance and fulfillment and passion,” while, “ winter [symbolizes] old age and resentment and death.” John Knowles’ book A Separate Peace, all aspects of Summer, Fall, and Winter are excellently represented as explained in Thomas C. Foster’s novel, How to read
Lehner, Ernst, and Johanna Lehner. Folklore and Symbolism of Flowers, Plants and Trees. New York: Tudor. 1960
For each seasonal section, there is a progression from beginning to end within the season. Each season is compiled in a progressive nature with poetry describing the beginning of a season coming before poetry for the end of the season. This is clear for spring, which starts with, “fallen snow [that] lingers on” and concludes with a poet lamenting that “spring should take its leave” (McCullough 14, 39). The imagery progresses from the end of winter, with snow still lingering around to when the signs of spring are disappearing. Although each poem alone does not show much in terms of the time of the year, when put into the context of other poems a timeline emerges from one season to the next. Each poem is linked to another poem when it comes to the entire anthology. By having each poem put into the context of another, a sense of organization emerges within each section. Every poem contributes to the meaning of a group of poems. The images used are meant to evoke a specific point in each season from the snow to the blossoms to the falling of the blossoms. Since each poem stands alone and has no true plot they lack the significance than if they were put into th...
The first three stanzas present an image of neighbor as a secretive, but shrewd farmer. He is shrouded in mystery to the narrator and her companions, as is his great prize-winning sow, impounded from public stare. He obviously views the sow as a source of great pride, but also something very secret and personal. Even his barn takes on a mystical quality as the narrator wanders its lantern-corridors as if in a maze. In fact, the speaker will only venture in at dusk to try and catch a glimpse of the wonderous beast.
The story opens by embracing the reader with a relaxed setting, giving the anticipation for an optimistic story. “…with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green (p.445).”
In the play Othello, Shakespeare uses many literary devices to help the reader understand the theme of the story. One of those many literary devices used in the play, is the wide range of irony. Throughout the pages of the book the reader will see the use of dramatic, situational, and verbal irony. Shakespeare does not use irony in an understated way, it is very direct, and can be found on almost every page of the book. The use of irony creates suspense, and adds interest as to what will happen.
Giving off the feeling of warmth, the speaker of "Sonnet 18," expresses his love towards her by using imagery that revolves around a "summer's day." The speaker starts off by stating that the "rough winds," will blow away the flowers that sprout in May, which portray a cold picture associated with a chilly sensation. However, as the speaker continues to describe the feeling of love, he states that even if the sun's "too hot", he still loves her. Using the sun's ray to be too hot, shows that even if the feeling is really warm to the point it burns, he will still love her. The transition between cold and warm creates a suttle jesture, allowing the readers to get connect to get a better grasp of the warm feeling. Meanwhile, in "I Am Offering this Poem," the speaker also uses a similar style of imagery. Icy and chill, the speaker introduces the poem with the winter season. Stating, "winter comes to cover you," paints the readers with the images of snow and ice. However, he dusts the cold feeling by saying "warm coat," to show that his feeling can be drawn out of the cold with the feeling of warmth. He declares that his feelings towards her is like a "pot of yellow corn to warm your ...
Comparing The Passionate Shepherd to His Love and Nymph's Reply to the Shepherd. and the stark contrast of the treatment of an identical theme, that of love within the framework of pastoral life. I intend to look at each poem separately to give my interpretation of the poet's intentions and then discuss their techniques and how the chosen techniques affect the portal of an identical theme. The poem The Passionate Shepherd to His Love appears to be about the Elizabethan courtly ideal of living with the barest necessities, like.
Literally, this is a poem discribing the seasons. Frosts interpertation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer. Spring is portrayed as painfully quick in its retirement; "Her early leaf's a flower,/ But only so an hour.". Most would associate summer as a season brimming with life, perhaps the realization of what was began in spring. As Frost preceives it however, from the moment spring...
the play, it seemed that Othello was the only one who didn't know the truth.
In the book Hamlet by Shakespeare, irony is used numerous times in order to give the reader insight on what is going on. As stated in the Merriam-Webster dictionary, irony is an action that is understood by the audience but not by the characters in the play. If this strategy were not included in this drama, it would take away the whole purpose. This play would consist of no suspense and would be extremely boring to the reader because the characters would know as much as the readers know. This allows for incite to what can happen in the future or what has happened in the past. The irony in this play ultimately revolves around Hamlet and his plan to achieve revenge with Claudius. From the play that Hamlet organizes about the death of his father to the ending where Fortinbras happened to be at the right place at the right time to take over the throne in Denmark; this paper examines the cases in where irony is used to show how Hamlet is preventing his murderer uncle from getting away with his fathers death.
In the first stanza, the poet seems to be offering a conventional romanticized view of Nature:
Although Shakespeare’s plays are generally categorized according to their adherence to the formulaic definitions of histories, romances, comedies, or tragedies, there are several plays that complicate the task of fitting neatly into these groupings. Many literary critics, in fact, have singled out a handful of plays and labeled them ‘Problem Plays’ because they do not fall easily into any of the four categories, though they do loosely adhere to the predicated ‘formula’ of the genre under which they appear in the Folios. Although The Winter’s Tale is not generally considered a problem play, it certainly contains elements that greatly complicate our understanding of the term ‘comedy’ and make it difficult to accept the play as such. In this work, Shakespeare’ s comic vision is so darkened by tragic events that it is questionable whether the play is ever able to recover sufficiently to make the comedic ending acceptable. Although The Winter's Tale is considered a comedy in the formal sense (complete with the marriage at the end), it must also be seen as a serious response to tragedy in that it not only engages various tragic elements, but it also uses those elements to highlight the contradictory and unbelievable nature of its comedic ending. Through the odd construction of the play, the great dramatic risks taken, and the paradoxical conclusion of The Winter's Tale, Shakespeare creates a complex work that seems to suggest that categories like ‘comedy’ are largely ambiguous terms when the predicated comedic ending is so darkened by tragic events that the play does not have the time nor the strength to recover.
As Perdita grows older, the shepherdess imparts her “blossoming” image on others, particularly on the courtiers who greet her in the country. After asking Dorcas to “Give [her] those flowers there,” she distributes “rosemary and rue [which] keep / Seeming and savor all the winter long” (IV.iv.73-5). The flowers ...