The Dark Comic Vision of The Winter’s Tale
Although Shakespeare’s plays are generally categorized according to their adherence to the formulaic definitions of histories, romances, comedies, or tragedies, there are several plays that complicate the task of fitting neatly into these groupings. Many literary critics, in fact, have singled out a handful of plays and labeled them ‘Problem Plays’ because they do not fall easily into any of the four categories, though they do loosely adhere to the predicated ‘formula’ of the genre under which they appear in the Folios. Although The Winter’s Tale is not generally considered a problem play, it certainly contains elements that greatly complicate our understanding of the term ‘comedy’ and make it difficult to accept the play as such. In this work, Shakespeare’ s comic vision is so darkened by tragic events that it is questionable whether the play is ever able to recover sufficiently to make the comedic ending acceptable. Although The Winter's Tale is considered a comedy in the formal sense (complete with the marriage at the end), it must also be seen as a serious response to tragedy in that it not only engages various tragic elements, but it also uses those elements to highlight the contradictory and unbelievable nature of its comedic ending. Through the odd construction of the play, the great dramatic risks taken, and the paradoxical conclusion of The Winter's Tale, Shakespeare creates a complex work that seems to suggest that categories like ‘comedy’ are largely ambiguous terms when the predicated comedic ending is so darkened by tragic events that the play does not have the time nor the strength to recover.
The odd construction of The Winter’s Tale makes it seem, until th...
... middle of paper ...
... that Shakespeare was bending the rules or expectations of his audience a bit in order see what he could get away with. His method certainly makes for very interesting discussions about the plays that he does this with, and it makes the whole body of his works much richer and more complex.
Works Cited and Consulted
Bloom, Harold. The Winter’s Tale (Modern Critical Interpretations). Chelsea House Publishers, 1992.
Granville Barker's Prefaces to Shakespeare: A Midsummer Nights Dream: The Winter’s Tale: The Tempest. Granville Barker. Heinemann, 1994.
Innes, Sheila. The Winter’s Tale (Cambridge School Shakespeare). Cambridge: Cambridge University Press, 1999.
Shakespeare, William. The Winter’s Tale. Paul Werstine. Pocket Books, 1998.
The Winter’s Tale (Norton Edition): Greenblatt, Stephen, ed. The Norton Shakespeare. London, W.W. Norton & Co. 1997
Zeno of Citium founded the philosophy of Stoicism around 300 BCE. His school met informally at the Painted Stoa, a covered colonnade on the northern edge of the Athenian Agora (Sellars, 1). Zeno was the son of a merchant from Citium in Cyprus, but his environment was heavily influenced by the Greeks. Although there is no way of knowing exactly what sparked his interest in philosophy, it is believed that his father brought home many Socratic books from his travels to Athens (Sandbach, 20). Zeno finally journeyed to Athens, most likely inspired by his readings, when he was 22 years old. While in Athens, Zeno was exposed to many different ways of thinking, but he was most affected by the Cynic outlook (Sandbach, 20). Second-hand accounts and late stoic writings tell the story of how Zeno came across the Cynics. He was said to have been reading a Socratic book in a bookstall that prompted him to ask the bookse...
Stoicism was the belief that emotions were only because of an error in judgment and those that were true intellectuals would be able to forgo all emotion. They felt that all things, including God and the soul were material, because they felt that in order to have true pairs, body and soul, God and the world, that both must be the same substance. (Stoicism [The Internet Encyclopedia of Philosophy]) While Epicureanism was the belief that pleasure is the absence of pain and confusion. To truly follow this line of belief, the believer must seek reas...
...elm. Criticism on Shakespeare s Tragedies . A Course of Lectures on Dramatic Art and Literature. London: AMS Press, Inc., 1965.
Epicureanism is a philosophy developed the teachings and ideals of a man named Epicurus. Epicureanism is defined by Epicurus as the pleasure for the end of all morality and that real pleasure is attained through a life of prudence, honor, and justice. Epicurus introduced this philosophy around 322 B.C, and two schools established in Athens. Epicurus taught the ethics of his philosophy in his school, that a person should live by “the art of making life happy”, and that “prudence is the noblest part of philosophy”(newadvent.org). Epicurus ideals for life intrigued people and they began to think that perhaps the ethics of Epicureanism had some truth behind it; a person should live his/her life to the fullest in order to become happy. Epicurus also made judgments on theology, logic and psychology. Throughout the life of Epicurus and his teachings of Epicureanism, the people of Greece and the world widened their view of life as a result of Epicurus teachings. Epicureanism provided a great out-look on what life should be.
William Shakespeare, The Tempest, ed. Frank Kermode, with an introduction by Frank Kermode, (Arden, 1964)
Epicurus' ethics was a form of egoistic hedonism, meaning that the only thing essentially valuable is one's own pleasure. Anything else that has value is valuable merely as a means to securing pleasure for oneself. Epicurus associated this theory to a refined and individual view of the nature of pleasure, which lead him to recommend a virtuous, moderately frugal life as the best means to securing pleasure. His ethical theories find a foundation in the Aristotelian commonplace that the highest good is what is valued for its own sake, and not for the sake of anything else. Epicurus also agreed with Aristotle that happiness is the highest good. However, he disagreed with Aristotle by identifying happiness with pleasure. Epicurus gave two reasons for this. The main reason was that pleasure is the only thing that people do having value just for its own sake; that is, Epicurus' ethical hedonism is based upon his psychological hedonism. Everything we do, he claimed, we do for the sake of ultimately gaining pleasure for ourselves. This is supposedly confirmed by observing the obvious behavior of infants, who instinctively pursue pleasure and shun pain. The truth in this is also found in the behavior of adults, but in adults it is more difficult to see that this truth, since they have much more complicated beliefs about what will bring them pleasure. This hedonism was widely denounced in the ancient world as undermining traditional morality. "The trouble with Epicureanism is its assumption that the self is a bundle of natural appetites and passions, and that the end of life is their gratification. Experience shows that such a policy consi...
Epictetus was a philosopher that was born in 50 C.E.and died in 130 C.E., Epictetus was famous for his strong belief in self discipline. Unlike fellow philosopher Epicurus Epictetus does not believe that matter is the most important thing in the universe and that people should try to fulfill their pleasures. Epictetus believes that the most important thing in the universe is God. He believes that people should live their entire lives understanding where they stand in the cosmic universe. As stated in the book Great Traditions In Ethics Epictetus believes “That we are first to learn that there is a god; and that his providence directs the whole” (Denise, White, &
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
In Shakespeare’s “The Winter’s Tale”, we see a jealous king convinced he is search of the truth. He will expose his wife and her alleged philandering, but his determination to prove this actually changes this search from one for truth to one for myths—creations, false truths. In essence. Leontes runs into the conflict of defining art versus nature, where art is the view of the world he constructs to prove his paranoia true. Nature itself can exist without art, but the art here is the mangled perception through which Leontes will seek to define Nature. In summation, “The Winter’s Tale” investigates the conflict between art and nature—creation versus enhancement—and seeks to find out if art can exist without any consideration to nature.
Insofar I only take Lear as the counter-example of stoicism. It is because the other side of Lear – Albany and Edgar, serve for a more important example: the frustration of stoicism. From Frye’s point of view, Albany and Edgar stand for the moralist side, preaching the morals and seeing the world as harmonious cosmos. However, as Jonathan Bate suggests in chapter 22 of Soul of the Age, their stoic belief does not earn them what they expect: Gloucester does all one can enduring his suffering, but still fails to sustain his will to live in the end: “No further, sir; a man may rot even here”; and in Edgar’s case, his stoic moral of enduring to Gloucester: ‘Men must endure/ Their going hence even as their coming hither. / Ripeness is all.’ ironically
Works Cited: Shakespeare, William. The Winter's Tale. Ed. J. H. P. Pafford (London: Methuen, 1963).
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
_______________ after hedonism a new philosophical movement called stoicisim emerged to confront the hardships humanity must face. At the same time It was a critical response to the hendonistic and morally lax greco-roman society. The stoics were tough skinned philosophers with their sandals planted firmly on the ground whose philosophy was centered around the principles of ethics. In fact the stoic view of happiness was diametrically opposed to the hedonistic view of happiness. Firstly they believed happiness derived through pleasure was meaningless and futile. Stoics held that self control was the banner of human virtue, and that it would be our garunte...
For the Stoics, what is necessary to live a happy life does not derive itself from physical pleasure or mental peace, rather virtue (Sharples 100). When one acts virtuously, they act in accordance with their human nature, following the guidance of their reason. For the Stoics, this guidance from reason leads us to certain things which give us pleasure such as wisdom or even other virtues we may feel. This life of virtue in accordance with reason is completely sufficient for living a happy life and in no way is it affected by an action’s consequence. The Stoics stress the importance of reasonable action in pursuance of a specific outcome without giving worth to the specific outcome itself (Sharples 107). If a man follows his reason to obtain an outcome, the outcome in question plays no role in the assignment of happiness, only the use of his reason. Ext...
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.