Spring in the Kokinshū

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Seasons can convey a multitude of meanings. Though the Kokinshū consists of numerous sections, the seasonal sections are the best at conveying the power of human creativity. The seasons in poetry are used to show everything from the passage of time as well as evoke feelings such as loneliness and love. As shown in the spring sections of the Kokinshū, seasons are treated in poetry through their progression from one part of the season to another, seasonal imagery in describing the season, related emotional expressions, and the linking of human emotion to the natural surroundings.

For each seasonal section, there is a progression from beginning to end within the season. Each season is compiled in a progressive nature with poetry describing the beginning of a season coming before poetry for the end of the season. This is clear for spring, which starts with, “fallen snow [that] lingers on” and concludes with a poet lamenting that “spring should take its leave” (McCullough 14, 39). The imagery progresses from the end of winter, with snow still lingering around to when the signs of spring are disappearing. Although each poem alone does not show much in terms of the time of the year, when put into the context of other poems a timeline emerges from one season to the next. Each poem is linked to another poem when it comes to the entire anthology. By having each poem put into the context of another, a sense of organization emerges within each section. Every poem contributes to the meaning of a group of poems. The images used are meant to evoke a specific point in each season from the snow to the blossoms to the falling of the blossoms. Since each poem stands alone and has no true plot they lack the significance than if they were put into th...

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...nging feeling. The longing feeling is not exclusive to the cherry blossoms, but can be subtly directed towards a person also. Spring brings beauty in the form of the cherry blossoms, but ends with a desire to see it again. Furthermore, life, whether human or natural, is not eternal. It will only go on for so long before it reaches an end. Each season only comes once a year, and everything associated with it will not return till the next year. As a result, the relatively short-lived life is regarded as a reason to appreciate every last bit of beauty in the season however minor or seemingly insignificant. Everything is taken into account and admired. Once it is gone, the only choice is to wait for it to return in a year. Throughout the seasonal sections of the Kokinshū, this connection between natural beauty and the human condition can be seen through the poetry.

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