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Film ethical issues
Ethics of Cinema
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The spring in a small town is a movie that really left a deep impression to me. Neither because it was produced in a special period of times in china nor the significance of movie that director want to express to audience. I was surprised by a few scenes that could represent the struggling issue of morality in the movie, which really lead me to consider lots of other things may beyond this movie itself into tradition ethics and human nature.
Taking place in a ruined family compound after the anti-Japanese War, the film tells the story of the once prosperous Dai family. The husband and patriarch, Dai Liyan is an invalid, and spends his days in the courtyard nostalgic for the past. His marriage to Zhou Yuwen has long been rendered loveless, though both still feel concern for the other. Liyan's young teenage sister Dai Xiu , meanwhile, is too young to remember the past, and stays cheerful and playful in the ruins of her home. Then there comes Zhang Zhichen who is the Liyan’s childhood friend and also is the former flame of Zhou Yuwen before she ever met her husband. So the relationship between Liyan Yuwen and Zhichen becomes awkward and subtle when they all discovered that the feeling between Yuwen and Zhichen still existed and that’s all the conflict and struggle begin with. From the start of the movie we can know that Liyan feel really sorry about his wife because he is invalid and depressed all the day. He even tries to push Yuwen away because he cannot bring her any happiness. Yuwen never say so even though she knows that she is not happy, she doesn't know what else she could do except continue take care of her husband. However, she becomes vacillating once she see Zhichen has come. The conversation between Yuwen and Zhichen in ...
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...tinue is just for children because they thought it is their responsibility to give children a complete family. I won’t say no to that but once the children realize that their parents are not happy be together, will their still be happy or appreciated about what their parents sacrificed for them. So I think people follow the rules and ethics and take responsibility, at meanwhile, they give up the right to looking for what they really want or even they give up the happiness of their own children. And that could be considered as irresponsible.
Follow the morality or to follow the heart is always a tough choice when it comes to love. What I believe is they are both right choice because sometimes the true love overcome anything else in the world and sometimes when we put such things like responsibility and morality together, they are greater than a simple word love.
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
One argument supporting premise 1 is built around Kant’s Dictum “never to use a person as a means, but to treat him or her as end”1. Many parents do in fact have desires related to their children that with sex selection could come to fruition, however using a child solely as an end seems unreasonable . Savulescu argues that if parents “love their child
The main problem for the Liang family was that they had been scattered. Father and Mother divorced, Liang off at college, and the two girls (although they later lived near Liang Shan) were off for a long time in the country. This separation made hard times even harder.
The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consist of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1 his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his families politics were always questioned, the mistake mad...
Simmel’s theory of conflict may be applied to the residents in “Two Towns of Jasper” because the murder of James Byrd Jr. had created conflict of racism and forced the town to examine their collective identity. The theory of conflict explains conflict as a form of interaction, more beneficial way to bring people in one society together, and a necessary for societal change. The benefits of a conflict are promoting growth in a society, resolving issues, and innovation. “Two Towns of Jasper” demonstrates that the conflict that arises from the murder of James Byrd Jr. brings the citizens of Jasper to recognize the racial differences that are occurring and resolve these issues in order to prevent future problems. Caucasians and African-Americans come together and view the murderers as common enemies which heightened the solidarity among the two groups.
In the poem "A Song of Changgan", It establishes with the speaker not wanting to be with her husband "And I lowered my head toward a dark corner; And would not turn to your thousand calls;" However, as she turns fifteen she considers that she has no other choice and grasps the fact that she loves him. "But at fifteen, I straightened my brows and laughed, Learning that no dust could ever seal our love, That even unto death I would await you by my post; And would never lose heart in the tower of silent watching." When the speaker turns sixteen, her husband sets off on a lengthy journey which made her worried as he hasn't come home for a while. "Your footprints by our door, where I had watched you go, Were hidden, every one of them, under green moss, Hidden under moss too deep to sweep away. "
It is because of him that his little brothers Chueh-min and Chueh-hui realize how unfair the old system of arranged marriage was. They witnessed their older brother Chueh-hsin go along with tradition and release a lake of tears over the years because of his willingness to let his elders determine his future instead of himself. Chueh-hsin was in constant reflection of what he should have done to save his happiness and the joy of the woman he loved, Mei. In the end, Mei is so overwhelmed with unhappiness that she stops treating herself well, gives up on life and withers away and dies.
On the surface, Chinatown is a film about the political corruption surrounding the conflict over water rights in Southern California in the early 20th century. But really, it is a film that gives the audience a bleak and pessimistic view of humanity as it sheds light on the deep moral bankruptcy of which humans are capable. The opening scene of Chinatown gives the audience a taste of the human immorality to come and also hints at some key themes that continue throughout the film.
...uld. They have been the one to comfort us when the world seemed to turn evil. They have been the one to love us when we needed it the most, by the end of the story the outlook on the pressures take a different turn. Jing-mei has matured from a girl into a woman and as a peace of offering, her mother offers to give her the piano the main object of adversity between the two of them. This offers her the realization that she has become herself on her own terms, even with all of this hardship. She also learns that with everything her mother pushed on her or made her do it was out of love to make Jing-mei have a better and more satisfying life than the one her mother had to go through.
Lena recalls the relationship between her and her white father and her Chinese mother Ying-ying and her role as translator between the two when her mother has a still born son and conveys her grief and sadness. Lena’s father , unlike her or her mother doesn't speak Chinese so has no clue as to what she’s saying, so he ask Lena to translate in English what she’s saying or is trying to say. Lena then lies to protect her dads feelings from her mothers hateful words.
Chang portrays the complexity of Henry’s character by showing the conflict that he faces both in his personal and professional life. His confusion towards his own Cultural identity is noticed in his relationships with his co-workers as well as with his family. His personal relationship with his family, especially with his father and his wife exemplifies the clash between the two cultures which seems to tear Henry apart. Leila, Henry’s wife, seems to epitomize the traditional American Culture which Henry tries very hard to be a part of. Her forthright nature along with the independence and individuality contradicts the stereotypical qualities of an Asian wife. However, Henry’s desperation is seen in his forgiving attitude towards Leila’s action and behavior. His deter...
During the talk, WuDunn reflects on the story of Dai Mun Ju, a young Chinese girl
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
The play Our Town was written by Thornton Wilder in 1938, and has continued to be widely performed to this day. This play can be viewed as an allegory with both literal and symbolic levels of meaning.
spend a lot of time together, and are increasingly more stuck in their state of mind. Although there is incredibly strong evidence of their spouse's’ affair, this kind of one track mind can lead to other misconceptions and misinterpretation. Mrs. Chan and Mr. Chow are so eager to accept each other’s point of view, that they completely neglected to consider others. Looking at outside perspective, other people could also theorize that Mrs.Chan and Mr.Chow are committing adultery, especially in the more traditionally social China. The two friends fail to realize this perspective, and ultimately, their platonic relationship came with increasing