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Morality in hollywood films
Relation between film and society
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On the surface, Chinatown is a film about the political corruption surrounding the conflict over water rights in Southern California in the early 20th century. But really, it is a film that gives the audience a bleak and pessimistic view of humanity as it sheds light on the deep moral bankruptcy of which humans are capable. The opening scene of Chinatown gives the audience a taste of the human immorality to come and also hints at some key themes that continue throughout the film. The film opens with a close up of a couple having sex in a field. That image is flung away and a second image replaces the first. This is of the same couple in an even more explicit position. The camera slowly zooms out as we see that the images shown previously are …show more content…
Curly declares his wife “no good” and Jack vehemently agrees with him. From the very beginning, this film is focused on people doing immoral things and the upsetting consequences that come from these actions. The situation in this opening prepares the audience for the sicker, more twisted revelations to come. The interaction ends as Jack escorts Curly out of his office. In this final conversation, Curly makes what seems to be a throwaway comment about the price of albacore versus the price of skipjack. The audience may not know it yet, but this mention of albacore is the first of several subtle references to “albacore” in the film. As it turns out, albacore is an oblique reference to the Albacore Club owned by Noah Cross. Taking it one step further, the phrase albacore is actually a stand-in for Cross, his looming presence, and the far reaching consequence of his actions. In short, in this scene that is less than two minutes in length, Polanski sets up two of the critical motifs in the film: the irony that photographs can be very deceiving and albacore as metonymy for Cross. From the very beginning this film is full of people doing immoral things and those around them suffering because of
The film starts with an uprising after a white storeowner kills a black teenager. This incident Highlights Prejudices. The teenager was labeled a thief because of the color of his skin and the unjustifiable murder causes racial tensions that exist as a result of the integration of the high schools.
ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70's. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content.
The theme of The Catcher in the Rye is simple. J. D. Salinger uses this novel to draw a clear distinction between the purity of childhood and the wickedness attained when one reaches adulthood. Salinger uses multiple literary devices including diction, symbolism, tone, and even the title of the novel to drive home his ideas about the innocence of children and the corruption of the world.
As she finds out what happened to Curly's hand, she laughs and mocks what happened to him by saying bologna. Curly's wife found out from the other men that Curly had gotten his hand stuck in a machine and she stated that she likes machines now. This implies to the audience that she liked that fact that he gotten his hand hurt in the machine. Curly's wife is becoming even more evil as I read about her.
Curly is the bosses son and takes full advantage of it by picking on the other workers especially Lennie. He likes to lie and gets angry easily. He's not very confident especially in his wife because he thinks that she's cheating on him.
To achieve this goal, he crafts a stylized capitalistic society that inflicts grave injustices upon his protagonists. The avarice inherent to this society governs everyday life within Street Angel. Xiao Hong, for example, lives with adoptive parents so corrupted by greed that they prostitute their older daughter, Xiao Yun. In a transaction that reflects the inhumanity of higher-level capitalism, these parents sell Xiao Hong to a local gangster. By juxtaposing the implications of this sale with Xiao Hong’s exaggerated innocence, Yuan appeals to his audience’s emotions, stoking anger toward social values that could enable such barbaric exploitation of the poor. Yuan employs a similar juxtaposition later in Street Angel, when Wang visits a lawyer’s office in a skyscraper – an environment so divorced from his day-to-day realities that he remarks, “This is truly heaven.” Wang soon learns otherwise, when the lawyer rebuffs his naïve plea for assistance by coldly reciting his exorbitant fees. The lawyer’s emotionless greed – a callousness that represents capitalism at its worst – contrasts strikingly with Wang’s naïve purity, a quality betrayed by his awestruck expression while inside the skyscraper. Again, this juxtaposition encourages the film’s audience to sympathize with a proletarian victim and condemn the social values that enable his
This demonstrates to us that no matter how much your legal or moral laws are violated, what matters is how you as an individual react to the situation, justly or unjustly. This movie is centered around the notion that if you are a person of ethnic background, that alone is reason for others to forsake your rights, although in the long run justice will prevail
Chinatown builds upon the film noir tradition of exploiting expanding social taboos. Polanski added an entirely new dimension to classic film noir by linking up its darkness with the paranoid and depressed mood of post-Vietnam, post-Watergate America, thereby extending the noir sense of corruption beyond the mean urban streets and to high governmental and privileged economic places. Chinatown may be set in 1930’s L.A., but it embodies the 1970’s. The film stands as an indictment of both capitalism and patriarchy going out of control. It implies that we are powerless in the face of this evil corruption and abusive power that is capable of anything, including incest: one of the most horrible breaches of human decency and social morality imaginable.
The opening scene fades into a girl rolling along a wheelbarrow. A horse is trotting along in front of her. Both of these indicate that she is in a rural area or on a farm. The camera is behind her and we don’t see her face. It is lit naturally and demonstrates deep space (it focuses on the breadth of the entire view of the camera). The camera then cuts to a shot of a boy on a bicycle, in a similar setting as the girl. The sun is facing the camera, creating a natural glare. He rides towards us and then goes out of view. We cut again to the girl, this time closer up. We see her face for the first time. She is probably around 8 years old. The music is a soft, playful piano piece that goes along with her footsteps as she is playing. There are a series of cuts between the boy and the...
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
Over the past centuries, South Florida counties mayor-council forms have been frequently correlated to the association of corrupted government officials. Constituents have been conditioned to expect local governments' corruption tactics, but levels of endurance have been set; meaning they can take but so much before the people speak out. Supporters or fans are mesmerized by officials as they campaign and rally for locals' support. Speeches of lies and deceit have become the leading jargon of political speeches. Lowering taxes, creating jobs, and decreasing crime rates are the propaganda political leaders propose to the vulnerable followers. The forgotten promises become a vague memory why officials were elected in office. Instead of meeting the goals they had aimed to achieve, they warm their plush leather mayor's seats; plant a few trees in the city; kiss a few babies, and make the city treasury their personal piggy banks (e.g. former Mayor Carlos Alvarez). Apparently, the obligations as a mayor have been hindered by lust and greed once they are in office. The ethics of the true meaning of a mayor and their duties have been manipulated, and abandoned, from the true origins of mayor-council form obligations. In addition, constituents have repressed their opinions and subdue to corruption, despite the evident abuse of power. Locals believe their voices will be ignored; hence, they are willing to accept repression and undergo corruption until they think the well has run dry. Multiple occurrences of mayor political corruption surrounds the argument what permits the mishandling of power? Theoretically, the differentiations of weak mayor-council form versus strong mayor-council form are variables in variation of the ou...
deconstruct, by looking closer. This film represents the darkness that we have allowed to seep
The film, Chinatown, directed by Roman Polanski tells a story about corruption, incest, and privatization of water. The plot in this multi-layered, noir film draws upon the history of Los Angeles and the water wars of the early 20th century. The film was released in 1974 and the main characters were portrayed by Jack Nicholson, Faye Dunaway, and John Huston. Chinatown was Polanski’s return to Hollywood five years after the Manson family murder of his wife, Sharon Tate. I believe that this experience influenced scenes of the film.
“We fight each other for territory; we kill each other over race, pride, and respect. We fight for what is ours. They think they’re winning by jumping me now, but soon they’re all going down, war has been declared.” Abuse, Pain, Violence, Racism and Hate fill the streets of Long Beach, California. Asians, Blacks, Whites and Hispanics filled Wilson High School; these students from different ethnic backgrounds faced gang problems from day to night. This movie contains five messages: people shouldn’t be judgmental because being open-minded allows people to know others, having compassion for a person can help people change their views in life, being a racist can only create hate, having the power of the human will/goodness to benefit humanity will cause a person to succeed at any cost and becoming educated helps bring out the intelligence of people.