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Essay on racial diversity
Essay on racial diversity
The relevance of black people in literature
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Dee in the short story “Everyday Use” by Alice Walker seems to think she remembers where she came from. On the other hand, Toluwa in the spoken poem “Sugarcane” by Toluwanimi Obiwole used to dislike where she came from. And last but not least, Langston Hughes in the short poem “Let America be America Again”, asks our society to never forget the melting pot of various cultures that America is built on. One’s culture plays a part in how we view society and how society views us. In “Everyday Use” by Alice Walker, Dee seems to have a struggle when it comes to understanding her heritage. She renames herself "Wangero Leewanika Kemanj” stating that "I couldn't bear it any longer, being named after the people who oppress me.” Yet the name “Dee” is derived from Dee’s aunt, Dicie. Here is the first example of Dee thinking she is getting closer to her roots. Dee then wants to take the churn top and dasher …show more content…
America has always been a melting pot of cultures from its conception. Hughes wants America to be what it stood originally was, a place which was found on liberty and justice for all. This includes “the poor white, the Negro bearing slavery’s scars, the red man driven from the land and the immigrant clutching the hope I seek.” America symbolizes a place where people from all places can come together to seek "a home where he himself is free”. Hughes himself writes that he is the "one who left dark Ireland’s shore, And Poland’s plain, and England’s grassy lea, And torn from Black Africa’s strand I came To build a “homeland of the free.” Hughes stresses that America is the land where “every man is free.” that includes the "poor man’s, Indian’s, Negro’s, ME”. We should not forget how America was originally founded, especially in this day and age. Our core values of diversity are what makes America great, and we should never forget
Susan Farrell in her, “Fight vs. Flight: A Re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” writes in response to Alice Walker’s short story Everyday Use. Farrell’s article is published by Newbury College in spring of 1998 in Studies in Short Fiction (179). Farrell in her article writes to argue that although Dee is inconsiderate and egotistical—supporting what she is arguing against— to a certain degree, she offers a way for a modern African American to manage with the harsh society that is, in a few ways more substantial than that described by Mother and Maggie— which is her thesis (179). Most people who have read Walker’s short story Everyday Use are prone to agree that the character Dee is ‘shallow,’ ‘condescending,’ and ‘manipulative,’;
Helga Hoel states in her essay “Personal Names and Heritage: Alice Walker’s ‘Everyday Use’”, “These important names Dee bases her new-found identity on resemble Kikuyu names, but at least two of them are misspelt” (Hoel). Hoel states that Wangero’s names are an unlikely mixture of names from various African ethnic groups, and that “ [Wangero] is confused and has only superficial knowledge of Africa and all it stands for” (Hoel). Wangero is losing sight of her true heritage, but the heritage she is trying to push upon herself is one she barely understands. This detail is important because, although it does require research to discover, it adds another layer of irony to the character of Wangero in which can be seen an indicator of how Walker
While reading the story "Everyday Use" by Alice Walker, I found that I had a surprising amount of anger towards the character named Dee, or as she prefers Wangero. The anger that was instilled in me was caused by numerous comments and actions that occurred throughout reading the short story. I feel she was selfish, uneducated and unappreciative of her past and that the way she carried herself was ridiculous.
Her name had been passed down from generation to generation before Dee received it. Obviously the name had great importance in her family. Her mother could trace the name back to the civil war and connect it with specific people in her family. Alice Walker write's "you just don't understand," she said , as Maggie and I came out to the car. "what don't I understand?" I wanted to know. "Your heritage," she said".She criticize her mother about not understanding their heritage though, she places her heritage on those quilts instead of continuing the family name that was handed down to her.
So much so, that she had gone home from college to try to get some old family belongings to put on “display” to try to keep the history alive. Unlike Maggie, Dee didn’t care much of the future, she just cared about the past and taking all sentimental family heirlooms. Dee being so caught up in the past, even changes her name to Wangero Leewanika Kemanjo. When Dee first mentions the name change Mama is caught off guard. Mama was confused by this statement and asked, "What happened to ‘Dee’ "(Walker 5). Dee was trying to be polite but she came off extremely blunt by saying "She's dead, I couldn't bear it any longer, being named after the people who oppress me" (Walker 5). Dee’s Name had been passed down from generation to generation, if that doesn’t scream family heritage I don’t know what would. Maggie wasn’t the smartest but she sure knew what she had to do to keep the family tradition going. Maggie was in love and had her whole life ahead of her. Therefore, thinking about the future, she knew having kids one day, would keep the tradition alive. After Mama figured out which child really did value the family heritage, everything started to change for the
Ronald Takaki quotes Langston Hughes in his book A Different Mirror “ Let American be America again, let America be the dream the dreamers dreamed, … I am the red man driven from the land, I am the Immigrant clutching the hope I seek, O let my land be a land where, equality is the air we breathe.” (Takaki, 19-20). “‘We the’diverse ‘people of the United States’ transformed America into a mighty economy and an amazing unique society of varied races, ethnicities, and religion.” (Takaki, 20). Takaki wrote in his book, “ Day of spacious dreams! I sailed for America, Overblown with hope.” ( Takaki, 14). Would not all immigrants come here for a better life? Yes, Ken Vinson, who works at a local power station in Marshalltown, Iowa said, “Some people came here because they were desperate. I don’t care how they got here, and they have a family. Now all of the sudden you want to rip these people out and send them back? I wouldn’t want my family torn apart like that.’” (Barabak, 2016) . An opponent may say, their desire and dreams take away our hope. Desires, dreams, and hopes, however, are contagious and
In the beginning of the story, Dee (Wangero) is introduced as someone that needs to be impressed. The narrator has a fantasy about being reunited with Dee (Wangero) (393). She is described as being beautiful and a wonderful daughter with many good qualities. Besides being beautiful, she is confident. Instead of feeling suppressed because of the color of her skin, she is able to look people in the eye (394). Dee (Wangero) is also educated and the way she talks shows it. She is also opinionated and her family is intimidated by it. Dee’s (Wangero’s) qualities are overall good qualities to have, but I feel like she uses them to act better than her family. The fact that she had changed her name to Wangero (397) and demanded the quilts while she was visiting made me feel that she was superficial. She did not even want the quilts when they were first offered to her before she went to college (400). I do not think it is right to change your family name and then come home and request family heirlooms. Dee (Wangero) always seems to get wha...
Although he believes it was better in the past, he sees America as some sort of fraud because it was never a bastion of freedom. This quote, “O, let my land be a land where Liberty / Is crowned with no false patriotic wreath, / But opportunity is real, and life is free, / Equality is in the air we breathe. / (There’s never been equality for me, / Nor freedom in this “homeland of the free.”) (Hughes, 11-16) captures the fabrication that America was never the home of the free. There is this concept that America is a place of freedom and equality but Hughes understandably does not see it this way. He utilizes examples of many groups of people that have been persecuted either racially or economically such as poor white people, black slaves, Native Americans, and immigrants (Hughes, 19-22). These persecuted groups are overlooked and not given the basic freedoms promised in
The daughter Dee, who is coming to visit, has left this rural landscape through her education. Dee has even taken on an African name for herself: Wangero Leewanika Kemanjo. Dee "couldn't bear it any longer being named after the people who oppress me." (Walker 386)
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
Mrs. Johnson, the mother, is described as, “a large, big-boned woman with rough, man-working hands” (6). She tells some of her capabilities including, “I can kill and clean a hog as mercilessly as a man. . .I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog” (6). This description informs readers that Mrs. Johnson has learned all the ways and traditions of her ancestors and knows how to survive from day to day. She and Maggie’s lives in the small home represent a simple, unsophisticated way of life. Dee, on the other hand is described as, “[light-skinned], with nicer hair and a fuller figure” who “wanted nice things” and “had a style of her own” (7). The clothes Dee wears and the phrases she uses to greet her mother and sister show that she has no real understanding of her background and where she comes from. This shows Dee to be materialistic, complex, and lead a life where heritage is looked upon as a trend and not for what it really represents.
While reading this there were some animosity toward Dee because of what type of character she was. The animosity was caused by the numerous comments and actions that occurred in the story. She was very selfish, uneducated, and very unappreciative of where she came from. Dee carried herself in a very ridiculous way. Among Dee’s family she is the object of jealousy, awe, and agitation, meanwhile she searches for her purpose and sense of self. Dee and her judgmental nature has an effect on Mama and Maggie, her younger sister. Although she across as being arrogant and insensitive, Mama sees he strive to know more and do more. Dee also portray as being a condensing type person because no matter where Mama and Maggie lived she still kept her commitment to come and visit. When Dee comes to visit she tells Maggie and Mama that she has changed her because Dee had died when she left for college. Dee changed her name to Wangoero, which come across as being an attention seeking ploy who still keeps the selfishness of Dee. With Dee changing her name to Wangoero she wants to reclaim her heritage and honor
Dee makes it clear, long before she asked for the quilts, that she has already taken her heritage for granted. Dee makes the bold proclamation that she is not longer going by the name Dee, “‘Not Dee,’ Wangero Leewanika Kemanjo!’” (Walker, 3013). Not only has “Wangero” shocked her mother with her new name, but goes to attack those her family history, “I could not longer bear it any longer, being named after the people who oppressed me.” The author make a substantial point by connecting Dee’s new beliefs to disowning her heritage and her ancestors. Despite the rejection of her family’s humbled life, Dee finds a desire in the quilt of her family’s past. Dee’s request for the quilts is far from nostalgic and she has little consideration for her sister when she asks for both antique quilts. Dee is in love with the idea of displaying her family as a display of her superiority over her ancestors and can not understand why her mother would not agree with her.
Cultural capitalism is having assets that give an individual social mobility (Szeman & Kaposy 88). Such as, with knowledge and/or education, embody speech and personality and objectified: one’s belongings and/or clothing. Through the rise of the Civil Rights Era, Dee becomes more aware of the culture she came from through her surroundings and begins to “embrace” it. She visits Mama’s house to collect some the ancestral quilts in which she denied before. Dee attempts to get more in touch with her African roots by going as far as changing her name to Wangero Leewanika Kemanjo. When arriving at her mother’s house she shared the news of the name change. When Mama quickly questions her, “what happened to Dee?”, Wangero exclaims, “she is dead” (Walker 924). Wangero (Dee) goes the extra mile to her name to make a statement to those around her and becomes noticeable becomes Afrocentric. Mama explains to Wangero the deep family meaning to her name, Dee she nullifies her mother’s answer and explains to her that the name “Dee” originates from slaves given by white slave owners. In the process of Dee Wangero’s transformation to her “deep roots”, she dating an African American Muslim named Hakim-a-barber. With Dee Wangero changing her name and reclaiming her culture she offends her mother through the process but little does she know she is hurting her
“Everyday Use” is a story based in the era of racial separation between communities of diverse ethnicity. “Everyday Use” by Alice Walker merely scratches the surface of racial heritage and the elimination of previous ways of living. This discontinuation of poverty driven physical labor shines through Dee as she grows to know more of her heritage throughout her years in school. An example of this is when Dee changes her name; this is an indication of Dee/Wangero wanting to change her lifestyle after the harsh truth she is hit with while going to school. Dee learns about the struggles of African Americans during this time, which changes her view on the unforgiving reality of her family’s lifestyle. In “Everyday Use”, the author opens the mind