Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Professional identity health care
Professional identity health care
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Joyce Carol Oates creates a heroine, in You Must Remember This, plagued by a seemingly hereditary death wish. Young Enid Stevick attempts to take her life and has left her family speechless. Though her grandfather succeeded in taking his own life and her father fantasized about it, no one seems to be able to discuss the very taboo subject of death, especially when invited by an innocent young girl. Enid’s attraction to death is also paralleled by Enid’s attraction to her half-uncle, Felix, both of which evade Lyle. When Enid is in the intensive care unit, her parents attempt to lie on her behalf and convince themselves of her sanity as much as they attempt to convince Dr. McIntyre. Throughout Enid’s hospital stay, Lyle displays insecurities, …show more content…
He finds himself intimidated by the doctors, particularly the young Dr. McIntyre. One can infer that this younger doctor had achieved a level of success that evades Lyle’s grasp, causing feelings of insecurity and envy. Lyle tries to bring the doctor down to a level at which he can contend and sees this doctor as a salesmen like himself. Lyle sees Dr. McIntyre as detached and scheming, “withholding the proper degree of warmth, solicitude”, and that he is a poker player maintaining a bluff. In Lyle’s head, this young doctor is attempting to ‘sell’ a mental illness diagnosis that caused Enid’s suicide. Lyle even sounds skeptical about his daughter’s medical prognoses though it all seemed observable in her poor condition and ragged appearance. As the more experienced salesman, Lyle, knows that he “wasn’t born yesterday”, so he will not be moved to change the story of Enid’s “accident”. He feels as if these doctors are interrogating him in a way that disrespects his position and story. He is further stripped of agency and authority as he is repeatedly questioned. Oates’s techniques in writing the “interrogation” omit many interrogative punctuation which leads us to assume the questions are lifelessly stated or that the dialogue is quick and judgemental. His discomfort in the questioning at the police station supports the notion that he lacks the conviction and confidence in what he repeats over and over: “she was not”. Lyle appears to be the only one who swallows Enid’s lie, even Hannah and Lizzie search for a suicide letter. His eagerness to believe Enid’s lie to regain control of his family. Lyle “knows” that he “must choose his words with care”, “knew to keep his voice controlled” and so one. He does not wish to question his control and face his failures as a father and husband. Lyle tries to convince himself by reasoning Enid “wouldn’t have had the presence of mind to
Katzoff stated that Stuart verbalizes his concerns regarding the mother’s ability to make medical decisions. He indicated that his son thinks that the mother is quick to take the child to doctors. Mr. Katzoff stated that his son is concerned that the mother takes the child to the doctor without him.
With these two divergent personas that define the grandmother, I believe the ultimate success of this story relies greatly upon specific devices that O’Connor incorporates throughout the story; both irony and foreshadowing ultimately lead to a tale that results in an ironic twist of fate and also play heavily on the character development of the grandmother. The first sense of foreshadowing occurs when the grandmother states “[y]es and what would you do if this fellow, The Misfit, Caught you” (1042). A sense of gloom and an unavoidable meeting with the miscreant The Misfit seem all but inevitable. I am certain that O’Connor had true intent behind th...
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates
For this paper I read the novel The Memory Keeper’s Daughter by Kim Edwards, this novel is told in the span of 25 years, it is told by two characters David and Caroline, who have different lives but are connect through one past decision. The story starts in 1964, when a blizzard happens causing the main character, Dr. David Henry to deliver his own twins. During the delivery the son named Paul is fine but the daughter named Phoebe has something wrong with her. The doctor realizes that the daughter has Down syndrome, he is shocked and age remembers his own childhood when his sister was always sick, her dyeing at an early and how that effected his mother. He didn’t want that to happen to his wife, so David told the nurse to bring Phoebe to an institution, so that his wife wouldn’t suffer. The nurse, Caroline didn’t think this was right, but brings Phoebe to the institution anyways. Once Caroline sees the institution in an awful state she leaves with the baby and
...rden Party” by Mansfield, when Laura conforms to societal wishes despite her dislike of them. Although originally horrified by the idea of hosting a party on the evening of a man’s death, with pressure from those all around, she decides that she will “remember it [the death] again after the party is over” (8 Mansfield). Because Laura has always conformed to societal wishes, she will likely continue to in the future.
Common among classic literature, the theme of mortality engages readers on a quest of coping with one of the certainties of life. Katherine Anne Porter masterfully embraces the theme of mortality both directly and indirectly in her story, “The Jilting of Granny Weatherall.” Understanding that all mankind ultimately becomes subject to death unleashes feelings of dread and anxiety in most people; however, Granny Weatherall transitions from rushing to meet her demise in her sixties to completely denying she is on her deathbed when she is eighty. Readers have seen this theme of mortality reverberated over and over in literature, but what makes this story stand the test of time is the author’s complexity. In Katherine Anne Porter’s
It tells the story of a woman who lives secluded in mind, body, and soul for about three months in what is a “hereditary estate” (Gilman 462) , but how she portrays to the reader as “a haunted mansion” (Gilman 463). Extremely unhappy in her current situation (a suffering woman who nobody believes is truly ill), she escapes through her writing. Having to keep her passion of writing a secret and hiding it from her husband, housekeeper, family and friends, the story has untold endings to her thoughts due to the abrupt arrival of unexpected guests. The diary helps us to see the quick, spiraling downfall and eventual breakdown of an unstable woman whose isolation from society may have encouraged her imminent disease. Through quickly written journal entries, the audience can see the unfolding of the unstable woman. This enlarges the view of the narrative because it helps show a plot line of the progression of an illness (which is the theme as a whole of the
Each John, the narrator's husband in “The Yellow Wallpaper”, Brently Mallard, Mrs. Mallard’s husband in “The Story of an Hour” and Henry Allen, Elisa Allen’s husband in “The Chrysanthemums” unknowingly lead their wives to a state of mental confinement through their actions taken that are meant to help them. John tells his wife to rest and not to think of her condition for the sake of him and the children which drove her mad because
Flannery O’Connor is a Southern author that writes about very violent and strange stories. O’Connor establishes a much need style of writing that capture reader feeling and emotions. This paper will identify some of the author’s hidden emotion and state of imagination to keep the reader on edge. This story is clearly more about the grandmother start from the beginning to end expressing her point of view. The grandmothers discuss her role and religious experience when she meets the Misfits. I think all critics will focus on the grandmother to identify all problems and to have a religious connection with God.
...) Oates novels in the nineteen seventies explored many different complex cultures and elements of human life and tragedy. She barrowed many of these idealistic views from Edger Allen Poe. These ideas referred back to death and love suicide which fell along the same lines of Poe’s. (2)
Sue, 36, and Tom, 39, present for an initial consultation along with their two children-- Alice, 15, and Ted, 7. Sue does most of the talking, while Alice sits slumped in her chair with a sullen look on her face. Ted looks anxious and stays close to his mother. They have come because Sue is concerned about her children. Alice’s
A breathtaking saga of a young girl’s tragic memories of her childhood. As with Ellen, Gibbons’ parents both died before she was twelve-years-old, forming the family. basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and actions of Ellen. The simplistic and humble attitude that both Gibbons and Ellen epitomizes in the novel is portrayed through diction and dialogue.
When tragedy strikes, it is normal for individuals to go through stages of grief. In some situations, people become cemented in one stage of emotional instability. They focus so much on their anger over the inevitability of the unfairness of life, that it eventually makes them go mad. This theme composes the synopsis of Joyce Carol Oates’ book We Were the Mulvaneys. The rape of Marianne Mulvaney catalyzed the disembowelment of the Mulvaney family due to their inability to move on from their grief; each family member coped in unique manners.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.