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Effect of sexual assault
Effect of sexual assault
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The Process to Madness When tragedy strikes, it is normal for individuals to go through stages of grief. In some situations, people become cemented in one stage of emotional instability. They focus so much on their anger over the inevitability of the unfairness of life, that it eventually makes them go mad. This theme composes the synopsis of Joyce Carol Oates’ book We Were the Mulvaneys. The rape of Marianne Mulvaney catalyzed the disembowelment of the Mulvaney family due to their inability to move on from their grief; each family member coped in unique manners. The book encloses the philosophy of “The Butterfly Effect.” This theory elaborates on the idea that one small event can lead to much greater consequences. Rory Remer illustrates this in his article when he claims “The butterfly effect...states that small differences in initial conditions may have severe consequences for patterns in the long run…” The cause being Marianne’s rape makes each character go through emotional turmoil. …show more content…
She is a beautiful young woman, she is popular, smart, and caring. She gets raped by her date Zachary Lundt the night of the Valentine’s day 1976. She did not want her family to worry, so she kept quiet. This being the first outcome of the butterfly effect in the story. Her keeping her rape clandestine tormented her internally. She wept and attempted to “clean” herself after the events when it is depicted “Her soul she’d scrubbed, scrubbed, scrubbed as, in the hot, hurting water at the La-Portes’, she’d scrubbed her offended flesh” (143) Neglecting the situation, to acknowledging the event. Consequently, after her family found out about her rape , she was devastated in seeing her “...Marianne who was sobbing convulsively- choking, breathless, hysterical.
The concept of displacement from rape in “Woman Thou Art Loosed” and “Mississippi Damned” is represented by mental distortion, trauma, and self-degradation.
The childhood of Frances Piper consists of inadequate love, loss of innocence and lack of concern, ultimately leading to her disastrous life. As a six year old child, she encounters several traumatic events, explicitly the death of her loved ones and the loss of her innocence. Over the course of one week, there have been three deaths, two funerals and two burials in the Piper family. “Frances was crying so hard now that Mercedes got worried. ‘I want my Mumma to come ba-a-a-a-ack.’”( McDonald 174). As a young child, there is nothing more upsetting than losing a mother. A family is meant to comfort each other to fulfill the loss of a loved one; however, this is not the case in the Piper family. Mercedes, only a year older than Frances, tries to console her even though she herself is worried. The loss of motherly love and affection has a tremendous impact on her future since now her sole guardian, James, expresses no responsibility towards her. Instead, he molests Frances on the night of Kathleen’s funeral to lessen the grief of his lost daughter. As a result “These disturbing experiences plague Frances with overwhelming feelings of low self worth and guilt that haunt h...
O’Connell, Michael. Getting to "Judgment Day ': Flannery O’Connor’s Representation of personal dislocation. 2013. Web.
As Frankenstein returns to the court, the guilt burdens him because the court condemns Justine for a crime she does not commit. The tragedy of William’s death brings the burden of constant
Dead at the age of thirty nine years young, Flannery O’Conner lost her fight with lupus, but had won her place as one of America’s great short story writers and essayist. Born in Savannah, Georgia, within the borders of America’s “Bible Belt”, she is raised Catholic, making O’Connor a minority in the midst of the conservative Protestant and Baptist faiths observed in the Southern United States. In the midst of losing her father at the age fifteen, followed by her diagnosis and struggle with the same physical illness that took him, as well as her strong unwavering faith in the Catholic Church are crucial components of O’Connor’s literary style which mold and guide her stories of loss, regret, and redemption. Flannery O’Connor’s writings may be difficult to comprehend at times, but the overall theme of finding grace, sometimes in the midst of violence or tragedy, can be recognized in the body of her works. O’Connor’s stories are written about family dysfunction, internal angst towards life or a loved one, and commonly take place on a farm, plantation or a family home in the American South. Her stories of ethical and moral challenge blur the boundaries between her Catholic faith and values, which also include the values of the other religious faiths surrounding her in her youth, simply writing of the pain and struggles which people from all walks of life commonly share.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
Toni Morrison's novel, Beloved, reveals the effects of human emotion and its power to cast an individual into a struggle against him or herself. In the beginning of the novel, the reader sees the main character, Sethe, as a woman who is resigned to her desolate life and isolates herself from all those around her. Yet, she was once a woman full of feeling: she had loved her husband Halle, loved her four young children, and loved the days of the Clearing. And thus, Sethe was jaded when she began her life at 124 Bluestone Road-- she had loved too much. After failing to 'save' her children from the schoolteacher, Sethe suffered forever with guilt and regret. Guilt for having killed her "crawling already?" baby daughter, and then regret for not having succeeded in her task. It later becomes apparent that Sethe's tragic past, her chokecherry tree, was the reason why she lived a life of isolation. Beloved, who shares with Seths that one fatal moment, reacts to it in a completely different way; because of her obsessive and vengeful love, she haunts Sethe's house and fights the forces of death, only to come back in an attempt to take her mother's life. Through her usage of symbolism, Morrison exposes the internal conflicts that encumber her characters. By contrasting those individuals, she shows tragedy in the human condition. Both Sethe and Beloved suffer the devastating emotional effects of that one fateful event: while the guilty mother who lived refuses to passionately love again, the daughter who was betrayed fights heaven and hell- in the name of love- just to live again.
Modern day thought typically views slavery from one perspective that of the physically abused male slave, beaten and battered by his aggressive slave master. In Harriet Jacob’s Incidents in the Life of a Slave Girl, Jacobs brings light to the other side of the horrors of slavery, the psychological abuses, in particular the psychological abuses that women in slavery face. Comparatively, Marie Jenkins Schwartz’s Birthing a Slave does depict the horrors of slavery from the perspective of women and the horrors of the abused child bearing mothers. Although some may believe that in Harriet Jacob’s Incidents in the Life of a Slave Girl Jacobs fails to get at the true horrors of the physical brutality of slavery as presented in Marie Jenkins Schwartz’s Birthing a Slave, in reality Harriet Jacobs autobiography and Marie Jenkins Schwartz’s Birthing a Slave both depict severe horrors of slavery but from the perspective of mental and psychological anguish.
While other, less accomplished writers use violence to shock or provoke, Joyce Carol Oates is usually more subtle and inventive. Such is the case in "Naked," the story of a forty-six year old woman whose placid outer identity is ripped away by a brutal assault while out hiking not far from her fashionable, University Heights neighborhood. Like many of Oates' stories—and in this regard she probably owes something to Flannery O'Connor—"Naked" focuses on a woman so entrenched in her rigid self-image that nothing short of violence could make her vulnerable to a humbling, though redemptive, self knowledge.
In Kate Chopin’s short story, a woman named Louise Mallard suffered of a heart disease. When her sister Josephine reveals to Louise about her husband’s tragic train accident, causing his death, her reaction was bizarre. After she is notified about her husband’s decease, she goes upstairs and locks herself in her room. She sits on her armchair, looks out her window, and fantasizes about what her life will be like without her husband, Mr. Mallard. Shortly after, Josephine comes for her, thinking Louise will get ill about the news and they both walk down the stairs. To Mrs. Mallard’s dismay, the door flings open: Mr. Mallard was alive! Mrs. Mallard was in shock but mostly disappointed, for the future she dreamed of without her husband was ruined, and dies. According to the doctor she had died of the joy that kills. There is no doubt that Kate Chopin included an abundant of symbolic and ironic references in her short story “The Story of an Hour.”
These ills are severe and far-reaching. Particularly atrocious is the affect on love. With such an outpour of pain and offense, the love of many has diminished. This lack of love is demonstrated by our shrinking revere and dwindling respect for life. Instead of a warm welcome, many, if birthed at all, are born into unspeakable conditions. Others, received into better circumstances, are soon damaged by horrible events. Some manage to fare w...
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Joyce Carol Oates, an American writer, holds a unique place in twentieth century literature. She won acclaim during her lifetime as a novelist and essayist and short story writer. The themes of Joyce Carol Oates are imposing and she portrays the social and psychological problems which are faced by the contemporary men and women in their day-to-day life. She is at her best in projecting the harsh and violent world of the present time. She presents a realistic sensation of life with a moral lesson to the reader. Joyce Carol Oates, like any other writer, selects out of the vast store of her experience. Daniel Hoffman says in his Harvard Guide to Contemporary American Writing, “Creativity thrived with alienation, some postwar writers insisted-or at least they held that the condition of alienation which had played a nurturing role in fostering modern art, literature, and thought was too precious a heritage to sell for an academic chair or a government post” (8).