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An essay on Self discovery
A topic on self discovery
A topic on self discovery
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Self-Discovery in Oates Naked
While other, less accomplished writers use violence to shock or provoke, Joyce Carol Oates is usually more subtle and inventive. Such is the case in "Naked," the story of a forty-six year old woman whose placid outer identity is ripped away by a brutal assault while out hiking not far from her fashionable, University Heights neighborhood. Like many of Oates' stories—and in this regard she probably owes something to Flannery O'Connor—"Naked" focuses on a woman so entrenched in her rigid self-image that nothing short of violence could make her vulnerable to a humbling, though redemptive, self knowledge.
The protagonist, a stolid, college administrator, prides herself on her liberal views and anti-racist, fair mindedness. Curiously, she remains unnamed throughout the story, though not without reason. Her namelessness brings us closer to her inner world while at the same time obliquely suggesting that, given these same violent circumstances, she could be anyone, even you or me.
Names represent a kind of social identity, and Oates' main interest here is in exploring what might happen when her character's social framework and the comfortably predictable life that goes with it are suddenly, and irrevocably, taken away. This, of course, is precisely what happens. What then, Oates seems to be asking, would be left? The answer, which is feverishly detailed in the remaining thirteen pages of this sixteen page story, is something this woman would never have asked for nor anticipated.
Like most people in her social sphere, the woman takes for granted the civility and restraints that have kept her, prior to her attack, comfortably exempt from the personal chaos that violence unleashes. All of...
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...the story concludes with the woman "crouched," still naked, "in the underbrush" below her house and marveling how strange it is to be seeing her husband at last after "having wanted so desperately to get home," and yet now feeling "no emotion" at what she saw. (138)
Works Cited
Hillman, James. Eranos Lectures 8, "On Paranoia," by Hillman. Dallas: Spring Publications, 1986.
Oates, Joyce Carol. "Naked." Heat and Other Stories. By Oates. New York: Plume, 1991.
Robinson, Sally "Heat and Cold: Recent Fiction by Joyce Carol Oates," Michigan Quarterly Review, Vol. XXXI, 1992.
Notes
1. Robinson, Sally. "Heat and Cold: Recent Fiction by Joyce Carol Oates." Michigan Quarterly Review, Vol. XXXI, 1992. In Contemporary Literary Criticism, Vol. 108. 383.
2. Hillman, James. Eranos Lectures 8, "On Paranoia." Spring Publications, 1986. 13-14.
Despite Hasselstrom’s personal characteristics of being a peace-loving, caring woman, the distance that she lived from town, being alone, and a series of unfortunate dangerous situations caused her to feel the need to protect herself. She states in the ar...
However, the fourth element, which is "legal object," may not be satisfied between Sam and the chain store because there was nothing in writing, nothing was “drawn.” An oral promise would make the contract invalid if the completion of that promise will take more than a year from the date of agreement. However, if the chain store has written proof confirming Sam 's promise, for example, advertisements, invoices that the store only prepares in the regular course of business after an oral promise for a product delivery has been made, a court may consider Sam 's oral promise legally binding. Then it would be considered a "primary obligation" (since there was a debt incurred in anticipation of the sale of his invention at their stores). In that event, the contract does not need to be in writing to be enforced since primary obligations are not within the statute of frauds. So if the chain store does not get their 1000
The third section of the story returns the reader to the calm security, but then quickly sends the tone of the story into a frenzy. These constant tone changes show the reader how strong and resourceful the woman is, but it also shows us how she can be thrown into a panic easily. We come to have little confidence in the main character's ability to react well if a dangerous situation arises.
Ugur, Neslihan Guler. "Self-destructive forces in Oates' women." Studies in Literature and Language 4.3 (2012): 35+. Literature Resource Center. Web. 24 Feb. 2014.
More of Knight’s notable use of diction and tone is found in this stanza, where he writes, “A hillbilly called him a black son of a bitch/ And didn’t lose his teeth, a screw who knew Hard Rock/ From before shook him down and barked in his face./ And Hard Rock did nothing” (lines 24-27). It can be felt from Knight’s use of tone that this type of action is uncharacteristic of Hard Rock. The second stanza details Hard Rock’s lobotomy, with Knight writing, “...the doctors had bored a hole in his head,/ Cut out part of his brain, and shot electricity/ Through the rest” (lines 8-10). This leaves the inmate with an intruding presence of hopelessness. The imagery and diction is the last stanza of the poem drives home the motif of disheartenment that the black prison inmates felt after realizing that Hard Rock is forever changed. Similar to the movie One Flew Over The Cuckoo’s Nest, the central, nonconformist character Randle McMurphy, who gave the inmates a sense of hope, is lobotomized, leaving the prisoners afraid and unable to challenge authority in the way they could have if McMurphy was still his full, original self. This is the same way that Etheridge Knight and his fellow prisoners felt after Hard Rock’s return. The one person who was brave enough to stand back was now made into a martyr for the prisoners as well as an example made for the prisoners on what would happen if
Taylor, Edward. “Upon a Wasp Chilled With Cold.” The Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol. A. New York: W.W. Norton & Company, 2012. 304-305. Print.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
Later one, two young African Americans males leaving a diner walking passed a white couple and the woman clutches the man’s arm and move closer. So, Some of the diversity dimensions that I found were related more to characteristics such as age, gender, race, religion, education, income, language within the movie and portrayed the social class discrimination, as well as gender discrimination. Throughout the film, there were some racial lines of tension between all races and against each other such as White on Persian, White on Black, Black on Black, White on Hispanic, Hispanic on Asian, Asian on Black, and White on Asian, Persian on Hispanic.
Throughout history, society has been used as a means of inspiration for writers of all genres. More often then not, writers do not shine a light on the positive aspects of society, they chose to focus on the decline of the modern world. For a writer to truly capture this societal decline, they must be brave enough to accept it. For one writer in particular, her passion and style are what fuel her to create masterpieces of literature centered on that very topic. With her ability to focus on modern American society with topics such as rape, child abuse and murder, Joyce Carol Oates’s novels have been able to capture the sometimes cruel reality of American life in an unorthodox way.
Kingston, Maxine Hong. "No Name Woman." 50 Essays: A Portable Anthology. 4th Edition. Ed. Samuel Cohen. Boston/New York: Bedford/St. Martins, 2011. 227-39. Print.
For centuries philosophers have debated over the presence of free will. As a result of these often-heated arguments, many factions have evolved, the two most prominent being the schools of Libertarianism and of Determinism. Within these two schools of thought lies another debate, that of compatibilism, or whether or not the two believes can co-exist. In his essay, Has the Self “Free Will”?, C.A. Campbell, a staunch non-compatiblist and libertarian, attempts to explain the Libertarian argument.
Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol A. New York: W.
The word dementia is often used as an umbrella term to describe a wide range of symptoms. Dementia is commonly used to describe those with a decline in mental abilities that potentially interferes with their everyday life. This is common in older adults and may develop gradually or even appear suddenly. It is also important to note that, “dementia is more prevalent in older adults with the rate doubling about every 5 years after the age of 75 (Erber,2005; Papalia et al.,1996)” (Davis, Gfeller, & Thaut, 2008). Dementia not only affects the person who is diagnosed with it but also family and friends. Those who have dementia may have a hard time communicating effectively and that can add stress to those close to them. With regards to that, music therapy can be a great way to maintain mental abilities of those with dementia and help families communicate better with their loved one.
Wolff, Cynthia Griffin. "Un-Utterable Longing: The Discourse of Feminine Sexuality in The Awakening." Studies in American Fiction 24.1 (Spring 1996): 3-23. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 127. Detroit: Gale, 2002. Literature Resource Center. Web. 19 May 2014.
Pearson, Patricia. When She Was Bad: Violent Women and the Myth of Innocence. New York: Viking, 1997