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Core concepts of rational choice theory
Core concepts of rational choice theory
Core concepts of rational choice theory
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The purpose of this paper is to examine how individuals know how to act when encountered with a situation. This paper will examine two frameworks for understanding this relationship by discussing rational choice theory, its application in social interactions, exchange theory, and Goffman’s theatrical metaphor in social interactions. This will be accomplished by discussing Chapter 4 of Craib’s Rational Choice Theory: ‘The Price of Everything…’, and Chapter I of Erving Goffman’s The Presentation of Self in Everyday Life. Consequently, by examining the theories mentioned above, this paper argues that when people are encountered with a situation they will take a course of action that best suits their self interest.
Rational choice theory is
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Transforming the term ‘dramaturgy’, which original was used in theatre as the study of theatrical structure and representation of the key components of a dramatical play to a perspective of social interaction. To Goffman “Life itself is a dramatically acted thing” (1959: 72). We play different parts determined by the situations we take ourselves to be in, and how we think we are coming across. We adapt our selves (role) to who we are interacting with, or what situation we are in, to make a good impression to others by changing the setting, appearance and manner. This led to Goffman coining the term ‘impression management’ which is the process where social actors influence a perception of usually themselves, but could be others, and or objects in a situation to be perceived positively. For example, an individual could consistently bring up good traits about there significant other to their parents, in hopes of presenting in there minds a favourable perception of them. However, the most frequent form of impression management, is the one we perform on ourselves, such as, dressing and acting appropriately for a job interview, or a first date. In both scenarios, you are giving your first impression, and you want it to be a positive …show more content…
For the performers action to become significant, they must dramatically express during the interaction what they want to convey. Dramatic realization is the portrayal of desired characteristics that the actor wishes to present to the audience. Additionally, the concept of idealized performances is relevant to the discussion. Goffman argues, that social actors (performers) do not have full autonomy in deciding their role, but that they perform (interact) in the most socially acceptable way (35). Thus, when we are on the front stage, we embody in our performance the values of society (35). In the job interview example discussed above, the perception of you that you wish to create must fit into the values of society, such as, being dressed appropriately (respectful). Goffman’s theory of human social interaction is centered around the belief, that social actors will, when encountering a situation act in a way that is beneficial to them. There self interest guides their action. The concept that they will play a role of someone or something that they are not, just to make themselves to be perceived positively is in there benefit. They put on a mask, dress up, talk, express themselves a certain because they care about how they are perceived. It is both a personal need and desire to come across as
Dramaturgy is a view of social life as a series of dramatic performances akin to those taken place in a theatre (Ritzer, 144). Much of Goffman’s dramaturgy is concerned with the processes by which such disturbances are prevented and dealt with (Ritzer, page 144). In the Presentation of Self in Everyday Life, Goffman developed a new approach to the sociological study of human interaction, due to a mental health court scenario, of what he referred to as “dramaturgical” because of the analogy it had of the theatre to describe how an individual engages in social interaction with others in a performance (Staton et al, page 5). This performance was a way for actors to influence their audience in a given situation. In the addition of the mental health scenario, age, gender, and race relevant. The human relationships observed in the mental health court was analyzed was theorized so Goffman could explain characteristics of human interactions.
In the article “In Defense of Masks” by Kenneth Gergen, he claims that instead of developing “a coherent sense of identity”, people put on different “masks” that he constantly changes. Gergen believes that an individual’s development of a coherent sense of identity can make him “experience severe emotional distress”. People tend to act a certain way so they can receive the approval of others. The approval of others can bring satisfaction and enhance the self-esteem of a person but to succeed in this he must adopt different public identities. Moreover, in some cases individuals consciously wear various masks because of the situation they’re found in.
Erving Goffman created a concept, called dramaturgical analysis, to compare social interaction to performing on stage. He believes that people show different sides of themselves depending on who they’re around and the current setting. Impression management is the “process of suppressing unfavorable traits and stressing favorable ones” (90). Many people focus on making themselves look impressionable and show their best qualities when around others. Another part of social interaction is front stage which discusses what happens in peoples sight and back stage talks about the things that happen behind closed doors. In the article, “Rethinking Goffman’s Front Stage/Back Stage,” the author made me realize that anything that is posted on social media
Berger and Luckmann’s The Social Construction of Reality and Irving Goffman’s The Presentation of Self in Everyday Life analyze human interaction in the context of actions we perform and the meanings that such actions take in social environments. I will analyze Goffman’s account of modification of the “self” through performance within the context of Berger and Luckmann’s hypothesis. The theatrical performance metaphor looks at how socialization and experience affect the use of fronts, expressions, and expressions given off. Berger and Luckmann explain that everyday life presents itself to audiences as a reality, interpreted through typifications that constitute the fabric of social meaning. Goffman focuses on social interactions as dramaturgical performances that exhibit both “expressions given” and “expressions given off” within social sites made up of “front-stage” and “back-stage” environments.
Adopted into sociology by Erving Goffman, he developed most terms and the idea behind dramaturgical analysis in his 1959 book The Presentation of Self in Everyday Life. This book lays out the process of human social interaction, sometimes called "impression management". Goffman makes the distinction between "front stage" and "back stage" behavior. “Front stage" actions are visible to the audience and are part of the performance. We change our hair color, eye color, complextion. Wearing make-up, the way our hair is styled, the clothes we wear. The demeanor we present to the world to the. All of these things lead to an outward appearance of what we want others to think we are. People engage in "back stage" behaviors when no audience is present. We whine and moan about the customers we deal with. Hair goes un-styled, make is wiped off. Clothing is comfortable and unrestricting. When a person conducts themselves in certain way not consistent with social expectations, it is often done secretly if this ...
For this paper, I will be focusing on Erving Goffman’s concept of dramaturgy. Erving Goffman was a sociologist who studied social interaction, and is well known for his work on ‘the self.’ His book, Presentation of Self, continues to be an important and relevant book in sociology since it explains why social interaction within humans is important. In his theory, Goffman explains that people are like actors performing on a stage because of how they live their lives. Drama is used as a metaphor for how an individual presents themselves to society.
How we perceive ourselves and how others perceive us. Throughout the interview I knew that the way I interacted within the group would determine whether or not I would be able to study as a student nurse. Subsequently, I wanted to appear socially desirable. Therefore, I believe there was a distortion of self-image because the interview was very important to me. Using Goffman 's theory of self (1959), the 'social mask ' I put on during the interview, could be seen as 'performance ', '...the term ‘performance’ refers to all activity of an individual in front of a particular set of observers, or audience... ' , I wasn 't my: bubbly, hyper self, I felt I had to keep this hidden as I was in a professional environment. Therefore, Johari 's window demonstrates mundane realism, because my self-image did change. My bubbly, hyper personality which is usually 'open/public ' was now 'Hidden/private '. However, Johari 's window see 's self-awareness constructed by the individual alone, which makes the theory over –simplified and not interactionist as it only considers 'nurture ' factors impacting on an individual’s self-awareness, when in reality it’s a combination of biological/genetic and social factors (nature nurture). Therefore the theory is reductionist as it over simplifies human behaviour. Although Johari 's window doesn 't give a holistic reflection for my own self-awareness and communication, the fact I can identify this as a result of using Gibb’s model means that I have a rounded analysis of my interviewing
He suggested the metaphor of the stage, where people play roles in specific everyday situations using trust and tact, the control of bodily gestures, face and gaze and the use of language to set the parameters of their social interactions. People individually participate in these rules of conduct to produce social order. Looking at Goffman's work of the Presentation of One Self in Everyday life, Stigma and Asylums, Goffman argues that it is these interactions, or the interactional order, that constructs society. This Essay looks to give an Insight of how Foucault and Goffman Compare and contrast in their theories to give an understanding of how the exertion of power and expert knowledge constructs individuals identities. Michel Foucault’s
According to Erving Goffman’s performances theory, the way we interpret ourselves is similar to a theater in which we are all actors on a stage playing a variety of roles. The way in which we act in front of a group of observers or audience is our performance. Goffman introduces the idea that we are always performing for our observers like actors performing on a stage. The impression that we give off to an audience in a scenario is the actor’s front. You can compare an actor’s front to a script. Certain scenarios have scripts that suggest the actor how he or she should behave in every situation. The setting for the performances includes the location and scenery in which the acing takes place.
A common example of impression management and a personal experience I have encountered with this is working at a restaurant. I was a hostess and as I seat the family of 6 with 2 young children, I anticipate the reaction of the server as they sit in their section. The server approaches the table with a big smile on their face as if it was the highlight of their day to serve the table. I watch throughout the night as they run back and forth to this table while trying to keep up with the...
Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical
Rational choice theory, also known simply as choice theory, is the assessment of a potential offender to commit a crime. Choice theory is the belief that committing a crime is a rational decision, based on cost benefit analysis. The would-be offender will weigh the costs of committing a particular crime: fines, jail time, and imprisonment versus the benefits: money, status, heightened adrenaline. Depending on which factors out-weigh the other, a criminal will decide to commit or forgo committing a crime. This decision making process makes committing a crime a rational choice. This theory can be used to explain why an offender will decide to commit burglary, robbery, aggravated assault, or murder.
...ge. Even now, I am engaged in a performance in which I am trying to not only apply Goffman theory on social media but information about me through sharing my front and back region, the writing style in which I did and so on. That is impression management. No one can draw a clear line between what is a front region and a back region of a platform (Goffman, 1959), it can transform freely. My roles, identities and face are changing through Facebook, Instagram, WhatsApp and Line (Goffman, 1967).
Erving Goffman (1959) wrote that “social interaction may be likened to a theatre, and people in everyday life to actors on stage, each playing a variety of roles”. When you think of the way we behave and interact with each other, there really is not a more appropriate metaphor than comparing our behavior to that of actors portraying roles on stage. For example, there are a multitude of roles and statuses that could be used to describe me; among them being Mexican American, student, wife, daughter, sister, female, and middle child. However, while all these are true at any given time throughout the day, the role I portray changes with the situation and it should since different settings or situations have different audiences thus requiring a distinct performance to accommodate the current situation. An example of this phenomenon is described by the differentiation between front stage performance and back stage performance. To use myself as an example again let us consider my front stage performance as a
“I am who I think others think I am”. Charles Horton Cooley created the looking glass self, stating that people grow from their perceptions of other people. There are three steps to his concept: imagining how we appear to others; are we funny or dull? What do people really think about me? The next step is imagining the judgment other people think of us; do they like us funny or dull? The third step is developing the self-concept or feeling about the situation. Dramaturgy is when you feel like your life is a drama or play. In this, we have an idea of what how we want others to think of us as. We put on a performance or a presentation self to the people we want to think we are similar. Conformity is what we do every day; we are meant to go to wake up, go to school, then make dinner and go to bed. We go along with whatever group we feel we want to belong to or already belong to. The true definition is “behavior in accordance with socially accepted conventions or standards”. Conformity could be even