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The importance of a role play essay
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Oscar Gonzalez
April 18, 2017
Catch Me if You Can According to Erving Goffman’s performances theory, the way we interpret ourselves is similar to a theater in which we are all actors on a stage playing a variety of roles. The way in which we act in front of a group of observers or audience is our performance. Goffman introduces the idea that we are always performing for our observers like actors performing on a stage. The impression that we give off to an audience in a scenario is the actor’s front. You can compare an actor’s front to a script. Certain scenarios have scripts that suggest the actor how he or she should behave in every situation. The setting for the performances includes the location and scenery in which the acing takes place.
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Frank Abigale first impersonates a substitute teacher when he is discomforted by the rest of his new high school class. Disliking the scenario that he is in, Abigale changes his role as a student and puts on a new mask of a substitute teacher to impersonate the authority of the class. His ability imitate others only gets better. After running away from his parent’s house he knows that his best chance of survival is coherence. Desperate for money he begins forging checks. However when he goes and checks his fake check his performance does not reflect that of a seventeen year old high school student. He adapts quickly to the environment and in a fancy bank he goes to the extent of impersonating a pilot. Frank finds himself getting free flights and respect he so greatly desires. When he figures out that an FBI agent is after his trail of scandals he decides to forge a degree and all the documents he needs to become an ER supervisor and is quickly hired. His good acting as an ER supervisor actually works and really convinces people that he is qualified for the …show more content…
In order for him keep his crime spree going he had to pick up a role of someone else and perform in such way that would convince his audience into believing that he is something that he is not. Although Frank was just a young adult he knew exactly how to change his behaviors to match the setting. In one scene Frank is cornered in his restroom at a hotel by an FBI agent and forced to give up. However, his talent goes unnoticed as he convinces the agent that he is a secret service and that his one step on the case. Abigail manages to trick the FBI agent and escape once again by changing his criminal performance and picking up a new mask based on the setting and the person he was interacting with. In this case coherence increased his chances to get
...cts with his parents when they are trying to help him. He and his parents get frustrated and impatient when something does not go as planned. Arguments often take place regarding how Frank wants something done because he cannot do it himself.
Other than trying to make it day to day at their company Frank is one of the things these three ladies have in common. Frank is their sexist, egotistical, lying, hypocritical, bigot of a boss. He lusts after most of the women under his authority at the office but has taken a special liking to Doralee, who despises him. Though despicable as a man he has just been promoted to Head of that division. He has a loving wife who ends up divorcing him to be with one of his associates. He gets another promotion and has to leave the country, he is never to be heard from again.
He uses every single penny they have at the pubs. It drives Frank mad and he loses all respect for him. Frank completely loathes his father when he upsets his mother. He makes her angry, which Frank cannot stand. “My heart is banging away in my chest and I don’t know what to do.
Dramaturgy is a view of social life as a series of dramatic performances akin to those taken place in a theatre (Ritzer, 144). Much of Goffman’s dramaturgy is concerned with the processes by which such disturbances are prevented and dealt with (Ritzer, page 144). In the Presentation of Self in Everyday Life, Goffman developed a new approach to the sociological study of human interaction, due to a mental health court scenario, of what he referred to as “dramaturgical” because of the analogy it had of the theatre to describe how an individual engages in social interaction with others in a performance (Staton et al, page 5). This performance was a way for actors to influence their audience in a given situation. In the addition of the mental health scenario, age, gender, and race relevant. The human relationships observed in the mental health court was analyzed was theorized so Goffman could explain characteristics of human interactions.
He’s living a double life as well, he’s having an affair with his babysitter and he is lying about it. Frank has been lying about his double life to everybody, especially to his wife. The only person he has told was Kenny and Kenny doesn’t know how to keep his mouth closed. Frank finally admits to Tub at the restaurant about his lifestyle he has been living back at home with his baby’s babysitter, Roxanne Brewer, whose only fifteen years old. Frank claims he’s in love with this young lady and admits that his wife at the time was on thirteen when they first got together. The situation that Frank’s self-absorption is dealing with is the kind where he is going to keep all the secrets to himself because he doesn’t want to be judged by everyone else. He rather keep his life a secret because he knows what the outcome would be if he tells everyone what’s really going on behind closed doors. He would most definitely be called a pedophile. By him finally telling Tub about this he finally feels like a burden is taken off his shoulders by not keeping this secret no
...uckett, who visited Frank couple times to share his emotions and feeling and the issues he was facing. One day Walter tried to kiss him, and Frank ordered him out of his house; where he later committed suicide.
of them, but he doesn’t see he is already a phony. Holden finds hypocrisy in almost everything he sees but does not yet even realize. that he too is part of that corrupt world the minute he stopped being a child and wanted to be an adult. Holden fears becoming an adult in mind and heart, but wants to become one. one in his actions, he said.
It follows a routinized and learned social script shaped by cultural norms. Waiting in line for something, boarding a bus and flashing a transit pass, and exchanging pleasantries about the weekend with colleagues are all examples of routinized and scripted front stage performances. The routines of our daily lives that take place outside of our homes like traveling to and from work, shopping, dining out or going to a cultural exhibit. The performances we put together with those around us follow familiar rules and expectations for what we do, what we talk about, and how we interact with each other in each setting” (n.d.) while the back region is “what we do when no one is looking. Being at home instead of out in public, or at work or school, is the clearest demarcation of the difference between front and backstage in social life. We are often more relaxed and comfortable when backstage, we let our guard down, and be what our uninhibited or true selves. Often when we are backstage we rehearse certain behaviors or interactions and otherwise prepare ourselves for upcoming front stage
Adopted into sociology by Erving Goffman, he developed most terms and the idea behind dramaturgical analysis in his 1959 book The Presentation of Self in Everyday Life. This book lays out the process of human social interaction, sometimes called "impression management". Goffman makes the distinction between "front stage" and "back stage" behavior. “Front stage" actions are visible to the audience and are part of the performance. We change our hair color, eye color, complextion. Wearing make-up, the way our hair is styled, the clothes we wear. The demeanor we present to the world to the. All of these things lead to an outward appearance of what we want others to think we are. People engage in "back stage" behaviors when no audience is present. We whine and moan about the customers we deal with. Hair goes un-styled, make is wiped off. Clothing is comfortable and unrestricting. When a person conducts themselves in certain way not consistent with social expectations, it is often done secretly if this ...
In his work, Goffman explains that ‘the self’ is the result of the dramatic interaction between the actor and the audience he or she performs to. There are many aspects of how an individual performs his or her ‘self’. One of the aspects of performing the self that Goffman labels as the ‘front.’ The front involves managing the individual’s impression.
Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical
One cannot be certain how Uncle Frank is related to the narrator; however, he is very protective and affectionate to her. One can tell this when he lifts her up and speaks with “a big love in his voice that drowned out the shouting”. In contrast, the narrator feels lonely and lacks trust and support from her mother and uncle after the incident when she is wrongly blamed for pushing Paula Brown into an oil puddle whilst playing tag and destroying her new “powder blue” snowsuit that she received for her birthday. They do not believe the
My textual transformation relies heavily on modernist framing structures and, more importantly, its post-modern counterpart 'metafiction'. Metafiction is already seen in some of Shakespeare's plays, such as Macbeth and Midsummer's Night Dream, and works as a framing device that draws attention to the fact the reader is reading (or watching) a play. It is a regular plot device used to draw highlight the paradoxical nature of the 'framed' and the 'unframed', or as Patricia Waugh says in Metafiction, 'form' and 'content' (2001: 31). The reader or viewer becomes aware of what they are viewing and, usually through such literary conventions as parody, are made to question the nature of the play or work and to try and decipher the 'frame-break'.
Imagine this following scene: You are sitting in a dark, fairly crowded large room. There are hundreds of other people, in hundreds of other seats surrounding you. In front of you, there is a large stage, with people acting out a play. Lights, music, and different sound effects set the mood of the play for you to understand more clearly what is going on. With these certain conventions, viewer can get a real grasp of a story in which several actors are trying to portray. However, it hasn’t always been this easy to enjoy a play in a theater. Theatre and plays go back as far as “b.c.” times.