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Apply the sociological perspective
Sociological theory analysis
Sociological analysis theory
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Erving Goffman (1959) wrote that “social interaction may be likened to a theatre, and people in everyday life to actors on stage, each playing a variety of roles”. When you think of the way we behave and interact with each other, there really is not a more appropriate metaphor than comparing our behavior to that of actors portraying roles on stage. For example, there are a multitude of roles and statuses that could be used to describe me; among them being Mexican American, student, wife, daughter, sister, female, and middle child. However, while all these are true at any given time throughout the day, the role I portray changes with the situation and it should since different settings or situations have different audiences thus requiring a distinct performance to accommodate the current situation. An example of this phenomenon is described by the differentiation between front stage performance and back stage performance. To use myself as an example again let us consider my front stage performance as a …show more content…
A front or script is the part of an individual’s performance which functions to define the situation for the audience. Certain situations or scenarios have social scripts that suggest how to behave or interact in that situation. As previously mentioned, I would not utilize the same script in my role as student that I would in my role as wife. It would be ludicrous to present a two page essay on the components of dinner in my role as wife, yet it is normal to write a two page essay in my role as student. As a student I am responsible for doing my assignments in accordance to specific rubrics and directions designed by the instructor. Granted one could argue that some wives have to follow strict guidelines and directions designed by their husbands, but that is not my case. Thus, the script I follow as a student varies significantly from the script I follow in my role as a
“Only Phineas never was afraid, only Phineas never hated anyone. Other people experienced this fearful shock somewhere, this sighting of the enemy, and so began an obsessive labor of defense, began to parry the menace they saw facing them by developing a particular frame of mind.”(Knowles 204) John Knowles, the author of A Separate Peace states this quote to explore how some people develop defense mechanisms in order to protect themselves from any harm they may endure. Gene, the novel’s protagonist feels as though his best friend Phineas is somehow out to get him. However, Finny’s perception of his friend was utterly different from Gene’s perspective. In fact, Finny acts as a foil for Gene throughout the story, carrying a completely different outlook on things. Gene’s savage nature allows him to identify the evil within people when Finny simply acknowledges the positive traits in his friends, disregarding the concept of wickedness as a whole. Through Gene and Finny’s friendship, John Knowles illustrates the significance of how one has the ability to perceive others.
Many people in the world are like puppets. They move to the commands of others. Once in awhile, the puppet obtains a will of its own and moves against the crowd. Ivy, from Speak by Laurie Halse Anderson, became that one puppet who moved against the crowd, with the crowd being social constructs. A social construct is something that the society makes true even though to other people, it has no value. There are many examples of social conflicts throughout the book and the clans or groups in school are social constructs. The main character, Melinda, struggled to fit into these categories causing her to be the Outcast to society. Nobody seems to want to truly befriend Melinda, causing her to be alone. Although Melinda is ostracized by her society
Dramaturgy is a view of social life as a series of dramatic performances akin to those taken place in a theatre (Ritzer, 144). Much of Goffman’s dramaturgy is concerned with the processes by which such disturbances are prevented and dealt with (Ritzer, page 144). In the Presentation of Self in Everyday Life, Goffman developed a new approach to the sociological study of human interaction, due to a mental health court scenario, of what he referred to as “dramaturgical” because of the analogy it had of the theatre to describe how an individual engages in social interaction with others in a performance (Staton et al, page 5). This performance was a way for actors to influence their audience in a given situation. In the addition of the mental health scenario, age, gender, and race relevant. The human relationships observed in the mental health court was analyzed was theorized so Goffman could explain characteristics of human interactions.
Butler, Judith. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31. The Johns Hopkins University Press. Web. 11 May 2011.
The development and performance of identity has intrigued researchers from all disciplines. The Self and being have been conceptualized and investigated from varying points of view. Goffman and Butler have created frames through which performance of the self can be comprehended. (Goffman, 1959) brings forth the frame of “impression management” and Butler discusses “performative identity” (Butler, 1990). Impression management explains how people alter their presentation of the self to fit social contexts and mentions how social interactions can reshape an individuals sense of identity. Whereas performative identity claims that one’s identity is constructed discursively and that individuals perform according to
Aim of this paper is to examine and present the application of social cognition models in the prediction and alternation of health behavior. Social cognition models are used in health practices in order to prevent illness or even improve the health state of the individuals in interest, and protect their possibly current healthy state. This essay is an evaluation of the social cognition models when used to health behaviors. Unfortunately it is impossible to discuss extensively all the models and for this reason we will analyze three of the most representative cognitive models to present an integrated idea of their application.
Introduction Erving Goffman (1922-1982) held the position of Benjamin Franklin Professor of Anthropology and Sociology at the University of Pennsylvania. He served as President of the American Sociological Association in the year leading up to his death in 1982. Goffman is considered as the pioneer of the study of face-to-face interaction and has made a substantial contribution to micro-sociology. He is recognised as a major figure in the symbolic interaction perspective. In 2007 he was listed as the sixth most cited author in the humanities and social sciences (The Times Higher Education Guide, 2007).
Adopted into sociology by Erving Goffman, he developed most terms and the idea behind dramaturgical analysis in his 1959 book The Presentation of Self in Everyday Life. This book lays out the process of human social interaction, sometimes called "impression management". Goffman makes the distinction between "front stage" and "back stage" behavior. “Front stage" actions are visible to the audience and are part of the performance. We change our hair color, eye color, complextion. Wearing make-up, the way our hair is styled, the clothes we wear. The demeanor we present to the world to the. All of these things lead to an outward appearance of what we want others to think we are. People engage in "back stage" behaviors when no audience is present. We whine and moan about the customers we deal with. Hair goes un-styled, make is wiped off. Clothing is comfortable and unrestricting. When a person conducts themselves in certain way not consistent with social expectations, it is often done secretly if this ...
Similar to the definition of the word, the front is a part of an individual that is presented in order for others to see and is seen first. In our lives, the front stage occurs when we interact with others within public or professional settings. The personal front refers to the “expressive equipment that the audience identifies with the performers and expects them to carry with them into the setting” (Pada, 2016). The personal front includes the performer’s clothing style, gender, age, and race, posture, manner of speaking, facial expressions, and gestures.
How we perceive ourselves and how others perceive us. Throughout the interview I knew that the way I interacted within the group would determine whether or not I would be able to study as a student nurse. Subsequently, I wanted to appear socially desirable. Therefore, I believe there was a distortion of self-image because the interview was very important to me. Using Goffman 's theory of self (1959), the 'social mask ' I put on during the interview, could be seen as 'performance ', '...the term ‘performance’ refers to all activity of an individual in front of a particular set of observers, or audience... ' , I wasn 't my: bubbly, hyper self, I felt I had to keep this hidden as I was in a professional environment. Therefore, Johari 's window demonstrates mundane realism, because my self-image did change. My bubbly, hyper personality which is usually 'open/public ' was now 'Hidden/private '. However, Johari 's window see 's self-awareness constructed by the individual alone, which makes the theory over –simplified and not interactionist as it only considers 'nurture ' factors impacting on an individual’s self-awareness, when in reality it’s a combination of biological/genetic and social factors (nature nurture). Therefore the theory is reductionist as it over simplifies human behaviour. Although Johari 's window doesn 't give a holistic reflection for my own self-awareness and communication, the fact I can identify this as a result of using Gibb’s model means that I have a rounded analysis of my interviewing
Thinking about normal social interactions and normal social behaviors, I think of comfortable. When I sit down with a friend, a usual routine is followed, “Hey, how are you, what’s new?” (e.g. My turn, your turn). These questions between my friend and I include eye contact, attention, and facial expression. Usually, I feel that I give my friend my undivided attention. Other normal characteristics include: remembering what the person has just said so a comment can be made, as well as each comment is appropriate and in relation to the current topic. Moreover, the duration between each question or comment is short.
Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical
Social Interaction is an essential element when understanding the role of a human in society and how a human conducts himself or herself. A key term for this interaction is a person’s status(a recognizable social position that an individual occupies. Page 128) in that society. Each person within that status has a role (the duties and behaviors expected of someone who holds a particular status. Page 128) to complete during their social interactions. However, if a person cannot complete the roles that are assigned to them in that individual status then they experience role strain (the incompatibility among roles corresponding to a single status. Page 128). One example from the book is a professor who needs to keep writing research and lectures
Applied Theatre work includes Theatre-in-Education, Community and Team-building, Conflict Resolution, and Political theatre, to name just a few of its uses. However, Christopher Balme states that “Grotowski define acting as a communicative process with spectators and not just as a production problem of the actor” (Balme, 2008: 25). Applied Theatre practices may adopt the following “theatrical transactions that involve participants in different participative relationships” such as Theatre for a community, Theatre with a community and Theatre by a community Prentki & Preston (2009: 10). Whereas, applied theatre one of its most major powers is that it gives voice to the voiceless and it is a theatre for, by, and with the people. However, Applied Theatre practitioners are devising educational and entertaining performances bringing personal stories to life and build
Social perception is 1.“the cognitive process that helps us form impressions of those around us and subconscious attitudes towards other people based their defining characteristics which help to comprehend a situation and gauge our behaviour accordingly. Social perception can be the mental progression of picking up clues and signals from others that help us form an early stage of what they may be like. Our brains may rely on stereotypes or previous similar experiences to build a picture of what to expect from any given social encounter”