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Critical analysis of the lion the witch and the wardrobe
Critical analysis of the lion the witch and the wardrobe
Critical analysis of the lion the witch and the wardrobe
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Animals With Human Lifestyles A human? A goat? A goatman with an umbrella? [1]C.S. Lewis cleverly composed The Lion, the Witch and the Wardrobe. This chapter book was written as a children's fantasy book. [2]In 1918, when C.S. Lewis returned to college, he continued to write and publish books. On October 16, 1950, HarperCollins Publishers published The Lion, the Witch and the Wardrobe. [2]During World War II, Peter, Susan, Edmund, and Lucy were sent to live with Professor Diggory Kirk, who lived alone, in the countryside of London. [5]When Lucy first stepped into Narnia, she met a faun, Mr. Tumnus. [1]The faun told Lucy about the mighty brave Aslan and the manipulative fearsome White Witch. [3]Sadly, the witch always made her world contain an eternal winter. [4]Disobeying the witch, citizens of Narnia …show more content…
[6]Aslan’s world contained continual sunshine. Peter, Susan, and Edmund didn’t believe Lucy’s story when she arrived back from Narnia. [5]While the White Witch ruled Narnia, Aslan knew she would one day be defeated off the throne. [4]Protecting the throne, the White Witch, who was also known as Jadis, demanded the wolves to keep their eyes on her seat all day, all night, and all year. [2]In Narnia, a war began. [3]Bravely, Aslan assisted Peter when his army was being overpowered by the robust enemies. [1]Aslan and Peter confidently destroyed their opponents. [6]Jadis vanished from Narnia forever. [1]Aslan sacrificed his life for the four British children. [5]When the true Narnia won the battle, Jadis became distraught because the children had now evolved into the kings and queens of Narnia. [2] On the ground, Aslan, who became the hero, laid helplessly. [4]Crying, Peter,
Paulo Coelho’s novel The Alchemist and the Disney film The Lion King directed by Allers and Minkoff,
“Even the distant farmsteads she could see served only to intensify a sense of isolation” (Door, 48).
Alyss changed throughout the story and she would eventually change into the imaginative, disciplined, and confident young woman she needed to be to defeat Redd. Alyss is still and endearing person to many, but who could hate her. Redd was such a fool to think that she could beat Alyss. Alyss’s conflict with Dodgeson and Redd among others helped her transform and defeat Redd and ascend to the top to become queen. Their should be no doubt that Alyss’s transformation throughout the book was for the
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
died trying to save the people of Herot. Unfortunately he never got to die, not
Fairy tale is a story that features folkloric chapters and enchantments, often involving a far-fetching sequence of events. Fairy tales have been around for thousands of years, whether it comes from Grimm’s Fairy Tales which is what most people consider the “classic” or “traditional” fairy tales to Disney movies, the idea of the fairy tale fills our society with lessons and examples of how we should behave and live; fairy tales teach the same things in different ways, or teach different things with the same tale. A couple of these tales are “Beauty and the Beast”, by Jeanne-Marie Leprince De Beaumont and “The Pig King”, by Giovanni Francesco Straparola. They are both tales about falling in love with someone despite their appearance. The similarities and differences between “Beauty and the Beast” and “The Pig King” is captivating while still depicting a similar tale. They are similar in the way they find love and their love story but they also share a similar behavior pattern in the way the girls behave towards the prince. However, the two tales do display a difference in the attitudes of the princes and their actions towards their love
the book and novel and was both given to her differently. The special glasses on the
In conclusion, C.S Lewis symbolizes good and evil into his characters. The good one would be Aslan and the bad one would be the White Witch. They embody their role with characterization. This can be shown with the description of the two characters. Aslan is pure of heart and powerful and the Witch is cruel and terrifying. Also, their actions are key facts to demonstrate their chosen side. Aslan is always doing beneficial action for others, instead of the Witch that wants more and more power, willing to destroy life to achieve her goals. Through this book, the two opposite characters are really well explained and analysed.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The Wizard of Oz is a classic a universally loved film. It’s full of adventure, symbolism, and has a feel good story. It’s interesting though to see some parallels the Wizard of Oz had with other well-known classic fairytales. One example, is the famous story of Alice in Wonderland. A classic in its own right, and a staple in nearly everyone’s film repertoire. The similarities between these two stories are numerous. Starting with the main heroines themselves. Both Wizard of Oz and Alice in Wonderland, have a young girl as their main character. Even the character’s appearances and lines are similar. Both sporting a blue dress, and describing their fantasies as curious. When Dorothy arrives in Oz she says, “What a curious place”.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
In The Lion, the Witch and the Wardrobe, the reader is introduced to the Pevensie children, four young, impressionable and curious children, sent to live in the country with their uncle as the war rages on in London. The youngest of the children, Lucy, first discovers the famed wardrobe that transports her to the magical land of Narnia, a cold and desolate place that is filled with more mythical creatures then she can describe. Lucy, while young and naive, follows her instinct and, rather than deny her story of the journey into the magical land ruled by an evil queen, she fights to be believed and achieve her main goal, bringing peace to a world she has yet to uncover fully. Edmund Pevensie, the second youngest of the children, is likely not as honest and pure-hearted as Lucy, and instead falls into a trap set by the evil White witch in which he is coerced into delivering his siblings to her in exchange of the promise of the throne and his treasured Turkish Delights. Although each child is led by their personal choice, the reader is invited to analyze the behavior that led each child to their view on Narnia.
Not long after Aslan rises back from the dead, he demonstrates being a redeemer of an unforgiving world. Narnia has been held under control by the White Witch for so long, few can hardly remember the time when Aslan ruled and the prosperity they experienced. After awaking his followers, Aslan gathers all of his faithful followers to do one final battle with the White Witch.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, was based on a family being departed from their home due to the event of World War two. In comparison of both movies, the original one and the Walt Disney version, both group of kids enter a wardrobe with intense magic and had to fight a dreadful battle against the queen of Narnia. In contrast, Lucy, Edmund, Peter, and Susan response to Aslan was divergent between the two movies and how they reacted was surprising. With that being said, the two movies were very similar as they entered into the wardrobe of Narnia but throughout the movie their reactions altered in terms of Aslan.
As Ella argues: “As a villain, Mother Gothel in Disney’s Tangled is unique. She’s not motivated by revenge, greed, or lust for power. Gothel, terrified of growing older, is motivated by fear.” (Ella, 2012). The ‘fear’ – unlike early films where “Snow White’s beauty is the object of Queen’s envy…” (Stringham, 2011, 637) and being displaced as ‘The fairest of them all…’ (Snow White and the Seven Dwarfs, 1937), Mother Gothel’s fear comes from something more permanent; the passing of time.