Comparing The Alchemist And The Lion King

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Paulo Coelho’s novel The Alchemist and the Disney film The Lion King directed by Allers and Minkoff, both exemplify the crucial role played by situational and character tropes in the ultimate success of the hero. Neither Santiago nor Simba, the respective heroes of the two works, would progress on their journey without the power of love. In The Alchemist Fatima represents the power of love by supporting Santiago’s decision to leave the oasis. After meeting Fatima Santiago doubts his quest. The Alchemist’s advice that love should not stop him from pursuing his personal legend, leads Santiago to inform Fatima he is leaving, but will return. In response Fatima tells Santiago: “Before this, I always looked to the desert with longing ... Now it …show more content…

Additionally, the eccentric mentor trope’s presence in both works is crucial for the hero’s successful completion of their quest. For Santiago this is the Alchemist when he tells the tribesmen that Santiago can turn himself into the wind in an effort to teach Santiago the confines of fear. He tells Santiago he will have to learn to turn himself into the wind, “[his] life depends on it ... You’re the one who may die ... I already know how to turn myself into the wind” (Coelho 141, 143). The Alchemist embodies the eccentric mentor – the heroism, staying one step ahead and fortitude in the face of death. The reader gleans the purpose of the trope which is to ensure Santiago’s continued knowledge and endurance both of which will be tested before the culmination of his journey. Towards the end of the film, Rafiki plays a similar role in The Lion King. When Simba is contemplating his return to Pride Rock, Rafiki responds to Simba’s declaration that he knows what he has to do but is reluctant to do so because going back means he will have to face his past. At this …show more content…

yes the past can hurt but the way I see it you can either run from it or learn from it” (The Lion King). The style of mentoring employed by Rafiki is indeed eccentric: laughing, he inflicts physical pain on Simba rather than direct dialogue and advice to prove his point that the past is the past and it does not matter. Rafiki does not come across as the typical wise mentor; nonetheless his words ensure the desired impact – ensuring Simba’s return to Pride Rock. Although both eccentric mentors achieve the necessary aims, the purpose of each within the respective works is divergent. In the novel the Alchemist deliberately places Santiago in a life or death situation; he knows the road ahead will necessitate Santiago’s physical and mental endurance; by Smith 3 forcing the young hero to prove himself, Santiago gains the self belief necessary to complete his quest. In the film, Rafiki knows that Simba has been running from the past for a long time, as such he must literally knock sense into the young lion king to ensure Simba overcomes his fear of the past to return

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