Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The old man and the sea in relationship with nature and man
Santiago character traits in old man and the sea
Critical review of the old man and the sea
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Old Man and the Sea is novella written by Ernest Hemingway in 1952. It tells the epic journey and struggles of the old fisherman, Santiago, and his younger fishing partner, Manolin. The story goes into detail the day to day life struggles that a fisherman off the coast of Africa endures. The majority of the story focuses on one particular trip out sea. In life, one will go through a number of stages in life. Infancy, Youth , Adulthood, and Old Age are all key stages. As one grows, they mature through these various stages. When one reaches old age, there is often a lot of doubt surrounding their lives. Serenity, and independence are often the two most questioned. These are some questions that Santiago has to ask himself as well.
In the novel The Old Man And The Sea, Ernest Hemingway develops the concept of
man coming to the realization that as he ages, his dependency on others will increase. The use of
metaphor is key in showing how this is indeed true. The Tiburon is also used as a metaphor for
Santiago's life. The boy in the story parallels what Santiago's life once was.
The struggle with the Tiburon represents the struggle that Santiago is having with himself.
The constant struggle makes Santiago realize that he is no longer as young as he thinks he is and
he must rely on the help of others. This is shown when Santiago is battling the Tiburon. news for you fish', he said and shifted the line over the sacks
that covered his shoulders. He was comfortable, but suffering,
although he did not admit to the suffering at all. I am not
religious...but I will say Ten Hail Marys that I should catch this
fish'... Hail Mary full of Grace the Lord is with thee. Blessed art
thou among women and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God pray for us sinners now and at the hour
of death, Amen.' Then he added. Blessed Virgin, pray for the
death of this fish, wonderful as he is.' "
[ Hemingway 64-65]
One could speculate that Hemingway alluded to the Bible in The Old Man and the Sea by design, possibly to show that the same virtues exemplified by Christ can be applied by anyone to help guide themselves through a dire situation. In any case, The Old Man and the Sea is filled with Christian symbolism from Santiago’s character, suffering, and the elements of nature that he battles during the ultimate adventure.
Hemingway lived an interesting life, which allowed him to take past life experiences and tell them through novels. He does this exclusively through subtle symbolism in works like The Old Man and the Sea. As with all his other works, Hemingway incorporates a past experience into The Old Man and the Sea. Hemingway does this in the largest scene in the book by using birds, the sharks Santiago fights off, the marlin itself, and the other fish in the sea as symbols. In the book, Hemingway uses the birds to represent his friends and mentors, the sharks being the critics of his book, the marlin being The Old Man and the Sea, and the other fish representing Hemingway's other works. Hemingway uses symbolism when he writes, “‘You are killing me, fish,’ the old man thought. ‘But you have a right to. Never have I seen a greater, or more beautiful, or a calmer or more noble thing than you, brother. Come on and kill me. I do not care who kills wh...
As Samuel Shaw states, "The Old Man and the Sea by Ernest Hemingway has often been characterized as a parable. A parable is a short fiction that expresses or implies a religious purpose. Jesus Christ himself usually delivered his moral preachments in form of parable, with no elaboration. In relation, Hemingway’s novel does not probe very deep into explanation into to characters, plot, or theme. Perhaps Hemingway’s book bears closest resemblance to a biblical parable. Hemingway extends his habitual economy of diction into an economy of structure and treatment. Santiago’s physical appearance is sketched rather than painted; the other characters are merely outlined."
Ernest Hemingway was a writer during the Modernist Era (which was a new idea that incorporated many new views on life, as a result of the growing world) that spent time in World War One as an ambulance driver. On his return home he began to write a series of works that may have derived from his experiences at war. Hemingway used a variety of different rhetorical schemes and ideas in his writing that he used to convey his feelings of his many stories; he uses fragmented sentence structure to convey emotion and to create on effect on the reader, and also has reoccurring themes is his different stories especially in: “A Clean, Well-Lighted Place”, “Hills Like White Elephants”, and “Cat in the Rain”. These stories reflect on the modernist idea
Poignant circumstances surrounded the composition of this novel, which bring out many of the above points. It is widely recognized that Hemingway was possessed of a turbulent personality and suffered from emotional depression. This was despite the fact that he enjoyed much critical acclaim. The Old Man and the Sea was written after a ten-year hiatus of public and critical approval. This period saw much of his work receive negative criticism in literary and journalistic circles. This affected Hemingway adversely and very deeply (Carey 9). Therefore, Hemingway's personal battle with seeming failure in his life's work and society's attendant criticism parallel Santiago's stoic resolve in the face of his neighbors' disdain. The author's struggles symbolically match those of Santiago and set the stage for the writing of this novel.
Throughout the novel, Santiago endures and faces many obstacles and beasts at sea that attempt to deter him from his goal, but he is still manages
Reading through the novel The Old Man and the Sea one, as a reader, can perceive several themes in the book. Hemingway suggests certain subjects for discussion which built up the whole plot, therefore giving us options to choose the one we believe is the main one. In the past weeks we have been discussing, in a debate, which is that main theme. My group’s theme was “Man Defeated” and although it is hard to affirm that this theme was the prevailing one of the book, we firmly defend it. Various arguments were established.
Many times, stories by Ernest Hemingway have much religious influence and symbolism. In The Old Man and the Sea, by Ernest Hemingway, numerous occurrences in the life of Santiago the fisherman are similar to the incidents recorded in the life of Jesus of Nazareth. The names of the characters translated from Spanish to English are just one of those many similarities.
Although Santiago has had many troubles, he perseveres.
When it comes down to the final struggle, Santiago pits all of the pain, strength, and pride he has left against the fish in order to bring it down. Despair begins to creep in when Santiago finds it hard to pull in the marlin, but he overcomes it with every ounce of will he has. He knows that it is up to him to create this important moment in his life, filled with passion and purpose .... ... middle of paper ...
Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway had swung his third strike. As we look further into Hemingway’s The Old Man and the Sea, we can analyze the criticism and complications of the character Santiago. He is portrayed as a faulty Jesus, an unrealistic and inhuman man, and again still a hero to those who cannot find happiness in their life.
Hemingway not only uses the old man, but the waiters to drive his point, "I am of those who like to stay late at the cafe...” (pg. 4) The old waiter says here that he and the old man are the same, rather than one being better than the other, they are equals. He feels bad for the old man which is why he wants to keep the cafe open longer. Further in the story the old waiter recites a prayer, instead of using the actual words he says “nada” inferring that everything in life, down to religion is
For three long days, the boat is alternating pushes and towed by the huge fish in an almost dream-like state. Only the killing os the fish and the attacking of the sharks interrupt the monotony. The monotony becomes one of the pressures that the old man must endure in order to maintain his grace. However, because Santiago never gives in to the monotony or the depression, he becomes the hero in the story against innumerable odds. His tenacious determination leads him to a sense of hope amongst the monotony and depression.
The old man and the sea is a novella about an old Cuban fisherman, Santiago, and his three-day battle with a giant Marlin fish. Throughout the novella, Santiago is portrayed in different perspectives. He is tough and refuses to give up at any time. He withholds the will to continue and the courage to overcome what is believed to be the impossible. His persistence and confidence, his absolute determination and his unique way of accepting the reality makes him a noble hero.
Hemingway starts this novel off in a very similar way to The Sun Also Rises. “He was an old man in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him.” (Hemingway 1) This is the beginning to The Old Man and the Sea , and once again you can identify the simplistic characterization, as well as a simple setting.