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Battle hymn of the tiger mother analysis
Excerpt from Battle Hymn for the Tiger Mother summary
Excerpt from Battle Hymn for the Tiger Mother summary
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Within The Battle Hymn of the Tiger Mom, by Amy Chua and Amy Tan’s The Joy Luck Club, two unique mother-daughter relationships are portrayed. Every mother and daughter relationship varies. In Amy Chua’s The Battle Hymn of the Tiger Mom, a different situation is shown than Amy Tan’s experience in The Joy Luck Club. Although each work displays a different scenario, they both involve the contradiction of mother-daughter relationships. In Amy Chua’s excerpt The Violin, she is faced with the frustration of her mother's nagging. As she is practicing her violin, her mother is supervising the session. Making sure her daughter is doing it correctly she emphasizes the instructor’s orders, “‘ RELAX!”’ I screamed at home, “‘ Mr. Shugart said RAG DOLL!”’
(Chua 47-48). This shows that Lulu and her mother’s relationship is one that consists of frustration but care. Lulu’s mother wants her to be successful but lacks the patience and it causes a playful banter between the two. An excerpt from Amy Tan’s The Joy Luck Club titled Jing-Mei Woo: Two Kinds takes on another scenario and shows a different type of mother-daughter relationship between Amy and her mother. Throughout the work the situation becomes forceful as Amy’s mother tries to force her to play the piano, “‘You want me to be something I’m not!”’ I sobbed. “‘I’ll never be the kind of daughter you want me to be!”’ (Tan 141-142). As the excerpt continues the argument becomes harsher and shows the weak relationship that Amy and her mother share. Their words drip with hatred and displays the dislike between the two. Each excerpt portrays different tones and relationships between mothers and daughters of two families. In Chua’s memoir her mother is shown as a caring woman although they have a healthy bicker that frustrates them both. Tan’s experience is not as playful and her mother is shown as a harsh woman, making the tone of the excerpt sad and ruthless. Although each situation was different they prove how unique every mother-daughter relationship is whether it be a close, strong relationship, or a distant, weak relationship.
Mothers always want the best for their daughters, it’s a given feeling for a mother. Amy Chua’s Battle Hymn of the Tiger Mom is written in her perspective as the mother. In The Joy Luck Club, Amy tan writes the novel through her eyes as the daughter of the relationship. Both passages portray the harsh emotions between the mother and her daughter. These emotions are caused by the mother pressuring her daughter to achieve expectations. The two excerpts have similar stressful tones but Amy Tan’s novel is much more intense and displays a uglier relationship.
Intergenerational conflicts are an undeniable facet of life. With every generation of society comes new experiences, new ideas, and many times new morals. It is the parent’s job go work around these differences to reach their children and ensure they receive the necessary lessons for life. Flannery O’Connor makes generous use of this idea in several of her works. Within each of the three short stories, we see a very strained relationship between a mother figure and their child. We quickly find that O’Conner sets up the first to be receive the brunt of our attention and to some extent loathing, but as we grow nearer to the work’s characteristic sudden and violent ending, we grow to see the finer details and what really makes these relations
The children also argue with their mother often. The children think that their mother, with no doubt, will be perfect. They idealize their mothers as angel who will save them from all their problems, which the mothers actually never do. The children get angry at their false hopes and realize that their mothers aren’t going to...
In Two Kinds and Everyday Use there is conflict between mothers and daughters due to cultural heritage. Both stories show the conflict that stemmed from having heritage that was not from America. Although, one from the mother’s point of view and the other from the daughter’s point of view. Mother-daughter relationships are usually complex without outside influences adding to that. The daughters in the stories completely reject the culture of their mothers, much to their mothers dismay. The complexity in merging two different cultures is not something that is simple, there is no black and white.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
“Beauty and the Beast” by Jeanne-Marie Leprince de Beaumont and “The Tiger Bride” by Angela Carter are both unique in delving into the nature of men and women and their relationships by exploring and analyzing the motifs of wildness and civilization. Madame de Beaumont’s story speaks of intimacy is about overlooking of imperfections and looking deeper into a person; while intimacy with Carter’s story is more about accepting oneself as who he or she is inside. In a sense, Carter’s story is written in response to the intimacy in Madame de Beaumont’s story, a fact that accounts for both the similarities and differences between the two works.
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
Some people say that the love between a mother and her daughter is forever; but what about the understanding? In the case of Waverly Jong and her mother in the story “Rules of the Game,” by Amy Tan, there is much miscommunication and misunderstanding. The story is set in mid-1950’s Chinatown and as the story opens, it is Christmas time. “Rules of the Game” is the telling of how a little girl learns to be more independent but falls into conflict with her mother along the way and becomes a type of trophy. Amy Tan uses elements such as character, symbolism, and setting to portray the themes of struggle between two cultures and independence perfectly in “Rules of the Game.”
“A wise mother knows: It is her state of consciousness that matters. Her gentleness and clarity command respect. Her love creates security” (Vimala McClure). Mothers play an important roll in a child’s life; shaping how a child will view things in the world, their religious beliefs, he way how they set up their values in life and etc. Every individual life is shaped by personal relationships they have with others. Toni Morrison’s Sula, tells the story of a black community in the fictional town Medallion, Ohio, where two girls grow up together, Sula and Nel, are formed by the influence of race, gender and society. Morrison describes the various stresses and sacrifices of motherhood and offers varied examples of motherhood. The female relationships and especially the mother-daughter relationship prove to be highly important for the identity development of the female characters in the novel. The women are faced with severe consequences due to racism. The double marginality the characters encounter influences the mother-daughter relationship and subsequently their identity development.
When growing up, a child’s relationship with their mother is a major part of development. Sometimes, that bondage between our parents can start to split based on different opinions and perspectives. In Amy Chua’s Battle Hymn of the Tiger Mom, she describes her relationship with her daughter as a calm and loving conversation, while in Amy Tan’s The Joy Luck Club, she describes her relationship with her mother as bitter and hostile.
Amy Chua is the mother in this memoir, characterizing her relationship with her daughter as frustrated and annoying, but in a caring way that is normal for them. Amy Chua’s recollection of her and her daughter’s relationship is expressed through ‘“RELAX!’ I screamed at home” … “...my very presence made her edgy and irritable,” clearly states that Chua was stern towards her daughter, enough to where she was cautious of anything she did (Chua 47-48). With Chua being so stern towards her daughter, eventually her daughter decided she was not going to walk on eggshells around her anymore. Once the daughter responded with “Stop it, Mommy. Just stop it.” … “Your brain is annoying me”’ the mother was shocked but realized how her sternness was affecting her daughter (Chua 47-48). Some may not see anything wrong with the Tiger Mom lifestyle that is enforced, which is fine, but some see how it could have negatively affected her daughter in a way which lead to the daughter speaking in a shocking tone towards her mother. The daughter continuously tries to tell her mother that she is trying to make her someone she is not by the mother being abrasive towards her. Parents cannot make their child into someone their not by being harsh and abrasive towards them because the child will retaliate back to explain they are their own person. Amy Chua uses abrasive means and her daughter retaliates with harsh and bitter ways, which cause their mother-daughter relationship to be frustrating and annoying, but the usual for
In both stories mothers are telling their daughters some instructions about how the can be a good girl
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Bertolt Brecht’s Mother Courage and Emile Zola’s Therese Raquin are both works with characters that possess maternal instinct. There is not a definite explanation for maternal instinct because it can be viewed differently. Although this is true, there is often a stereotype woman with the ‘right’ qualities of maternal instinct. This often articulates unrealistic images in people’s minds. Instinct means “an imposed set of values, imposed by the society” and the way they think a mother should naturally act by. Realistically, the instinct depends on the mother’s disposition, the way she wants to behave depends on her emotions, which cannot be articulated. Therefore, it is not possible to impose a definite set of values for how a mother should act for it varies from one mother to another.