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Design inspirations of Collette Dinnigan
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Influences “I didn’t agree with most fashion companies and how they copied international designers. So in a nutshell I went out on my own.” “Most of my inspiration comes from colour, art, flowers, landscapes and detail from vintage clothes or antique bric-a-brac… I sketch collections with fabrics in mind and develop inspiration boards alongside my draping and this had been a large part of evolving shapes.” ~ Collette Dinnigan Inspiration is the stimulus, motivation and encouragement for designers to start projects. They consciously and unconsciously take inspiration from the world around them, to form their designs Dinnigan’s influences was an accumulation of past designers and her multicultural upbringing is reflected in her designs. In 2004
Collette is also influenced by experiences, such as in 2004, she gave birth to her first child. She was inspired to create her own ‘Enfant’ range of kids wear. In 2005, Dinnigan’s spring/summer collection influence on current trend is through the colours; rippling blues, greens, silvers and yellows and dazzling beading. These colours influenced through Dinnigan’s designs are worn by many celebrities and sold in stores throughout Australia. During her pregnancy, Dinnigan chose a colour palette and fabrics, combined her Indian hand-made beading and assembled “an inspiration board”. Elements in her designs can be seen in many of today’s fashions trend such as; backless dresses, plunging necklines, halter-necks, flirty ruffles, tiered skirts and black, white and nude shades.
Berry, Hannah. “The Fashion Industry: Free to Be an Individual.” The Norton Field Guide to
Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.
He got a lot of his inspiration from his mother. She loved painting with water colors and making
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
Their distinctive design echoed the dull unpolished designs from the 1970s. In response to this they produced vibrantly daring pieces which mirrored the 1980s era. The boundaries between high and low-class design were challenged by political statements which were established by The Memphis Group in their practice (Feroleto, P,
Graphic designer and typographer Stefan Sagmeister has always had a unique way of viewing the world, therefore has created designs that are both inventive and controversial. He is an Austrian designer, who works in New York but draws his design inspiration while traveling all over the world. While a sense of humor consistently appears in his designs as a frequent motif, Sagmeister is nonetheless very serious about his work. He has created projects in the most diverse and extreme of ways as a form of expression. This report will analyse three of Stefan’s most influential designs, including the motives and messages behind each piece.
London: Herbert Press, 2009. Print. The. Rennold Milbank, Caroline. Couture, The Great Designers.
...r should abandon their own design identities that established from their cultural and educational background. From the great achievement that Hong Kong designers has presented, we can discover that the international design is not a simply design westernization.
When one talks or thinks of architecture, or the architects, there is a great gender gap, and due to these gaps, some women do not acquire the acknowledgement that is rightfully theirs. As one of the finest architects, designers, and artist of the 20th century, Eileen Gray was and still has not been given any attention as a serious designer/architect, unlike her counter parts, Le Corbusier, De Stijl, Mies van der Rohe, or Frank Lloyd Wright.
Intro: International designer India Mahdavi’s name is a reflection of the stalwart herself, exotic, feminine and dramatic. Her work elicits a chic and universal sensibility capturing her design essence and draws influences from the memories of her gipsy life. From restaurant to a private residence, a furniture piece to an installation, each of her projects, carries a distinctly modern yet familiar quality. Playful and chic are just a few synonyms for her signature style.
The French-born duo, Ronan (1971) and Erwan (1976), both studied at the Ecole Nationale des Arts Decoratifs in Paris and the Ecole des Beaux-Arts in Cergy Pontoise. Not long after graduating, Ronan began designing his own products with the help of his brother who was still studying at the time.1 By the late ‘90s, the brothers had accomplished creating their own design firm, Bouroullec Studio, and were well on their way to success in the design spectrum. Their success in many ways can be contributed to their complementing personalities – the artsy side of Ronan and the experimental and technical advances of Erwan - as well as their shared goals of changing how design can be interacted with well beyond the design process.
The main argument of this text is a strong belief in the designer having an important impact on sustainability, as they are the ones most likeable to decrease environmental impact through their design.
In any craft store, fabric and sewing patterns consume a large area. Walking -around, I see pinks, blues, greens, polka dots, stripes, and diamonds. The potential in each fabric is overwhelming. A simple, chevron cotton, with a little work, turns into a lovely dress. A striped flannel makes an extremely warm and comfortable pair of pajamas. A plain silk creates a lovely gown. Not only are there multiple fabrics, but the number of patterns is abundant. Each pattern has the potential to become the item according to the instructions or be slightly altered to fulfill my wishes. For example, I have the option to make a pair of pajama pants like the design or exclude the drawstring. If I am taller than the design length, I add a couple of inches to make the pants the proper length. Patterns or designs cater to my needs and wishes. All of this is accomplished with the amazing skill of sewing.
...xpress themselves and with clothes there are endless ways to do so. It helps define who you are. But most of all I love that just in one style or trend there are a million ideas. It takes so much to design clothes all the detail and hard work. The thing is people who wear the clothing don't even realize that for every new shirt or pants that they wear a designer took months to come up with just that one look. So i know i want to design clothing and come up with some of my own trends and styles to add to the extended list of styles out there in our world today.
My inspirations are focus on mostly the graphics designing, although I have chosen to do applied art and design as a A levels subject I would like to discover the graphic designing in more detailed and depth and in future hope to do an idea which would be a applied art and design the graphics.