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African American Artists in the Harlem Renaissance
Art today isn't really thought of as something big or important, but during the Harlem renaissance the art industry was huge because there was so much racial prejudice that nobody really thought that a African American could draw, paint or sculpt something so beautiful. According to historyoftheharlemrenaissance.weebly.com, "Between 1920-1930 and outburst of creativity among African American occurred in every aspect of art. This cultural movement became known as "the New Negro Movement" later the Harlem renaissance." The art today isn't really memorable but during that time it was, it expressed how the people in Harlem were feeling and they told a story through their artwork. All the different artists had different mediums and ways of expressing themselves in their work. African Americans were going through so much, they needed a way to express how they were feeling so they put their words into paintings and sculptures.
There are many different artists during the Harlem Renaissance and many that we're inspiring to the art today. Aaron Douglas was one of those inspiring artists. "Aaron Douglas was an
African American painter and graphic artist who played a leading roll in the Harlem renaissance.
Stopha 2 of the 1920's and 1930's." [www.biblography.com/people/Aaron-Douglas-39794] He was born in Topeka, Kansas, and was sometimes referred as the "the father of black American art."
He got a lot of his inspiration from his mother. She loved painting with water colors and making beautiful works of art. Douglas reached Harlem and instantly fell in love with the culture and people of the town. Text from bibliography.com says "Douglas had a unique artistic style that fused his interests in ...
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...so much, no matter good or bad, they needed to express their emotions in some way. So, they put it into art which soon grew famous for years.
Works Cited
Website: dclibrarylabs.org/blkren/bios/wellsjl.html
ArtVF Art, American-DC wells, James Lesesne, 1902-1993
Bearded, Romane and Harry Henderson. A history of African-American art.
From 1792 to the present. NY: Pantheon Books, 1993
Website: www.yale.edu/ynhti/curriculum/units/1988/2/88.02.02.x.html
Powell, Richard and Jock Reynolds. James Lesesne Wells: Sixty Years in Art. Washington
D.C.: Washington Project for the Arts,1986
Website: www.biography.com/people/Aaron-Douglas-39794
Aaron Douglas' biography. bio.com. A&E Networks Television, date accessed, January
27,2014
Website: historyoftheharlemrenaissance.weebly.com
Publisher, published, and author unknown
Artist-the Harlem Renaissance. Date accessed, January 28,2014
Ernie Barnes was and still is one of the most popular and well-respected black artists today. Born and raised in Durham, North Carolina, in 1938, during the time the south as segregated, Ernie Barnes was not expected to become a famous artist. However, as a young boy, Barnes would, “often [accompany] his mother to the home of the prominent attorney, Frank Fuller, Jr., where she worked as a [housekeeper]” (Artist Vitae, The Company of Art, 1999). Fuller was able to spark Barnes’ interest in art when he was only seven years old. Fuller told him about the various schools of art, his favorite painters, and the museums he visited (Barnes, 1995, p. 7). Fuller further introduced Barnes to the works of such artists as, Raphael, Michelangelo, and Correggio, which later influenced Barnes’ mannerist style of painting.
He has resided and taught in New York. I think his images and prints continue to reveal his practice and memories of growing up in the South. Not only is his subject matter about African American people, but more universally, people of all kinds - black, white, wealthy, poor, religious, northern or southern. As to what I found, his work has been portrayed as Southern, black, or radical, but I think he is above all an American artist. He draws on many different influences in his art, including his father.
Jacob was an African-American artist, who eventually flourished in the art world during the Depression of 1920s, painting African-Americans life in Harlem, making social statements and thus, explaining their life during that time. Additionally, this made his art significant to spectators who praised his works. With no formal training in painting, it was easy for Jacob to ignore the rules that set him apart from other African-American painters and others, before him and in his time, such as Palmer C. Hayden, and Archibald Motely, Jr to whom he was compared. Jacob Lawrence artwork communicated historical data and his perspective of people he was familiar with in his culture. His work expressed how African- Americans struggled for health and social justice, how they were ignored by the Republican administrations, racial equality and eventually, why African-American voters would shift to the Democratic Party.
Between 1910 and 1930, Harlem began thriving with African- American arts such as literature, theatre and painting, and music. This era was soon known as the Harlem Renaissance. During this time racial pride became a very big thing among African- American artists, but the only problem was how to best show this pride. Both high art and folk art can give a good expression of racial pride.
twentieth century. He grew up in New York and contributed largely to the progressive art of the Harlem Renaissance. He captured lively scenes of everyday life in his former
Emory Douglas was born and raised in Grand Rapids, Michigan, until 1951 when he and his mother relocated to the San Francisco Bay Area. At the time San Francisco was the hub of African American organizations that arranged events aimed at overthrowing the social injustices within the Bay Area’s black communities. As a minor immersed within the community Douglas became captivated by Charles Wilbert White, an African American social realist artist whom created various monochrome sketches and paintings, “transforming American scenes into iconic modernist narratives.” Not long after, Douglas was incarcerated at the Youth Training School in Ontario, California where he spent countless hours working in the penitentiary’s printery. It was not until the mid-1960’s when Douglas registered in the City College of San Francisco, majoring in commercial art and graphic design. Soon after, Douglas went to a Black Panthers rally, where he encountered Bobby Seale and Huey Newton; during ...
Think of the last time you saw a painting that featured African Americans in it. Were they the main focus? Did the painting have only African Americans or did it include white Americans too? Now think about the artist, were they an African American? The average person who knows little to nothing about art most likely does not know any African American artists or does not know many artworks that involve only black people in a non-historical context. Kerry James Marshall’s exhibition Mastry is exactly that. It is made up of multiple artworks which only show black people in both historical and non-historical contexts. This exhibition helps to counter this issue of the lack of artworks where only black people are portrayed how white people would
As artists began to gain recognition in the artistic world, they continually represented what it meant to be black in America. Personalities and individualism were displayed through their work while simultaneously portraying the political, social, and economic conditions of being black. This idea runs parallel with Mary Louise Pratt’s (1990) definition of a contact zone. She defines it as a "term to refer...
Watts, Steven. “The Young Artist as Social Visionary” The Romance of Real Life. Baltimore: The Johns Hopkins University Press, 1994. pp. 49-70.
... The Harlem Renaissance was a time of growth and development for African-Americans. They wrote novels, performed in clubs, and created the genre of Jazz. However, the Renaissance was imprisoned by its flaws. Rather than celebrating the unique culture of African-American’s, it oftentimes caters to what the White Americans would want to see and hear.
Between the 1920’s and 1930’s it brought the changes of many African Americans lives. The African migrated to New York City (Harlem). They wanted to escape the racial prejudices and hard time of the economic. They want a higher education including the right to attain work. The social power brought a challenge to increase the awareness of black culture and treatment. During World War, I and World War II the job for many artists brought about significance changes. Aaron Douglas was one the artist whom painting captures the heart of many. Douglas knew that Harlem was the place for big talent .However, in 1920’s the start of Harlem Renaissance create a movement. This movement was created during the modern urban events through most of Harlem
His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance during the 1920’s.
Nothum and Mrs. Tucker both kind of said “it was like the rebirth of the African American arts in Harlem, New York.” The Harlem Renaissance took place in the 1920s it was there many African Americans got together and made art weather it was jazzy kind of music, painting a picture, or writing in some way. They were able to express them self and how they felt about what was going in America. Some of the music they made was created to help mix together the poor and the elite African Americans at the time. The main ideas behind the Harlem Renaissance was to show racial pride and to show people other than African Americans that you can have people other than just whites in the elite class, although it might be hard to get into the elite class it is
On many occasions art has the power to tell a story or even express how someone
emotional state of his characters to create dramatic works of art. Through Caravaggio's painting of The