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The influence of John Locke
The influence of John Locke
The influence of John Locke
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The Political Writings of Charles Brockden Brown
Charles Brockden Brown, famous as the first professional American writer, was an inventive creator of novels, stories, pamphlets and journal articles. His life extended from 1771-1810, over some of the most significant periods of American history. He came from a Quaker community of Philadelphia, a very intellectually and politically active city. Not surprisingly, Brown was “swept up in a strong current of challenges to traditional authority” (Watts: 51). He was heavily influenced by the thought of his time, notably Godwin, Wollstonecraft, French Revolutionary thinkers and the American “disciples” of Locke (Clark:110). Much of his political writing addressed specific situations, though Brown also held very strong beliefs on government and power generally: “[Law] is the shortest and safest road to the possession of power, and power must be desirable by bad men for its own sake, and by good men for the sake of the beneficial employment of it” (The Rhapsodist: 108). Due to this focus on legislative power, Brown’s political writings are intensely critical of the Jefferson government and its actions. “He is a moralist, and extractor of lessons from specific incidents, not a pointer of people in action” (Warfel: X).
Brown was generally concerned with the theory of government and its relation to happiness. Throughout the 1790s he developed many Utopian visions in an attempt to create the perfect political world (Watts : 65). He adamantly demanded “artistic, intellectual, commercial, and… political independence from Europe” (Axelrod: 4): “In every work proceeding from my pen, my chief demand… [is] the liberty of judging for myself” (The Rhapsodist: 22). Brown...
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...nd the Cession of the Mississippi to France, drawn up by a Counsellor of State. Ed. David Lee Clark. North Carolina: Duke University Press, 1952. pp. 261-268.
----. Monroe’s Embassy, of the Conduct of the Government in Relation to our Claims to the Navigation of the Mississippi. Ed. David Lee Clark. North Carolina: Duke University Press, 1952. pp. 268-270.
---. The Rhapsodist. Ed. Harry R. Warfel. New York: Scholar’s Facsimiles and Reprints, 1977.
Clark, David Lee. Charles Brockden Brown: Pioneer Voice of America. North Carolina: Duke University Press, 1952.
Warfel, Harry R. Introduction. The Rhapsodist. Ed. Harry R. Warfel. New York: Scholar’s Facsimiles and Reprints, 1977. pp. v-xii.
Watts, Steven. “The Young Artist as Social Visionary” The Romance of Real Life. Baltimore: The Johns Hopkins University Press, 1994. pp. 49-70.
Holton, Woody. Unruly Americans and the Origins of the Constitution. New York: Hill and Wang, 2007.
Cynara Geisslers’ essay “Fat Acceptance: A Basic Primer,” was published in Geez Magazine in 2010. The focus of the essay is to refute the pressure of society to be thin and promote self-acceptance regardless of size. While this essay touches on many agreeable points, it tends to blow many ideas out of context in an attempt to create a stronger argument. The article takes on a one-sided argument without any appropriate acknowledgement of the opposition, overlooks the risks of ignoring personal health, and has a strong feminist ideology associated towards the essay which tends to make the validity of her argument questionable.
Jefferson feared the immigrants could explode into “unbounded licentiousness” doing so would bring down the curtains of the new republic. He also feared that unless men obeyed their moral sense and exercised self-control they would “live at random” and destroy the republican order. In Jefferson’s view, slavery was not only a violation of black’s rights to liberty, it also undermined the self-c...
Worley is a member of NAAFA and writes about them in her article. She tells us of the time she visited a NAAFA conference, she describes it as “it was like visiting another planet altogether” (163). She describes her experience at a pool party where people were walking around happy and they were not worried that their hefty size would offend someone. She writes of the clothes that were sold there that were made for fat people and she thought they even looked stylish. She tells of a talent show where people get to try the lead role they did not get in high school as a result of the fact that they were not as beautiful as the skinny people. She writes that even though some researchers conclude that body size is genetically decided they still say large individuals should try to lose weight, but it may be futile. She calls them out and says they cannot align their findings with what they believe personally. The author brings in the mental health aspect and talks about the ridicule that is a part of a heavy person 's life regularly. She notes that people will make rude comments, or comment about what they have in their grocery cart at the store. She states that people are not that into getting medical help by reason of a doctor almost always attributing health issues to the fact a person is fat. She talks about how she has tried so many times to lose weight, but she realized that she needed
Over the course of his decades-long career as a respected and influential man of letters, he also wrote an extensive collection of critical essays. In such piece, “A Southern Mode of Imagination,” he argues that the renascence of Southern letters occurred because of a shift in the way Southerners thought; a change from what he termed the extroverted “rhetorical mode” of tall-tales and politicking, to the introspective and hitherto primarily Northern “dialectical mode.” From his unique position as both a critic of the Renaissance and one of its vanguards, Tate posits that the antebellum Southern mind lacked the self-consciousness necessary to produce great writing because it was wholly occupied with defending slavery against the attacks of the North upon the ‘peculiar institution.’ The mind of the South focused outwards in response to those attacks, seeking to justify itself with one foot “upon the neck of a Negro Slave” ; that is to say, Southerners were rhetorical in defense of the indefensible. Their all-consuming and unwinnable defensive stance absorbed any potential for great literature even well after the cause was lost: Southern literature was practically non-existent prior to the publication of the first issue of The Fugitive in 1922. According to Tate’s theory, it was not until the South underwent a shift in its “mode of the imagination” that it was capable of producing writers like those of the Renaissance. Tate theorizes that this change occurred in part because the South ended its self-imposed isolation with the advent of World War I and “saw for the first time since 1830 that the Yankees were not to blame for everything.” The South’s mental energies were no longer entirely engrossed in resistance to Northerners ...
Wachal, Barbara Schwarz. "Louisiana Purchase." Dictionary of American History. Ed. Stanley I. Kutler. 3rd ed. Vol. 5. New York: Charles Scribner 's Sons, 2003. 162-163. Gale Virtual Reference Library. Web. 13 Nov.
http://www.monticello.org/site/jefferson/louisiana-purchase>. The "Miller Center" - "Miller" American President Thomas Jefferson. Ed. Peter Onuf. N.p., n.d. Web.
Until the 15th century, due to the ways in which the four faculties of the university were intellectually weighed against each other, it was very hard for any discovery not based in theology to be brought to the forefront of intellectual investigation. This belittlement of the arts faculty would be a troublesome task to overcome if the geocentric model was to be overturned and the new heliocentric model was to be validated. To further the complication, “other faculties[outside of theology] could not delve into theological matters, but theologians could use other sciences for theological interpretations ”(Course Lecture) which presents two sides both seeking the pursuit of truth through two different paths but one discounts and guards itself out of fear of being disproved. It wouldn't be until the mid-16th century that a published...
Traumatic brain injury (TBI) is a complex brain injury that is produced by a sudden damage to the brain, resulting in a wide range of symptoms and infirmities. There are multiple different causes of TBIs, but damage to the brain comes in two forms: primary brain damage and secondary brain damage. Primary brain injury occurs at the time of impact. Secondary brain injury is the type of damage that progresses over time after the initial insult, leading to seizures, brain swelling and the like. This subsequent deterioration of the brain and its cellular processes is not the result of mechanical damage; instead, it signifies the successive pathological developments initiated with the primary injury. Secondary insult may be a potential focus
Traumatic Brain Injury, otherwise known as TBI, is caused by an external force such as a blow to the head that causes the brain to move inside the skull or damages the skull, which in turn damages the brain. It is a leading cause of death in the United States and nearly one-third of all injury-related deaths in the US are diagnosed as TBI (CDC-Quick stats, 2010). A human can experience traumatic brain injury any time after birth but according to the U.S Department of Health and Human Services, 1.7 million people in the United States sustain a TBI per year. Children up to four years-old, teens aged 15-19 years-old, and adults aged 65 and older, are most likely to sustain a traumatic brain injury. Also, males in every age group experience
...ournal articles support the thesis that Obesity is more than an individual’s problems and it affects more than their personal surroundings. It however affects nations economically, began the phenomena of “Globesity” and has been influenced by the body conscious era of time in which we live in. These are ties which we have woven
Puritanism dominated 17th century history and literature. Nathaniel Hawthorne born in 1804 was an American writer who sought to resolve his conflicts with Puritanism through his writing. Hawthorne wrote several stories showing the world the horrors of the Puritan faith and the isolation of individuals who failed to uphold the faith. For Hawthorne, Young Goodman Brown illustrates the difference between Puritan teaching and practicing and reflects his own guilt about the mistreatment of men at the hands of his forefathers.
It is an undisputable fact that the contribution of such prominent philosophers, writers, political and social activists as Benjamin Franklin and Henry David Thoreau in developing American statehood is tremendous. The literary works of both men can serve as a manifesto of national and personal liberation, a call for building a better society, where each citizen can live and work freely. Indeed, both Henry Thoreau and Benjamin Franklin emphasize the independence and freedom of an individual, but they do so in significantly different ways. These differences can be linked to their different worldview, life positions, philosophies, or interests. Nevertheless, this fact cannot detract from the obvious uniqueness and importance of Thoreau’s and Franklin’s literary heritage.
James Joyce's A Portrait of the Artist as a Young Man presents an account of the formative years of aspiring author Stephen Dedalus. "The very title of the novel suggests that Joyce's focus throughout will be those aspects of the young man's life that are key to his artistic development" (Drew 276). Each event in Stephen's life -- from the opening story of the moocow to his experiences with religion and the university -- contributes to his growth as an artist. Central to the experiences of Stephen's life are, of course, the people with whom he interacts, and of primary importance among these people are women, who, as his story progresses, prove to be a driving force behind Stephen's art.
The terror and suspense in the Hawthorne story function as integral parts of the allegory that defines the story's theme. In allegory (a narrative containing a meaning beneath the surface one), there is usually a one-to-one relationship; that is, one idea or object in the narrative stands for only one idea or object allegorically. A story from the Old Testament illustrates this. The pharaoh of Egypt dreamed that seven fat cows were devoured by seven lean cows. Joseph interpreted this dream as meaning that seven years of plenty (good crops) would be followed by seven years of famine. "Young Goodman Brown" clearly functions on this level of allegory (while at times becoming richly symbolic). Brown is not just one Salem citizen of the late seventeenth century, but rather seems to typify mankind, to be in a sense Everyman, in that what he does and the reason he does it appear very familiar to most people, based on their knowledge of others and on honest appraisal of their own behavior.