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An essay on classical dance
An essay on classical dance
An essay on classical dance
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When people think “Ballerina”, they often think of bright pink tutus and four year-olds joking around on a stage. In reality, Ballet is a serious commitment that, with the right amount of effort, can be terrifically fun.
I need goals. You can’t just put on a pair of pointe shoes and walk on stage, then perform perfectly (as seen on T.V.). In fact, media representations of ballet are almost always false, which misleads some people I have danced with to think that they aren’t getting it fast enough; they can’t do it. Dancing lessons, in my case, started when I was two. When I set a goal and stuck to it, I stayed in dance, and consequently, when I was twelve I reached that goal of earning pointe shoes. That idea didn’t come to my head, though, until I was a little older and realized that my dream was possible if I worked persistently enough.
Everything takes time. Presently, I go to dance class about seven hours a week, not including the times when there are dress rehearsals or recitals. Like quite a bit of subjects in life, once you learn something, you must practice to keep it. I’m required to actually attend classes, if I don’t want to miss learning choreography, and lose my technique.
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People might count a pirouette or a grande jete as a recognizable word, but I’m the only one of the few that I know that would be able to do a rond de jambe on the spot if asked. Of course, it is not necessary to be perfect; sometimes my classmates and I refer to the steps we can’t remember as “that squiggle thing”. I also need to know the proper way to do the steps. Mrs. Denise, my dance teacher calls it “muscle memory”; learn it right the first time, otherwise I will memorize the steps wrong, and it’s difficult to escape lousy habits. Also an immensely important factor is choreography; I must memorize 2-3 minute dances, often multiple per show. To be precise, this winter recital, I dance on stage for about thirty minutes; all
I considered myself a performer, and after years training as a classical ballerina I expanded into stunting and tumbling. While on tour, I developed friendships and bonds with dancers strengthened by a mutual love for dance, a commonality over the pain our bodies endured daily, and conversations on bruised and broken toes.
This skill will not just affect school life, but any ventures after school, as well. Ballerinas will be able to recall directions given to them in a career or instructions from a boss on how to complete a
When the performance ends, the dancers return to their regular routine of dancing five to seven hours a day, including both classes and rehearsal. During auditions, performances, and sometimes at random, it is not uncommon for a dancer to walk into what she thinks will be her daily ballet class and find a scale set up in the center of the dance studio instead (S. Gordon 42). These “weigh-ins” are arranged ahead of time but kept a secret from the dancers. A director from American Ballet Theatre explained that warning the dancers of the “weigh-in” to come would defeat the purpose. “A fore-warned dancer is a fore-starved dancer” (S. Gordon 43). Not only are the dancer’s weights recorded and compared but many times they are read aloud to the entire class. Famous choreographer George Balanchine was known to comment to his dancers, “Eat nothing!” and “I must see bones!” as he poked t...
Practicing three times a week for three hours was rough for the first few weeks, considering I was a beginner, but I didn't let that intimidate me, and so I continued. Making new friends, learning more about my Mexican culture, and boosting my confidence - all of these were areas that I had struggled with, but little by little, dance helped me accomplish such positive effects. With all the dedication I had since elementary school, I learned all the routines for our performance that would occur on December 12th.
I have been dancing since the age of four. I started my intense training with Tanju and Patricia Tuzer, Debra Bale, and Linda Brown at Tuzer Ballet. I developed as a dancer, attending every summer intensive performing in every show, advancing from intermediate to apprentice to junior company and finally to senior company. The dance studio became my second home. I took classes in ballet, pointe, modern, contemporary, tap, jazz, lyrical jazz, theatrical movement, hip-hop, zumba, and African-Ballet, pointe, contemporary, and lyrical jazz being my favorites. Even w...
When welearned jazz dance in class, I found it hard to keep up at first. I liked the way it looked, when someone whoknew what they were doing, was dancing. I remember changing directions a lot. I also noticed while dancing that you use pretty much every part of yourbody. I thought I would be good at it,considering I am an athlete, and I am tune with my body. But I wasnt, I just felt like so manydifferent things to remember. Maybe if Ipracticed it more, I could pick it up.
"And again! Five, six, seven, eight! One, two, three, four…" Being a dancer isn't as easy as it looks. It isn't always about moving around a dance floor freely, making up the moves as one scoots across the dance floor. It is more than that.
Dance requires both mental and physical effort, as well as determination and persistence. Without those characteristics, dancers will find it difficult to be successful, since it is a popular, and therefore competitive, activity. Dancers must understand that the outcome they receive is a direct reflection of the work they do. To obtain a certain goal one must learn to motivate and challenge themselves. It is the dancers responsibility to utilize the information they are given by their teachers to their maximum potential.
Often many dancers will shy away from dancing in front of others, both adults and children alike, and some will even refuse to perform alone and in front of an audience. To tackle this a teacher should make sure their students understand why and what they are doing. The easiest way for most people to learn is through repetition. The aim is to transfer the choreography and rhythm from the short-term memory to the long-term memory. After time the dance will start to become engrained in the muscle memory, meaning the body already knows what to do without help from the brain in response to the rhythmic stimulus.
Improved memory. A study done by the New England Journal of Medicine showed that dance may help to boost your memory. With dance helping boost your memory it may also help to prevent developing dementia. When you dance you are taught a series of steps and need to remember them, with being given something to memorize it helps to give your brain a workout.
In today’s society, reality television has too much of an influence over who children and young women should be. Hence the importance of dance educators. When educators develop methods that fulfill the needs of women and children within dance, young girls will be able to pursue who they want to be rather than who they should be. Therefore, young women will be able to enjoy childhood rather than being forced to grow up too
Memory is a vital part of our life because if it did not exist, we would not be able to “operate in the present or think about the future” (McLeod). The psychological background of memory includes the process of information which consists of three stages: encoding, storage, and retrieval. Dancing requires the use of one’s memory while practicing or performing. Every time a dancer is taught new choreography they go through the process of encoding, which possesses three forms: visual, acoustic, and semantic. Dancers process new choreography by learning the steps and hearing the eight-counts that a routine is comprised of.
Like any first experience we remember all the details of the event. I remember my first dance class at J in Jazz Dance Studio. I was under the instruction of Julie Pederson who was one of the young faces in my little town of Sierra Vista. I was thirteen and thought that the class was awesome. Now if you are under the impression that I was great the first time around you are wrong. I was the one goofy awkward kid who was there having fun. Julie thought that I would be gone by the end of three months because I couldn’t hack it. She was just glad that I was there having fun and being a good student. According to some experts, since I started after the age of ten I was not supposed to be any good. Just six months after starting, something somewhere happened to both me and my dance ability. I was put on the competition/performance team, and then I just kept excelling from there. Every year or two, I was put on a higher more difficult team.
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”
You don’t start from the top and then relax. It’s a staircase with pins and needles on it, which you have to step on barefoot and bleed to really want the job. I plan to start during college and join a dance studio to blossom my technique into more advanced methods of dancing. I’ll put myself out there and join many different and new types of dance. This will better prepare me for later on when they assign me different kinds of dances. So it will go in the following order: Dance Student, College Student while attending a studio, Dancer on TV/Music Videos, Dance Teacher and/or