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Eating Disorders and Ballet - Anorexia Nervosa is Eating the Soul of Young Dancers The applauding audience, the lights, sequins and feathers, the colorful, elaborate tutus, and satin pointe shoes capture the hearts of young girls. Where else can a young girl dream of becoming a princess, a swan, a dancing snowflake or flower, or a sugarplum fairy? Where else can she be a fairy tale character like Cinderella or Sleeping Beauty? Where else can she be rescued by her handsome prince and collapse into his arms? Ballet is the magical world where these dreams can come true. Young girls and women can be all of these things, symbolizing femininity in a culture that teaches young girls to be and want everything pink and pretty. However, in the shadow of the spotlight lurks an abusive world of eating disorders and malnourished dancers. When the performance ends, the dancers return to their regular routine of dancing five to seven hours a day, including both classes and rehearsal. During auditions, performances, and sometimes at random, it is not uncommon for a dancer to walk into what she thinks will be her daily ballet class and find a scale set up in the center of the dance studio instead (S. Gordon 42). These “weigh-ins” are arranged ahead of time but kept a secret from the dancers. A director from American Ballet Theatre explained that warning the dancers of the “weigh-in” to come would defeat the purpose. “A fore-warned dancer is a fore-starved dancer” (S. Gordon 43). Not only are the dancer’s weights recorded and compared but many times they are read aloud to the entire class. Famous choreographer George Balanchine was known to comment to his dancers, “Eat nothing!” and “I must see bones!” as he poked t... ... middle of paper ... ..., Felicia. Understanding Anorexia Nervosa. Spring Field, IL, 1986. Rosenberg, Z'ev. "It's Your Metabolism, Not Your Diet". July 1994. 17, Oct. 2003. http://www.natural-connection.com. Something Fishy. “The Incidence rate of Anorexia in ballet dancers”. Oct. 2003. 17, Oct. 2003. http://www.something-fishy.org/cultural/ballet.php . SouthCoast Today. “Eating Disorder Blamed in Dancer’s Death”. 17, Oct. 2003. 17, Oct. 2003. http://www.s-t.com/daily/07-97/07-11-97/a03sr019.htm Vandereycken, Walter. From Fasting Saints to Anorexic Girls; the History of Self-Starvation. Washington Square, NY: New York University Press,1994. Wuhl, Charles M. “Anorexia Nervosa”. The World Book Encyclopedia. Chicago: Scott Fetzer, 1987. Young, Margi. “Dancing In Your Own Skin”. Oct. 2003. 27, Oct. 2003. http://www.dancespirit.com/backissues/april01/dancersbody.shtml.
Jensen, Jill Nunes. "Transcending Gender in Ballet’s LINES." When Men Dance: Choreographing Masculinities Across Borders (2009): 118.
In the fourteenth century, thirty-three year old, “St. Katherine” starved herself to death. This illness is certainly is not solely a physical illness; eating disorders are mental illnesses as well. The documentary also introduces a young, fourteen year old girl named “Erin.” “Erin” is shown at the beginning of the documentary looking into a mirror and writing words like “fat, ugly, disappointment” on it because she felt those words described her. “Erin” was disgusted by herself, she hated herself, and it is clear to see that during this scene. Davis sat in silence while watching this part, in his and my later interview he expressed his sadness saying, “I hate to see someone hate him or herself to that extent. I feel like no one should have to live being disgusted by themselves the way she seems to be.” “Erin” had been starving herself for three months, leaving her at 20% below normal weight for her gender, age, and height. “Erin” was dying of malnutrition because of her irrational fear of fat. The irrational fear of fat that “Erin” obtained was not a result of her desire to be what she saw on the billboards, what she saw in the magazines, but because she was aiming to become so thin that she would look unattractive. “Erin” was controlled by her fears, by her anxieties because she was sexually abused, she admitted. After being sexually abused, “Erin” felt like she had control of nothing,
O’Hara, Sarah K., and Katherine Clegg Smith. "Presentation of Eating Disorders in the News Media: What Are the Implications for Patient Diagnosis and Treatment?" Patient Education and Counseling 68.1 (2007): 43-51. Print.
06 December 2003. http://www.justfornow.com/. The “The Anorexic Files.” Home page. 06 December 2003. http://www.gloomsday.net/theanorexicfiles>.
Football is one sport that has scientists working around the clock on finding the perfect solution to help decrease concussions. Scientist, Vincent Farrara, created the Xenith X1 Helmet in 2004. Ferrara used to be a quarterback for Harv...
...Black, D.R.(1988). Male and female college athletes: Prevalence of anorexia nervosa and bulimia nervosa. Athletic Training, 23, 137-140.
For decades, individuals living in rural areas have been considered medically underserved. Access to healthcare is a problem that has been increasing for individuals in rural America due to aging populations, declining economies, rural hospital closures, rising healthcare costs, healthcare provider shortages and difficulties attracting and retaining healthcare personnel and physicians (Bauer, 2002). This population experience more health disparities than t...
...he ballerina both physically and narratively drew focus to the increasingly vital role of the supernatural, unattainable woman in ballet. The spectacle of Romantic ballet could not be so exuberant without its visual presentation in scenery and dance style, yet the pinnacle of Romantic ideals became the woman in her ethereal, supernatural presence. Giselle was built as a vision of Romanticism as changes in lighting and illusion centralized around her plotline, floating, skimming dance steps enhanced her ethereal qualities, and the narrative of the ballet itself projected her as an unattainable, otherworldly being. She was an isolated spectacle, both mysterious and alienated. The ballerina became the epitome of awe and mystical beauty in reflecting these Romanticism ideals. The ballerina was the most effective expression of a supernatural presence in Romantic ballet.
Warren, B.J., A.L. Stanton, & D.L. Blessing,. (1990) Disordered eating patterns in competitive female athletes. Intemational Joumal of Eating Disorders, 9(5)
Warbick, Caroline. Just the Facts: Eating Disorders. Reed Educational and Professional Publishing, Chicago, IL. 2003.
It happens all too often, athletes are coming home complaining of dizziness, confusion, and a headache. “More than 1.6 million Americans suffer a sports-related concussion every year, and a growing number occur among high school and college athletes” (O’connor).
Three hundred years ago, ballet was introduced to Russia for the first time by the Czarita's Elizabeth and Anna. Their intention was court entertainment, but little did they know they made a move that would change the face of classical ballet forever. Although ballet originated in Italy and France, Russia certainly gets credit for stylizing and perfecting the art form. From opening the Imperial Ballet School to the formation of the Vaganova technique, from the splendor of Anna Pavlova to the defection of Mikhail Baryshnikov and Rudolf Nureyev, Russian ballet’s past has been a rollercoaster. In the aftermath of the January 17, 2013 acid attack on the Bolshoi artistic director, Sergei Filin, the ballet world is under intense scrutiny of what really goes on behind closed doors. To fully understand why all this controversy is swirling around a single art form based on grace, poise, and performance, we will need to understand the root of the issue. The country of Russia.
Matthews, John R. Library in a Book: Eating Disorders. New York: Facts on File Inc. 1991
However, in this ballet concert, the choreographer had designed the scenes to be more like a comedy. The movement of the sisters are more amusing than cruel. For example, when they pulled each other for being eager to dance with the prince, or when they tried to hurt and bully the Cinderella, these movements are not that cruel but amusing. Even the stepmother was drunk and danced comically in the prom scene. Moreover, the movements of all the girls who wanted their feet to fit in to the ballet shoe which Cinderella had dropped in the prom are also very funny. These kinds of design successfully made the audience laugh out loud and without hurting the hearts of the little girls who went to see the performance with their
Although performance is a major objective at top organizations, successfully addressing poor performance is also a key focus. Although many employees feel or dread performance appraisals they are directed to enforce clarity with individual employees day-to-day work-load, performance appraisals develops responsibility while making employees accountable for performance expectations, reinforces future career planning, helps the organization with determining training needs, and provides a stem of documentation for legality purposes. Performance management in detail is much broader than many employers, and employees assume and necessitates so much more. Proficient appraisals should represent a summary of on-going dialogue. Focusing only on an annual performance evaluation leads to misrepresentation of the performance management process in its