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Literary devices and their effects
10 main literary devices
Navajo culture and traditions
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In language in Society Journal, Anthony K Webster writes about understanding and studying the texts of Navajo poets. He uses three versions of the same poem, Cat or Stomp by Laura Tohe. There are 3 different styles she used for this one poem, one from the version in her book, which is orthographic, the other two are an oral performance, they both have been recorded and analyzed.
Laura Tohe connects to her readers, using her past hardships and poetry to get them to feel her emotion. The author talks about how Laura Tohe wrote this book in English, even though it was about Navajos and their journey through boarding schools. She wanted to connect to everyone and tell her story making sure it didn’t happen again. Since her main audience is white people who speak English and they are the ones who put many Navajos through this rough, traumatic time in their life.
Again, Webster is analyzing Laura Tohe, to have a better understanding of Navajo linguacultural. Paying attention to the way the poems shift when using written Navajo to ethnonym Diné. By showing how linguacultural changes the tone of the oral presentations and what they mean for the cultural and in real-time. As a result, leading to different
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interpretations of the text. The comparison between the poems is the structuring of the lines.
The first oral presentation was structured into three stanzas based on how long the speaker paused during the performance. The stanzas for the oral version do not correspond exactly with the written version, the stanzas are now unique in their own way. There are 35 lines in one of the oral performances verses 23 or 31 in the written version. While the second oral presentation has 25 lines rather than 35 lines. This goes to show how just by different interpretations of an oral presentation of a poem can affect the line size and structuring of the written version. Depending on who the speaker who is presenting the poem they may or may not interpret the poem ever so slightly in different
context. All things considered, Webster has a valid point, reading verses hearing the poem could be an astronomical difference. As a result, the oral poem you could hear the emotion, feel it, while on paper you can only think of what the emotion would sound like. Although the poems are written in English, the have a specific aim to obtain the emotion and make white people feel guilty about what they have done. The same poem in three different versions could mean something else depending on the presentation of the poem. Poems have extremely diverse interpretations of the meaning, it all depends on who interpreted the poem and the audience.
As this poem characterizes the view of a native woman expressing feelings of passion relating to her culture, it also criticizes society, in particular Christianity, as the speaker is experiencing feelings of discontent with the outcome of residential schools. It does not directly criticize the faith, but through the use of a heavy native dialect and implications to the Christian faith it becomes simple to read the speakers emotions.
Lives for Native Americans on reservations have never quite been easy. There are many struggles that most outsiders are completely oblivious about. In her book The Roundhouse, Louise Erdrich brings those problems to light. She gives her readers a feel of what it is like to be Native American by illustrating the struggles through the life of Joe, a 13-year-old Native American boy living on a North Dakota reservation. This book explores an avenue of advocacy against social injustices. The most observable plight Joe suffers is figuring out how to deal with the injustice acted against his mother, which has caused strife within his entire family and within himself.
The writings of Amy Tan and Richard Rodriguez’s depicts a bilingual story based on two differing culture. On Mother Tongue, “Tan explores the effect of her mother’s “broken” English on her life and writing” (506). On the other hand, Richard Rodriguez “recounts the origin of his complex views of bilingual education through Public and Private Language” (512). From a child’s eyes, Tan and Rodriguez describe each joys and pain growing up in a non-English speaking family. Hence, may be viewed that cultural differences plays a major role on how one handles adversities.
This book report deal with the Native American culture and how a girl named Taylor got away from what was expected of her as a part of her rural town in Pittman, Kentucky. She struggles along the way with her old beat up car and gets as far west as she can. Along the way she take care of an abandoned child which she found in the backseat of her car and decides to take care of her. She end up in a town outside Tucson and soon makes friends which she will consider family in the end.
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
arranged in open form instead of free verse because the stanzas are separated into lines of
219-224. Library Services Institutefor Minnesota Indians. Guidelines for Evaluating Multicultural Literature: 1970, pp. iv-v. Norton, Donna. 'Through the Eyes of a Child. Prentice Hall Inc., Englewood Cliffes, New Jersey: 1995.
John Farella. The Main Stalk: A synthesis of Navajo Philosophy. Navajo Religion. (Tuschon: University of Arizona Press, 1984)
The Essay written by Amy Tan titled 'Mother Tongue' concludes with her saying, 'I knew I had succeeded where I counted when my mother finished my book and gave her understandable verdict' (39). The essay focuses on the prejudices of Amy and her mother. All her life, Amy's mother has been looked down upon due to the fact that she did not speak proper English. Amy defends her mother's 'Broken' English by the fact that she is Chinese and that the 'Simple' English spoken in her family 'Has become a language of intimacy, a different sort of English that relates to family talk' (36). Little did she know that she was actually speaking more than one type of English. Amy Tan was successful in providing resourceful information in every aspect. This gave the reader a full understanding of the disadvantages Amy and her mother had with reading and writing. The Essay 'Mother Tongue' truly represents Amy Tan's love and passion for her mother as well as her writing. Finally getting the respect of her critics and lucratively connecting with the reaction her mother had to her book, 'So easy to read' (39). Was writing a book the best way to bond with your own mother? Is it a struggle to always have the urge to fit in? Was it healthy for her to take care of family situations all her life because her mother is unable to speak clear English?
last, which is four lines. In the first three stanzas, the poem is told in
Tan, Amy. “Mother Tongue." 50 Essays: A Portable Anthology. 4th Edition. Ed. Samuel Cohen. Boston/New York: Bedford/St. Martins, 2011. 417-23. Print.
Patricia Highsmith’s short story, “Something the Cat Dragged In,” provides various examples of human nature when influenced by evil as it occurs by ordinary people. These situations can be analyzed through Philip Zimbardo’s video, “Psychology of Evil,” and Wendell Bell’s article, “Who is Really Evil?” Their theories further relate to Patrik Jonsson’s article “Rich Kid Gets Probation for Drunk-Driving Deaths. His Defense? ‘Affluenza’.” Wendell Bell defines evil as “Human actions or inactions that harm other people” (Bell 55 C1-2). Bell expresses two categories of evil behavior: idealistic evil and instrumental evil. Idealistic evil is criminal actions that are committed because the perpetrator believes they are right, thus, religious extremism
Throughout House Made of Dawn Momaday forces the reader to see a clear distinction between how white people and Native Americans use language. Momaday calls it the written word, the white people’s word, and the spoken word, the Native American word. The white people’s spoken word is so rigidly focused on the fundamental meaning of each word that is lacks the imagery of the Native American word. It is like listening to a contract being read aloud.
In the first poem “Not My Business” the structure is quite simple. The poem is split up into four different verses. The first three verses are in a regular structure they are seven lines long and the last three lines repeat themselves. Whereas the last verse is irregular it is made up of five lines and those three lines are not repeated in this verse. I think the poet has structured it like this so that:-
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.