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Reading skills and strategies
Reading skills strategies
Review of literature on reading skill
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Objectives: Students will be able to, in a group, theatrically read “The Lion and the Mouse” using a variety of the vocal elements including “volume, pitch, rate, tone, articulation, and vocal expression”. Students will be able to retell the fable “The Lion and the Mouse” using vocal elements of volume, pitch, rate, tone, and articulation to express the perspective of the lion or the mouse. Students will be able to collaborate as a group to write a script for an original fable of their own creation and will perform through movement and voice (act it out). NC State Essential Standards: 4.C.1.1 Use a variety of postures, gaits, and mannerisms to express character in the presentation of stories. 4.C.1.2 Apply appropriate vocal elements of …show more content…
Procedures: Have the students, in groups of three, perform reader’s theatre to do the initial reading of “The Lion and the Mouse”. One student will read the lion’s lines, another student will read the mouse’s lines, and the third student will read the narrator’s lines. (5-10 minutes) Introduce the fable “The Lion and the Mouse” to the students and say that we are going to be working with this piece of text today to inspire our activities. Divide the class up into groups of three and have them sit in their own spot in the room. Provide each group with a copy of the story, “The Lion and the Mouse” with each part highlighted in a different color. Explain that this activity is called Reader’s Theatre. We are going to read the story in our groups by taking turns reading as the characters themselves. Ask one student in each group to raise their hand. Give that student the part of the mouse. Their part is highlighted blue. Ask for another student in each group to raise their hand. Give that student the part of the lion. Their part is highlighted yellow. Say that the last student in each group will be the part of the narrator and read the green highlighted
After introducing the vocabulary, the teacher will give each student a popsicle stick puppet to use as the teacher reads out loud (ie, as the teacher reads a line, the teacher will show a picture of the object and ask the student to hold up the matching picture).
Objective 3: Having read one children’s literature story, A Bad Case of Stripes by David Shannon, the students will demonstrate an understanding of the text by being able to write 5 sentences describing the main themes of the story with 95% accuracy.
Good morning/ Afternoon Teacher I am Rachel Perkins And I was asked by The Australian Film Institute to be here to today to talk about my musical. My musical One Night The Moon which was the winner of the Australian Film Institute Award for Best Cinematography in a Non-Feature Film in 2001. I am also here to talk about how distinctive voices are used to show the experiences of others. The voices of Albert and Jim are two characters that give us two different perspectives this is due to their views. Albert one of the characters in my film is an Aboriginal character played by Kenton Pell who is hired by the police as a tracker. Albert is a very deeply spiritual person this gave him a spiritual voice throughout the play but when he get 's kick off the land and banned from the search the gets frustrated which gave him this really emotional voice. This event has a greater meaning which I will elaborate on later and now Onto Jim. Jim is your 1930s white Australian that owns a farm and is going through tough times because of the Great depression. Jim does not allow Albert to find his daughter, This is due to his racist and prejudiced views of black Australians. Jim has an authorial voice because he see’s himself as inferior. Near to the end of
Students send Grinch Grams, a gift of words, this holiday season to their classmates. They learn that words have the power to make hearts grow — just like the Grinch’s heart grew. Have them draw classmates’ names. Give each student a heart. The hearts on my bulletin board are made with die cuts that I triple layered (red, gold, and white) to symbolize how the Grinch’s heart grew three sizes. You certainly can do this, but if you want to save class time, download "Grinch Gram Hearts" to use in your classroom.
Fountas, I., C., & Pinnel, G. S., (2009). When readers struggle: Teaching that works. Portsmouth, NH: Heinemann.
Draw a line down the middle of the board; write lion and lamb on the top of either side of the line. As a class come up with words describing a lion. Write these words on the board under the lion (i.e. angry, mad, big, brave, fierce, strong, etc.). Do the same of lamb (i.e. shy, quiet, gentle, friendly, etc.).
He relates how Irish storytellers would turn their backs to the audience, or speak from another room in order that the listeners would rely on their imaginations. These types of storytellers would not rely on gestures, or voice inflections, but instead chose to paint a mental picture for their audiences who created vivid imagery in their own minds. The story was paramount to the teller. Lindahl laments that current storytellers have become enamored with their own performances and become as important to the tale as the tale itself. The “quiet, shyer world of the lone, quiet voice figures too rarely in folkloric performance studies.” Lindahl compares the true märchen tellers to the quilters who are more intrigued in the stitches of their work, and not the beautiful patterns or to the skilled basket weavers who focus on the intended use of the basket and not the aesthetic beauty of the weaving patterns (McCarthy xix-xx). In today’s society, the figure of a great storyteller evokes an image of gestures, voice inflections, voice impersonations provided by a colorful character. Perhaps our sensory overload from high definition televisions, streaming video, IMAX theaters have dulled our appreciation for the story itself, which is created in our own imaginations by a teller with skilled
I will ask multiple questions about the text to each of the groups after they have read the text in order to make sure that the knowledge has been attained.
On page 4, we read “Deep-sea Treasure Hunters” by Ramona Rivera. Students once again participated in reading, except one = student (Kristina) who claimed she did not like to read aloud. However, she did answer a few questions. I had students underline what they thought the central idea and supporting details of the story were. Afterwards, they shared their answers and explained why they choose certain sentences/phrases to underline as each. We also filled out the chart on the page
The five books above will be read to students for Read-Alouds each day. Prior to the Read-Aloud, there will be a discussion on the theme of the book we are about to read. After reading the book, we will all share our thoughts on the book leading to a discussion on what would the student done different to solve the problem Mercy Watson was in. Following that, students will move to rotations where they will be focusing on activities and retelling the story in
” Drama for Students. Ed. Anne Marie Hacht. Vol. 21.
just draw a picture in their head of what was going on, this is down
Lessing, Doris. “Group Minds.“ Writing and Reading Across the Curriculum. Behrens Laurence and Leonard J Rosen. Boston: Pearson. 2013. 652. Print.
Anticipatory Set As for my anticipatory set I would play a game of 20 questions with the students. The students would be told that the story is in the fairy tale genre and it includes three animals that you would find on a farm. Students would have to ask questions and try to figure out which story we were going to read. This would be a great way to motivate and get students excited about the story; children love to be detectives and could never pass up a mystery.
I observed Mrs. Rammond begin at 0915 with a group of five boys. It is a reading group that struggles with pronunciation and comprehension. The group individually takes turns reading a paragraph from a short story. The story is always 12 paragraphs long and has pictures tha...