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Character analysis of Casablanca
Character analysis of Casablanca
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Juan G. Cruz Hernández
Section 126
Essay 1
Word Count: 599
Rick, with the Allies or the Nazis?
Casablanca is a romantic drama film in which the main character, Rick Blaine has to decide between escaping with Ilsa, leaving everything behind and supporting the war by helping Victor Laszlo, a Czech Resistance leader and husband of his former love, Ilsa. At the end, Rick decides to help Victor and Ilsa. Despite the fact that this decision was Rick’s way of protecting Ilsa, it can be proven that Rick helps her and her husband escape to America mainly because he wants to help the Allies win the war. Rick claims to be neutral in several occasions trough Casablanca, but his real position in the war is that he wants to help the Allies win.
Overall, Rick’s actions reflect his preference for the Allies over the Nazis. An example can be seen in a conversation between Rick and Renault in which Renault advises Rick not to warn Ugarte that he plans to arrest him for the murder of the carriers of the letters of transit, which allowed the holder exit Casablanca,, to which Rick replies, “I stick my neck out for nobody” (Casablanca). Despite Rick’s claim that he always maintains a neutral position, Rick helps Annina and Jan win enough money in the roulette to pay an exit visa to America. In addition to Rick’s present behavior,
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in the past he has also shown favoritism towards the Allies. In a conversation with Renault, Renault says to Rick that “[he] … ran guns to Ethiopia … [and he]… fought in Spain on the Loyalist side.” In this conversation Renault is advising Rick against helping Victor Laszlo escape to America. In his defense Rick claims that he was “well paid… on both occasions” (Casablanca). Nevertheless, Renault reminds him that “the winning side would have paid [him] …much better” (Casablanca). Also, Rick decides to help Victor and Ilsa in order to support the Allies in the war against the Nazis. In Rick’s words to Ilsa in the last scene at the airport, Ilsa refuses to leave Rick behind, but he replies “I'm saying it because it's true… we both know you belong with Victor” (Casablanca). Rick recognizes that Victor needs Ilsa and decides to give up on his former love. He decides to lie to Victor by convincing him that Ilsa only loves him, Victor. Moreover, Rick admired Victor Laszlo’s work.
Rick congratulates Victor on his work. Laszlo, being modest, replies “I try” (Casablanca). Rick’s response to Victor “We all try, you succeed!” demonstrates that he is on the Allies side and that he considers Laszlo’s work important in order to achieve victory in the current war. The only reason that Rick did not helped him right away to escape to America, was probably because he felt betrayed by Ilsa and the reason of why he replied “I suggest that you ask your wife” when Victor questioned why he does not wants to help him (Casablanca). After all is clarified, Rick helps him escape at all cost, even killing
Strasser. Rick has always been on the Allies side and this is why he decided to help Victor Laszlo. The fact that he held back and refused to help Laszlo only demonstrates that he still loved Ilsa. Even so, he decided at the very end to let her go for the sake of Laszlo and the Allies. He did this because he recognized that she was “the thing that keeps him going”, and thus, she was crucial for Laszlo to succeed. Lazlo’s success means that the Allies are closer to victory and this will lead to the future we now know as present. Work Cited Casablanca. Dir. Michael Curtiz. Perf. Humphrey Bogart, Ingrid Bergman, Claude Raines, Conrad Veidt, Peter Laurie, Sidney Greenstreet. 1942. DVD. Warner Home Video, 2012.
Napoleon Dynamite is one of the best movies portraying loneliness and nerds. It is the story of Napoleon in high school and his lonely adventures. All the main characters feel separated, misunderstood, and have nobody to relate to. Napoleon has no friends and lives in his own fantasy land. He is avoided by everybody. His brother seems to be mislead, wanting to be a cage fighter but staying home all the time hopelessly trying to find love and attention on the internet. Their grandmother is never there for them, though she lives her own life right beside them. They live next to a huge field, reinforcing their isolation. Practically every home in the film is
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
Audience members, when seeing Casablanca, would associate it as a war film, and I agree with that, but to be more precise, it is a pro-Allie war film. The literary elements in the film are the reasons why it can be viewed this way, with the emphasis on the plot and characters. The timing of when the film was released also supports the idea of it being an anti Axis film. Although it was set in 1940, it was made a year after Pearl Harbor and America entering the war, but it was released right before the Allies had a meeting in Casablanca, so the filmmakers seemed to have wanted the audience to empathize with the Allies. The whole plot seems to be focused around how Rick is neutral at the beginning of the film, but because of an old flame coming into his life once again, he slowly becomes in favor of the Allie side.
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
During the film of Casablanca there was many occasions where each character had a connection with the other. The entire film seemed to be about a man who is going through multiple complications of reality consequences without informing and information towards his loved one. As you can see in the movie Rick is trying to solve and corporate with as many unideal situations for the sake of keeping his partner llsa safe and unaware from the events at all times. The Films shows motivation between him trying to do whats best for him and Llsa who is the partner of rick shows a high trait of curiosity and awareness. Rick is also a character who moves in and out of hard shadows, often within a frame by himself. At this time, he is concealing his broken
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.
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