The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending. Rick is not a perfect man but a man of integrity, reliability, and sympathy. First of all, he is kind to his employees. Emil, a banker in a gambling game, lets a man win 20,000 francs and asks Rick for some money. Rick is not unhappy and said “mistake like that happen all the time”. Moreover, he helps a young lady get …show more content…
enough money by letting the husband of the lady win enough money in the gambling game in secret, which shows that Rick is sympathetic. And his integrity can be reflected at the end when he kills the Nazi Major Strasser. First, at the beginning of the film, a young couple are looking up at a plane flying in the sky and the young lady said “Perhaps tomorrow we’ll be on the plane”. Their dream finally come true with the help of Rick. Then, Major Strasser first shows up at airport where a plane lands and also dies at the airport where another plane takes off. Third, Nazi Major Strasser being shot could be one of those loose ends tied up. We can find people don’t like Major Strasser from a scene that a bunch of customers begin to sing “La Marseillaise” while some Nazis are singing a Germany song. More importantly, Rick understands and forgives Ilsa after he listens Ilsa’s explanation, even though their love cannot go back to what it looks like in Paris. Most of editing method used in the film is straight cut. Most actions takes place in Rick’s cafe, straight cut cut out unnecessary part of that scene. When the camera first comes to Rick’s cafe, it gives a long shot outside the cafe that tells us that this is Rick’s cafe, and then there is a close up shot at the signboard. Followed next cut, a point-of-view shot... Between scenes happen in different location, superimposition was used. For example, when Rick remind himself of experience with Ilsa in Paris, the old shot becomes lighter gradually alone with smoke coming from the cigarette in Rick’s hand and shot in Paris becomes brighter slowly. Similarly, when this recollection is going to be at end, more and more vapor that comes from that train make a nature transition back to the scene where Rick drinks himself. A scene that Rick is taking out money from a safe impresses me very much.
Instead of recording how Rick gets money from the safe, light is used to create a shadow of Rick and Rick’s action is reflected by the shadow. In addition, when a close-up shot is used to show Ilsa’s face, it seems that Ilsa’s face is illustrated by light deliberately and her face looks very beautiful. Besides, lighting always focus on important actors and actresses. When Rick is drinking himself in a room with Sam, low-key lighting is used and only half of Rick’s face can be seen; Sam’s face is more obscure than Rick’s. Furthermore, a door behind them keeps becoming brighter and darker alternately and it seems that there are people or cars passing the
street. Sound plays an important role in atmosphere of the film. For instance, when Ilsa is surprised at Rick’s decision and reluctant to part from Rick, music stimulate audiences’ felling. But later, Rick appeases Ilsa and the music calm down. In the same way, at the middle of the film, when Rick knows Ilsa cannot leave with him, music incites audience’ heart and creates a sense of disappointment and anxiety.
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
...ater in the book Rick is no longer jealous of Todd and he isn’t afraid to confront him at the party. As quoted on page 143 “Don’t push me, I warned. If it comes down to you or Jake, I choose Jake. I’ll rat you out!” This doesn’t end well with how Nelson strangled Jake, considering Didi had to hit him over the head with a champagne bottle to save Jakes life. Nelson had to go to the hospital and it turns out that Jake takes the blame for Didi when the cops arrive, so in the end the jealousy wasn’t worth it.
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
The body of Kunze’s essay is broke down by the “three triangulations of desire” and these relationships are dissected to support Kunze’s argument. He elaborates on the importance of Rick, Ilsa, and Sam; Rick, Ilsa, and Victor; and what he believes is most important Rick, Ilsa, and Renault. He uses resources such as Kosofsky Sedgwick’s work on homosocial male desire to support his own argument that Casablanca “accurately depicts the emotional complexity of male friendships and the reductive role of women in these fraternal bonds not only to fulfill the film’s admittedly propagandistic goals, but as an inadvertent testament to gender dynamics in a power structure organized around male power and interactions” (Kunze pg.20). Using Sedgwick’s work as a model, Kunze constructs this erotic triangle between each group of characters mentioned above. Kunze examines each relationship and believes it serves as a sensitive register. Kunze explains that there is more power and meaning that the general content. Utilizing Sedgwick 's model, Kunze suggest that the viewer can see the “complexity of Rick 's interactions with Sam, with Victor, and with Captain Renault—each of whom represents different levels of homosocial desire, all trumping Rick 's love and respect for Ilsa” (Kunze pg.21). Throughout the body of the
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
The first camera technique Curtiz uses to help narrate the film is the close-up shot. The close-up can effectively convey the story to the viewer without the use of excessive dialogue. In this instance, the viewer is introduced to the main character, Rick, through the use of the close-up. The first scene in "Rick's Cafe," shows people gambling and making illegal deals to leave Casablanca. An employee of the cafe brings a check to a man seated at a chess table to sign. The signature reads, "OK. Rick." By using this shot, the director makes clear to the reader, without any dialogue, that the man signing the check is Rick. This technique, however, is just the first of many used by Curtiz.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
...o survive and flee the inevitable evil. With World War II raging, viewers in the United States could feel the fear and anxieties as well as compassion for the characters. Although some movies can be rewritten to obtain a better effect over the viewers, Casablanca cannot be redone. The mere fact that the evil of the day was a reality of the time prevents this movie from ever having the same effect on the audience.
... try to secure the downtown area, they were quickly overrun by the zombie horde. After hiding in a burned-out tank, Rick is eventually recused by a group of survivors who have been making risky supply runs into the city. When he returns to the group’s camp outside the city limits, he discovers that his wife, son, and best friend are also part of this rag-tag band. After the tearful reunion, the question of what to do next drives the subsequent episodes.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Throughout six seasons of AMC’s ongoing hit show The Walking Dead, Rick Grimes, the main protagonist, has grown from: a tough guy police officer with a soft heart for helping others (almost always coming with a great personal risk) to the ultimate leader and survivor. Rick’s character arc during the first five seasons of the show, were about the ongoing growth/development of Rick, along with little benchmarks along the way in the form of gruesome but necessary murder. During Rick’s character arc, he goes through three major phases that reflect his morals and view of the world. These changes are then highlighted by the various brutal gory kills Rick has achieved. We as viewers get an in depth look at this gradual evolution as he fights to survive
The character of Rick Grimes is awoken from a coma to find that the world has evolved into the apocalypse. Once awoken Rick is desperate to find his family and protect them from the now disastrous world. Through Rick Grimes character the audience empathizes with the underdog. After seeing his horrific odds I was able to not only empathize but also wonder what I would do if confronted with a similar situation. Throughout the progression of the character Rick Grimes, I witnessed a man begin as an underdog and take on a leadership role. Rick is thrust into the new world and before finding his footing he becomes a natural leader. Although some would disagree on the leadership qualities the character exhibits, I find this character to be crucial to The Walking Dead. The character prevails in many deadly situations often risking his own life to ensure the safety of the group. The show creates an outstanding character that is truly captivating to watch. Each episode provides a powerful dynamic between the struggles Rick faces and his ability to protect
Rick is one of the main characters shown in the Walking Dead. Rick is an individual who is typically calm. He shows a side of his knowledge and how it pertains to survival, along with the nature of being a good friend. On the other hand, he has created stress within the group due to the morals that he possesses. However one of Rick’s greatest faults may be is his intuition to place
Rick is a cartoon character trying to seek redemption. He seeks redemption from his family, friends, past and contiueing sins; through means of alcohol, nerturaring Morty through adolescents, and being present for family situations. The show is about about Rick and Morty who go on wild and crazy adventures trough the galaxy. Through their adventures Rick is trying to reconnect with his family. He is an alcoholic who seem 's to drink to mask his previous failures and current situations. He is 'nt empathetic to others emotions; however, as the show progresses you begin to see him losing this trait and begins to be occasionally respectful or at least be cautious