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The importance of editing in film
The importance of editing in film
The importance of editing in film
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Analysis of Lighting in The Film Belly
The motion picture Belly explores the ghetto and the characters that live in this dark and obscure world of violence and criminal behavior. Tommy or "Bunz", and Sincere, who both live in New York, have differing views of criminal life. Bunz lives a mixed up, drug-run lifestyle, while Sincere aspires to be a law-abiding family man. To help the audience get the full effect of evilness portrayed by the character, the scenes are very dark and gloomy. There are, however, lighter scenes in which the good heart of one man is represented. The lighting in Belly helps with the characterization within the movie. One character is shown as a dark figure, and one as an almost holy figure, plus disillusionment is brought out nicely through lighting effects.
Throughout most of the movie, Bunz is in heavy shadow. This represents the underground and evil nature of his way; He deals in drugs and money, with quite a bit of killing involved. The fact that the audience almost never sees his face is a representation of society never seeing the actions, or faces for that matter, of real hard core criminals. For instance, while Bunz is in jail, his face is barely seen while he talks on the phone. His mouth is the only part of his face that actually enters the light in the segment. Hype Williams, the director, is drawing specific attention to the nature of this character: Bunz is a bad person, who is in jail because of illegal dealings, and a blanket of darkness has been cast over him. Society has turned its back on him, and he sits in its shadow. In another scene, Bunz is in the light; he is in a drug dealer's house, and the sun is shining through onto Bunz. However, his back is to it, like he is...
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... untouchable!" is Bunz response. But he is obviously disillusioned when his "invincibility" is shattered and he goes to jail within the next two days. He thinks he is like a ghost where no one can touch him. He thinks he rules the world because of all the money he has from drugs. All this happens under that eerie blue light. This blue light helps clue the audience in to things that go on in the characters' minds that actually differ from reality.
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play,
Tim Burton, in Edward Scissorhands, uses high key and low key lighting. For example, Peg’s town is flooded with high key lighting in order to make the outside seem joyful and peaceful. The outside may look cheery and bring, but most of the people living there were not the most pleasant people. The women gossip and create rumors; the men are rude and conceited. He used low key lighting in order to make the audience feel anxious about the upcoming events. An example would be when Peg walked up to the top floor of the mansion and noticed that someone was sitting in the corner. Edward’s shadow may have given him a frightening appearance, as he is a ‘man’ with scissors for hands. But Edward was a kind and caring gentleman. In conclusion, he used reverse lighting to add an irreplaceable, distinctive quality to his movies.
The lighting is used as colour symbolism through Priestley’s decision to imitate the emotions in the act, ‘the lighting should be pink and intimate until the Inspector arrives, and then it should...
You have to have nothing to make something. There has to be an unknown before there is space to create. Artist and scientist have to be comfortable in this unknown and mysterious place because there is rarely an absolute perfect solution or answer. In the movie, The Colors of Infinity by Arthur C. Clark, they explore the possibilities of fractals to better explain the possibilities of the universe. At one point the documentary compares fairy tales vs. the consistent, deterministic yet unpredictable (because practically too fine-grained) world. Imagine a world that was perfectly predictable. It would be pretty boring and there would be no room for exploration or being creative.
Since Rorschach is often alone in his early childhood, he ends up to be asexual. Through the description, readers learn that his coldness is greatly affected by his young memories, although he does not clarify the reasoning. Kovacs learns how to stand up for himself through the accident with two bullies of attacking one of them by “partially blinding him with a lighted cigarette” (VI, 7, 9). Children tend to involve in aggression and assaults without the guidance of parents and loneliness, which is the reason how Kovacs grows up under the influence of violence. This aloneness results in his over-reaction to the world. Despite the fact that Kovacs grows up alone, he partners with Nite owl in 1965 by “bringing street gangs under control” together (VI, 15, 2). Other than Kovacs’s childhood memory, Rorschach’s “face” can also be considered as loneliness. Through the picture of “empty meaningless blackness”, Dr. Malcolm Long mentioned the picture simply means “[they] are alone” and darkness (VI, 28, 6-7). Furthermore, the blackness of the mark can also represent the judgement of evil and how the horrors have turned Kovacs into Rorschach. As the mask consists the color of black and white, it also exhibits how Rorschach views
Socrates says that “the freed person had to engage in the business of asserting and maintaining opinions about the shadows-- while his eyes are still weak and before they have readjusted, an adjustment that would require quite a bit of time -- would he not then be exposed to ridicule down there?” (Plato). The free prisoner is trying to convince other prisoner that what they saw before just a reflection and the shadow of the true knowledge. But they do not believe in his words and thinks that he is insane.at the end of the Allegory of the Cave Glaucon agree that Socrates if these prisoner can hold of this person, “they certainly will” kill the freed prison (Plato).This is similar to the Black because after Black believe in God, he thinks his life no longer become shaded. He tells White that “How come you cant see yourself, honey? You plain as glass. I can see the wheels turnin in there. The gears. And I can see the light too. Good light”(McCarthy,17). However White does not believe in his words. White stills thinks that his life is full of darkness and there is no such light in his life. So he ends up walk out from Black’s house and suicide. Black becomes lost and feels that he falls back to the darkness by asks the God after White leaves. He
He was smart, had an upbringing in a fairly regular part of town, was fairly handsome, and had a myriad of opportunities surrounding his education; though he still ended up as a monster due to the negative influences of his external environment, which undoubtedly shows their importance. It is well understood that Bundy suffered from serious psychological issues, most likely an after effect of the physically and mentally abusive environment that he lived through as a child; and in particular the lies regarding his lineage and the lack of any responsible familial adult figures only furthered his descent into
Lighting contributes to this idea as he is repeatedly shown as out of focus or silhouetted or from behind so his features are blacked out, this conveys an unnatural tone about his person as Belton puts it “Lighting becomes an extension of the character’s psychological makeup into the surrounding space” (Belton, 2013). This use of Low-key lighting is stereotypical of the thriller genre and the Coen’s use it to their advantage to attribute an air of mystery to Chigurh. The key light in the outdoor scenes is obviously the sun but the Coen’s do not adhere to the convention of reflecting panels to allow light to come from underneath as it does in many old westerns, they adopt a more realistic approach allowing shadows to fall where they may but utilizing positioning to keep Bardem in the dark. Once the characters are in the car they manipulate the lighting again having the “sun” fall on the officer and not Bardem. Once inside the Police station the dimly lit electric lighting replaces the sun as the key light. Which portrays a dimly lit, unpleasant environment perfect for the grappling fight that is about to
One element of mise-en-scene, also known as the lighting, was one of the elements of mise-en-scene that stood out to the audience and was also relevant to the narrative structure of the film. Ward’s use of lighting, whether it was high-key lighting or low-key lighting, sets the mood
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
What is color? If someone were to ask you that, what would your answer be? How do you describe yellow without saying its name? You might say it reminds you of sunshine or of school buses or of warmth, but those are all examples. It’s funny how something so integral to our daily lives could be so hard to explain. Could you imagine a world entirely enveloped in grey-scale? A permanent film noir. Color is like sound, all around us, conveying emotion, shaping our world. Without it, our world would be bland; without distinction. Likewise, film is a world of its own, transporting you into its universe, putting you in the characters’ perspectives. Ever since the beginnings of film, filmmakers have looked for ways to put color in film, expanding the
Forth are Lighting and color. In case of Lighting, this film uses High key light that makes this film look like natural light and feel warm. In the case of color, some scene of this film use warm color to express love and warmth to audience such as in the wedding scene or some scene use dark color to express about sad feeling such as funeral scene and in scene that Rosie knows her dad was died. I think in some scene if you watch it in HD, it’s very beautiful such as in scene that Rosie drinks a cup of coffee and thinks about the past in sunset time because Lighting and color of sunset time is very
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
Emotions and mental aspects are not to be overlooked when differentiating an appearance with reality. In the field of criminology, the general population is exposed to, and has interacted with the most well-behaved and the most polite of people. The kind of people who are perfect models of virtue and goodness. Underneath this shroud of morality, however, it is not infrequent that a man or woman is raging with anger or destructive thoughts. Take Ted Bundy, for example. On the outside, he was the perfect example of an educated gentleman, equipped with a one-tracked mind yearning to kill. Luring countless unsuspecting women, Bundy murdered, and raped with ease. Wearing the costume of a sophisticated and well put-together man, he was able to manipulate take advantage, and take the life of thirty