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Film techniques in edward scissorhands
Edward Scissorhands Film Techniques - Characterisation
Film techniques in edward scissorhands
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In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
us an idea of how the movie is themed. Contrary to the amount of scenes with low-key lighting in them, there is also a fair amount of scenes with high-key lighting. Most of the scenes without Edward, for example, are mostly shot with high-key lighting. An example of this is the beginning scene when it shows the neighborhood, and the scenes where it shows the girl trying to sell her makeup products to her neighbors. Another technique that is used a lot throughout the movie are the camera angles. Throughout the movie there are several scenes in which the conversation between two characters is very important. When this happens, a lot of two shots occur. An example of a two shot scene is near the beginning when Edward and the girl are talking and she is introducing him to her family through pictures. Another good example of a two shot is later on in the movie when the neighbor girls are speaking with Edward. It shows the camera switching back and forth between the characters as they speak with each other, showing that the conversation they are having is very important. A second camera angle that is used a lot are close ups. A lot of times throughout the movie the camera will zoom in close to Edward’s face. An example of this is the scene where Edward just got done trimming the plants and is exchanging conversation with the father. The camera zooms in on the two’s faces as they each share words across the yard with each other. Lastly, a lot of establishing shots are used. For example, at the beginning of the movie when it showed the neighborhood that Edward lived in. Another example is the beginning scene when the girl was looking out her rear-view mirror and saw Edward’s castle for the first time.
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
Tim Burton also uses great Lighting to make Edward look like shouldn't be there, for example, it shows Edward cramped into a small car and with bright colors in the background. In the scene where they enter Edwards garden it seem so beautiful up close, but like hell far away because its very dark over there, then when it enters back into the house it seems like it would be from a horror movie. And the make up on his face makes it more fit with the lighting because of the scars with his pale white face and his crazy black hair.
-Steven Spielberg’s use of editing and cut scenes is one of the biggest factors in this movie. He uses contrast in certain scenes to amplify one and somewhat down play the other. The intensity in one scene can form an overstatement on what is really going on even when the setting itself is very relaxed. One scene the really exemplifies this is one of the first scenes when Chrissie runs into the water and is dragged under water by the unknown, but a bit after we realize that she is actually being attacked by a great white. The camera cuts back to Tom laying down, completely unware of the events presiding. Him laying down enjoying the sun is a complete contrast and also the slight note screaming that is playing is very opposite Chrissies which makes the intensity shoot up when we
It hints of danger when Peg sees a man standing in a dark corner of the room looking like it was a bad guy, so Peg got scared when she first saw him standing there. It also made the audience have a scary feeling. Tim also uses low-key lighting in the movie Bettlejuice, there was a moment when Adam and Barbra made this secret door inside their attic and it had a low-key lighting effect, so it made it look like it was dangerous because it was a mysterious door. Now I have listed some examples when Tim Burton uses low-key lighting in his
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous. When Charlie’s house was being shown in Charlie and the Chocolate Factory, the house looked dark and hopeless. Charlie’s family doesn’t look sad at all though, in fact they are happy because even though they live in the worst house in the town, they have a home and a meal every night and they are one big happy
Tim Burton used three different types of camera angles in Edward Scissorhands. The three different camera angles involved are eye level, high angle, and low angle. The first eye level shot was when the little girl was laying in bed. Most eye level shots were shot when people are talking so it can focus on them, their face, or facial expressions. One high angle was when Avon was going up the stairs arriving at the castle. It was shot from a high angle just off the top of her head showing her fully. One shot that was shot in a low angle was when the teenager was out playing in the snow. It was shot as if the camera was on the floor looking up grabbing and recording. Some camera angles didn’t feel right or fit in with some scenes making it boring,
The nature of humans is to seek happiness, which may possibly result in chasing illusions rather than settling for harsh realities. In “The Lamp at Noon”, Sinclair Ross uses the wishes of the characters Paul and Ellen, as well as their difficult situation to contrast the concepts of dreams and realities. Specifically, Ross displays the gap between dreams and realities through Paul’s hope for the land to return and his ideal of being a successful farmer to explain that what outcomes may occur if one neglects reality and blindly pursues their dream. Paul wishes to stay on the farmland and believes that the land will be able to cultivate crops. However, Ellen persists that where they are living is a “desert” and reminds him of “the lamp lit at noon” (Ross
The director Tim Burton uses colors to create a happy mood during the scenes in the movie Edward Scissorhands. He portrays the neighborhood and all the people that live there in bright pastel colors which gives off a happy feeling. These bright colors give off the impression that everything is picture-perfect and everyone is content. The whole neighborhood is unchanging and routine. Throughout the movie Burton shows the men have left for work at the same time every day and everything is a lively color. When Edward arrives, he is dressed in all black and is
The costuming in Edward Scissorhands was very thought out and was used to develop the characters, as well as the story. For example, the townspeople who took in Edward seemed to be regular people in a regular town. The people wore bright colored clothing with colorful accesories as well. The women wore bright clothing, either dresses or a pair of leggings, with bright makeup as well. The men wore casual work clothes, and all of this gives of a normal vibe to the town as if nothing out of the ordinary happens in it. Another example of the clothing in the film is when Peg (Avon lady) sees Edward for the first time. This moment can make the audience start to compare the moods that both characters give off. Edward lived in a dark, gloomy place
Edward Scissorhands is an unfinished experiment that is afraid of the human race. Brought to the town by Peg, Edward is like a tool to the rest of the townspeople. They only accept him for what he can do and prejudice him as inhuman because of his hands. Edward is a caring person but, his wrong actions outweigh the good deeds that he has done in society. The color scheme of Edward compared to society is different, the townspeople all wear and decorate their houses with very vibrant and attention seeking colors (colorful houses, cars, clothing, hair, etc.). Edward, on the other hand, wears very dark and gloomy colors (full outfit is black, black hair, paler than the townspeople, etc.). As Edward becomes more used to society, he starts to wear human clothing like a white suit shirt and black pants but, never anything too bright like the townspeople. Edwards isolation and rejection from society makes it so that he is afraid of humans and how they will view him. When Edward went to jail, destroyed the plant sculptures, accidentally scratched up Kevin and, attacked Kevin, Society shunned him. They think he is a monster and forces him to become alone again. This change in character development proves that society never accepted Edward. The red the townspeople were wearing when Edward scratched up Kevin symbolizes how he is not human with his scissor hands, cursed to destroy
The use of colors and camera shots are not only used to support the dominant discourse, but also to make a clear view of Edward’s difference to the society. The director uses camera shots and angles from the castle window where Edward lives to show how all of houses look the same and insignificant. Uses of color such as the repetition of all houses being in all a pastel color encourage the viewers of the conformity of the town. Also, the bright pastel colors of suburbia and dark and gloomy image of the gothic castle show how awkward an individual like Edward can be seen in such town.
If the lighting is happy light then it may convey a more laid back scene, but if the lighting dark and shadowy it might mean the scene is scary or tense. Lighting also lets the viewer know what time of day it is by being morning or night. Another thing that plays into the film is how it is color corrected. In “Hugo” the color correction is made up of blues and grays. Color correction helps give the tone of film and mood as well. In “Hugo” the color correction is light and colorful, but the blues help convey there is a sadness to the story.
Tim Burton uses the cinematic technique of lighting in order to flawlessly portray dark, mysterious and creepy scenes. In his movie, Edward Scissorhands, Burton effectively uses low key lighting in the scene where Peg enters Edward’s mansion and uses it in the opening credits to create tense and suspenseful scenes. Burton also uses high key lighting to his advantage when the neighbors and Peg throw a party for Edward. The scene was flooded with light to create a scene of happiness, amusement and surprise during the party. His use of lighting, though, is taken to new levels in his other movie Frankenweenie.
Tim Burton, the director of the film Edward Scissorhands uses a mixture of different genres, themes and ideas to not only give an important message to the viewers but to also make a social statement on small town America and general stereotypes as well. Edward is the main character of Tim Burton’s film Edward Scissorhands. He is an immortal being who was created by a lonely old inventor. The pair lived up on a gigantic hill, in a gothic medieval castle which was only accessible through a long sloping stretch of road. The old castle stood tall, overlooking the tiny cookie cutter town below which was soon to become Edwards new home. Apart from Edward dressing in dark, gothic clothing, which in some ways represents the castle in which he lives
Thomas Edison and Nikola Tesla were two of the most influential minds of the 1800s. Edison, the Wizard of Menlo Park, worked hard his whole life to achieve great feats in science. Tesla, the Master of Lightning, had a brilliant mind and contributed to an electronic growth that changed American history. Thomas Edison is such a familiar name, but Tesla on the other hand is more obscure. Edison is widely known by the American public, but his intellectual equal and adversary is often forgotten. Edison and Tesla were once friends and worked on many projects together, but an argument over a bet changed their friendship and the world forever (D’Alto). Both men challenged each other throughout their lives, and their differences in inventions, productivity, financial success, and fame should have etched their names into history for eternity, but that is not the case. Thomas Edison has always been in the hearts and minds of the American public as the greatest inventor, but the facts may proclaim Nikola Tesla to be the better man and more deserving of the public’s admiration.