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Report on the movie hugo
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Hugo is a story about a little boy trying to fix an automaton that his father left after his passing. Hugo lives in the train station and fixes the clocks or adjusts them accordingly after his Uncle left him there. If Hugo should ever be caught without a parent or guardian the station manger will put him in the orphanage. Hugo meets Isabelle who is George Melees granddaughter, which they discover. Hugo searches for clues to help hum learn how to fix the machine and when he does what the pictures means and how does it connect to Isabelle. In the end they put the pieces together and help Melees believe in himself again and Hugo finds a home. Hugo is the hero of the story because everything happens because of him and the story is about him. …show more content…
Props allow for the audience to believe the world they are in and costumes make the characters come alive. A prop that is used to help tell the story in automaton, this prop is what the story is centered around and makes Hugo follow the path he is put on because his father gave it to him. Prop can be symbolic and help foreshadow what is to happen later in the story. The key Isabelle wears is symbolic because it is the only thing that will make the automaton work. By the use of props it can give the character s purpose and stabilize him as a …show more content…
If the lighting is happy light then it may convey a more laid back scene, but if the lighting dark and shadowy it might mean the scene is scary or tense. Lighting also lets the viewer know what time of day it is by being morning or night. Another thing that plays into the film is how it is color corrected. In “Hugo” the color correction is made up of blues and grays. Color correction helps give the tone of film and mood as well. In “Hugo” the color correction is light and colorful, but the blues help convey there is a sadness to the story. Music can really help bring the film to life. The music in “Hugo” is mostly instrumental and is used to help with emotional scenes and tense, exciting scenes. Music helps a lot in “Hugo” because it helps us transition between flashbacks and real time. The sound design is exciting and helps bring the world to life with the sounds of the train station and the noise you would hear at the station. Music directs the viewer to feel the impact of the story and in this film helps us to connect to Hugo. One scene that does this is the transition from Hugo being with his father to being an
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
Often they point to the box office failure as evidence to this claim. In reality, Hugo is a movie that can be watched as a child, but fully understood as an adult, and the simple plot is engaging enough to keep the attention of children who watch it. Even if the movie is able to be watched by kids, it is not truly intended for them. Papa George’s story is not an uncommon one. People lose purpose every day and a movie like Hugo can be a revelation to people in that place to not give up on their dreams and to move on from troubling pasts, both areas that even critics can agree, are
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
The crowd in awe, they are exposed to Melies work. As George's spark comes back, he watches his wonderful work in amazement and triumph. After George is acknowledged, the characters are once reunited again for the last time in a party. The panning camera, gives the audience a perspective of everyone who found their purpose. A glimpse of George Melies animated in a conversation, displays his progress throughout the film, 'broken' to gratified. As the camera pans, Hugo is seen presenting the few people a magic trick, also showing how he found his purpose, with the help of Isabelle and George Melies. The last of pan, shows Isabelle recounting Hugo's story. "It's about how this singular young man searched so hard to find a secret message from his father and how that message led his way, all the way home." Home being his purpose, Isabelle says explaining how he found his purpose, unlocking an automaton holds. Thus it is evident that with the help of others, everybody can find their purpose, but its just a matter of
mise-en-scene in any film, everything we see has a meaning. But the thing about lighting is we see it,
What makes a film interesting? What makes it stand out from other films? What makes it unique? The visual design aspects of color and lighting in a film play a major role in giving the film meaning and depth. A lot of thought goes into what colors and lighting should be used that will help convey a mood and theme central to the film.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
In the film, Charlie and the Chocolate Factory, every time there was a close up of Augustus Gloop in the candy room, sinister music would play. This foreshadowed that something bad was going to happen to him in that room. It puts the viewer on edge and creates a mood of suspense because they don’t know what is going to happen. He also uses music to foreshadow events in the movie Edward Scissorhands. Every time Edward saw Kim happy, angelic music would play which foreshadowed that something would happen between them and also gave you a hint about his feelings towards her. Burton used music to show foreshadowing in the movie Dark Shadows as well. When Josette was walking toward the edge of the cliff suspenseful music played create a mood of suspense and fear that Barnabas wouldn’t make it in time and she would fall to her death. One of the many other cinematic techniques Burton often uses in his films is using lighting and color to show
Some helped to establish character. For example, old Kipps didn’t want to perform what he had written, but when he put Bentley’s glasses on, he almost instantly became the character of Bentley. Other props served to heighten tension, such as the rocking chair situated in the child’s bedroom. The Woman in Black would sit and furiously rock on her chair, the noise of which would echo throughout the house. After the first time of discovering what it was, every time we hear that same noise, the tension immediately rises, as we have seen what it does and who does it – it makes us feel uneasy and unsafe where we are
The mood of this film is truly captured in the lighting and the lighting plays a key role in the accenting the humor of the film. “Deep inky blacks and desaturated colors that characterized the look of Jean-Pierre Jeunet and Marc Caro’s Delicatessen” (McGrath). The dark nature of the film is maintained using lighting. This helps to set the mood for many scenes and is what provide the juxtaposition. In the few scenes of the film that are purely comedy the dark moody lighting helps to provide contrast to the humor and makes the character’s actions seem even more out of place and
Forth are Lighting and color. In case of Lighting, this film uses High key light that makes this film look like natural light and feel warm. In the case of color, some scene of this film use warm color to express love and warmth to audience such as in the wedding scene or some scene use dark color to express about sad feeling such as funeral scene and in scene that Rosie knows her dad was died. I think in some scene if you watch it in HD, it’s very beautiful such as in scene that Rosie drinks a cup of coffee and thinks about the past in sunset time because Lighting and color of sunset time is very
The plot itself is very dark and dealing with murder, meanwhile in stark contrast, the colors are very lively. From the clothing, to the sets themselves, the colors and designs add happiness to the show. Olive is a character that wears only wears bright color which matches her happy, bubbly personality while Ned’s clothing is the complete opposite instead wearing just black, blue and white clothing which match his more serious, tame personality. Ned is the only character in the episode to stand out against the colorful environment around him. Olive and Ned’s apartments match their personality perfectly as well. Ned’s apartment and bakery have mostly colors in the scheme of brown and green while Olive’s is covered in floral and yellows, which we see when Ned visits her. The color scheme is very bright which represents life itself, while using dark colors, for example in the funeral scene, represent death. The director chose to focus the color scheme of the show on the “good” side of Chuck’s power which is the gift of life and closure for the victims rather than the “bad” power which is death. The tone throughout the episode is very lighthearted while dealing with dark subjects and the color scheme helped add that to the
...ing sounds and transmit them into the human heart. Without movie music, films would be dull and boring. The importance of film music is considered a jewel for manipulating the viewer’s emotions and immerses them into the movie. Music is one of the most important elements in film, for it capabilities and versatility of telling a story independently without picture.