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Conformity and individuality
Conformity and individuality
Conformity and individuality
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A Tale of Conformity and Individuality Edward Scissorhands is a film written and directed by Tim Burton and Caroline Thompson. It tells the story of an outsider with scissors for hands trying to fit in to an unknown society that judges based on appearance. The film explains how in most societies if you do not act the norm as everyone else you will be rejected and frond upon. I believe that like in the film people nowadays people are less likely to express individuality and would rather conform to a group than feel like an outcast. Through the films elements that the director uses I will focus on the colors, costumes and sound of the film that show the differences of an outsider. The use of colors and camera shots are not only used to support the dominant discourse, but also to make a clear view of Edward’s difference to the society. The director uses camera shots and angles from the castle window where Edward lives to show how all of houses look the same and insignificant. Uses of color such as the repetition of all houses being in all a pastel color encourage the viewers of the conformity of the town. Also, the bright pastel colors of suburbia and dark and gloomy image of the gothic castle show how awkward an individual like Edward can be seen in such town. …show more content…
There are drastic differences in what Edward wears and looks like and what the towns people wear and look like. The towns people are dressed in a 1950’s style. This makes them look very simplistic in their ways. The women’s clothes are very bright and colorful, and most of the men are dressed in work clothes or casual clothes, suggesting normality. Edwards look is completely different, he is dressed in dark and dreary clothes. His clothes are all black, and have buckles on them which gives it a very gothic look to him. The differences in costume looks are used to show how a group of individuals see an outsider
An example of juxtaposition in Edward Scissorhands was the dark, evil mansion and the colorful neighborhood. Another is Kim’s white dress and Ed’s Black outfit. Jim was the opposite of Ed because he was evil and cunning and Ed is nice and innocent. All these examples show how Tim Burton used Juxtaposition to show the differences of people and
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
The use of color inside the house is symbolic of the mood. The almost yellow fluorescent lighting is ironic when compared to the first image of the painting since the painting had set the expectations of an enthusiastic film. The yellow tint throughout the house is also conflicting since yellow is known to be a luminous color. Yellow usually represents happiness and warmth, which are emotions that are lacking in the Bishop household. The dim lighting also mirrors the gloomy and dark weather outside.
As Nathaniel Brandon once said “…first step towards change is awareness. The second step is acceptance.” In Edward Scissorhands directed by Tim Burton, the society are all very aware of Edward’s differences but they are reluctant to change their views and fully accept him.The film reveals how Edward is isolated because he is different and how society selfishly exploits the unique talents of Edward and then when their feelings change and they regard him as dangerous, they reject him. However the Bogg family provide a sense of belonging and acceptance for Edward. Edward Scissorhands makes important comments about society’s inhumane treatment of people who differ from the norm, ignoring that all people deserve to be treated equally and with respect.
In human society, there are only a select few that choose to avoid conformity which makes them an individual in being that they can control their minds and make decisions up for themselves. A famous sociologist, Solomon Asch, conducted the Asch experiment which was a line experiment to see if people would change their answers just to fit in with the group of people around them. Astonishingly, the results proved that over 75 percent of people conform to society to fit in. Conformity in society takes away individuality in turn making humanity fade away. “Beautiful Monsters”, written by Eric Puchner, talks about a dystopian world where kids rule the world who don’t age but still look like children. The Perennials (children) are genetically born
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, it is done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas. His views of individuality are evident through the work of his film 'Edward Scissorhands' and short film 'Vincent'.
“Conformity is the jailer of freedom and the enemy of growth.” These are the words of, once president of the United States, John Francis Kennedy. He relays a message of strength and a lecture on what it means to perform one’s duty as a member of a modern, accepting society. Likewise, Mary Shelley's Frankenstein exploits one of mankind's most persistent and destructive flaws that has never died down over the thousands of years of our existence, prejudice. From his very beginning, the creature was abandoned and left to question his very existence. Nearly every character in the novel assumes that the monster must be dangerous based on its outward appearance, when in truth the monster is essentially warm and open-hearted. Continuously the monster
...d traditions, but also blending two distant genres together. The blending of genres gives us ideas about common conventions in films that we do not usually pay attention to, and how they can be manipulated to change the way we think about individuals and groups. Edward Scissorhands dives deeper than just a “Beauty and the Beast” narrative, and influences audiences to explore topics of how the gentlest of souls can be misjudged by their appearance, a seemingly normal community can be the “bad guy” if it only has its personal intentions in mind and no one else’s, and that true love is not about what is on the outside, but rather, what is on the inside. Edward Scissorhands can be considered as one of the most appealing films of the 20th century as it keeps audiences guessing, surprises them at the most unexpected times and breaks conventional film boundaries.
In society, it's difficult to go against the norm. Individuals are compelled to act a specific way, or look a specific way in order to be accepted. For instance, teenagers may encounter pressure from their peers to partake in specific exercises that may not be moral, since they feel the need to fit in. This weight of conformity isn't just present in reality; it can be found in literature as well. The story "St. Lucy’s Home For Girls Raised by Wolves" by Karen Russell depicts that in order to conform to society, individuals abandon their selflessness and compassion and become selfish and apathetic.
Pursuing a personal desire and choosing to conform to societal expectations is a challenging decision to make. A person must decide if their personal desire is worth risking the shame and judgment of others or is conforming the route to take because it is easier. When pursuing a personal desire one must ask itself if it is worth the hardship to accomplish one's desire or if it is best left alone and repressed, in hopes of finding comfort in conformity. John Laroche from The Orchid Thief expresses his personal desire without a care for conformity or societal expectations. Nevertheless, Laroche never stopped being strange as he grew up with fascinations of many objects such as orchids, turtles, old mirrors and fish tanks.
Edward challenges the traditional gender roles in more ways than one. He has dealt not only with an absent father, but also is left to depend on his mother who was emotionally absent as well, making it difficult for Edward to experience a positive male role model in his life. Furthermore, he is a teacher, which is traditionally seen as a profession for a woman. In his mid-life stage at almost fifty years old, Edward has never been married, nor had any children. In the 1980’s, these factors may be seen by society as strange. Edward’s primary inner conflict with his role as a man and his masculinity comes from quietly dealing with issues of homosexuality.
Edward, the android-like being portrayed in Tim Burton’s film Edward Scissorhands, is essentially killed off from society because he falls victim to the malicious lies spread by the community and by the hatred that is cultivated by those lies. Although he never physically dies, Edward’s rejection from society leads to a life-long seclusion away from the outside world. The events that lead Edward into this isolation are brought on by a few misunderstood acts that he commits and the negative reception of those acts by an impressionable community. He is caught committing a break-in (a felony that is not completely his fault yet nobody gives him the benefit of the doubt) and is, from then on, seen as a dangerous criminal. He is also deemed a sexual predator because a townswoman claims that he sexually assaulted her. Also, his attraction to and love for Kim (the Bogg family’s daughter) provokes her jealous and violent boyfriend into harming Edward and trying to turn Kim against him. Edward is never given the chance to explain himself of the accused acts and so he finds himself the target of the town’s hatred; a hatred that is based upon and fueled by jealousy, lies, and rumors. The eventual shunning of Edward by the community is not surprising or shocking because Edward never really fits in with society to begin with. However, what is shocking are the justifications of hatred that are used by the community. Their emotions and attitudes are influenced by the lies and jealousies of a few people and by believing in the religious motivations and accusations of the erratic Christian woman who lives in the neighborhood. By being non-human, Edward is immediately suspected of being guilty of all he is accused of. Hi...
The house and property are seen as positive only when the narrator first describes them. Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large part, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge.
Specifically social isolation. Social isolation is the lack of social interaction with society or friends (Miller, 2011), neither which Edward had because he was not fully educated by his creator yet. Edward was all by himself in the mansion up the hill after his creator died. Because the creator died before he could teach Edward the basic lifestyle etiquette, Edward had hid himself in the mansion the whole time void of social interactions until Peg decided to venture into the mansion in hopes of selling cosmetics and ended up bringing Edward back to her home. The social isolation that Edward experienced since the death of his creator was quickly eased from him after he got introduced to the townspeople. The talent Edward had for having scissor as his hand was impeccable. He managed to capture the attention and trust of the townspeople in a short amount of time he was there. However, the attention that Edward had when introduced to the townspeople was short lived after he was arrested by the police for breaking and entering a home. Edward went back to his mansion after a few unsuccessful attempt of reconciliation with the townspeople. The study by Ahmetoglu, Swami and Chamorro-Premuzic, (2010) stated that reconciliation tactic was used to maintain positive relationship but it did not worked for Edward when he was trying to get back on the good side of the