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Themes within edward scissorhands
Themes within edward scissorhands
Themes within edward scissorhands
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The costuming in Edward Scissorhands was very thought out and was used to develop the characters, as well as the story. For example, the townspeople who took in Edward seemed to be regular people in a regular town. The people wore bright colored clothing with colorful accesories as well. The women wore bright clothing, either dresses or a pair of leggings, with bright makeup as well. The men wore casual work clothes, and all of this gives of a normal vibe to the town as if nothing out of the ordinary happens in it. Another example of the clothing in the film is when Peg (Avon lady) sees Edward for the first time. This moment can make the audience start to compare the moods that both characters give off. Edward lived in a dark, gloomy place
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous. When Charlie’s house was being shown in Charlie and the Chocolate Factory, the house looked dark and hopeless. Charlie’s family doesn’t look sad at all though, in fact they are happy because even though they live in the worst house in the town, they have a home and a meal every night and they are one big happy
Clothing that is worn by the actors during the play can be a reflection of the characters personalities. Nick, Lucy, Lewis and Julie all seem to be in normal clothing, reflecting the fact they are relatively normal, and don’t show signs of extreme ‘Madness.’ Ruth wears simple, old, and neat clothes that reflect her OCD, and the colours and patterns that Roy wears reflect his crazy and upbeat personality. Meanwhile, Henry wears business-like outfits that you would expect to see a lawyer wear. This helps to inf...
The costume that stuck out to me was the Orcus who was played by Liam Herbert. His character is a gay devil with a very feminine personality. His character’s dichotomy was hilarious because you wouldn’t expect the person who represents the games version of a devil to have a costume with kiss pajamas and rhinestone tights. Another moment that really touched me was when Agnes visited Kaliope and realized that she couldn’t walk. This affected me because it was another character that found sanctuary in the video game because it is the only place that they feel
In the film Luhrman uses costume and makeup to portray characters’ personalities. Such as Shirley Hastings. Shirley’s costume and makeup shows the audience a great deal about her personality. Shirley always wears pink, puts ‘over the top’ makeup on and wears a lot of jewellery. This tells the audience that she is ‘over the top’ and maybe insecure about herself or her past. Liz Holt is another character whose personality could not have been portrayed if it wasn’t for the costume and makeup used. Liz is a drama queen and exaggerates everything including her costume and makeup. She nearly always wears yellow and also exaggerates her makeup with bright colours even when she’s not dancing. Luhrman also used costume and makeup to show the development of one of the main characters, Fran. At the start of the film, Fran is introduced with acne, glasses and baggy clothes, which shows the audience that she is not comfortable with herself and not confident. But when Fran starts dancing she slowly becomes more confident and her costume and makeup changes. Fr...
The costumes in Shrek The Musical were the cherry on top of an already well produced play. Shrek and Fiona looked like actual ogres and looked very realistic with the green face and body paint. From head to toe, Shrek looked like a real life ogre. His clothing topped of him ogre like look and made him look very far from human. Similarly, when Fiona turned into an ogre she envisioned an ogre from head to toe. Donkey’s costume was also very realistic. He looked very similar to Donkey in the movie and his ears brought the whole costume to life. Lord Farquaad’s costume was the most interesting in my personal opinion. His costume was made very creatively to make him look oddly short. He was left walking on his knees throughout the show and there was a black piece of fabric with short legs on the front to hide his actual legs. His makeup, especially his eyebrows made him look more sassy which fit his character very well. The flashy gems and fabric of his costume made him look like royalty which was very well fitting since he is a king in the play. Another costume that stood out to me was Pinnochio’s. His nose that lengthened when he lied was very creatively made and also very realistic. The body paint on his face and arms made him look like a real life doll and his shoes were a good touch in my opinion to the costume.
Furthermore, while watching the play I came to the understanding that this play was more abstract than realistic. With that being said, I believe this particular play was abstract because of the minimal props that allowed the audience to draw their focus on the characters more. By drawing the audience’s attention to the characters, I then observed the costume designs. The costume designs in MacBeth visually represented the character’s personality traits. For example, King Duncan was dressed in an all while gown, This visual aid helps the reader form the idea of royalty, pure, and possibly viewed as a Saint to many of the people whom he governed. The same idea was portrayed as the kings’ men wore black, studded leather jacket on the stage. This visual aid allowed the audience to see the dark personalities of these men. The design elements of color and lighting were very dull, foggy, and dark. Furthermore, the lighting designer did a fantastic job when the kings’ men had a monologue and the lighting designer blurred out the others in the back, drawing all the attention and focus on that particular
Cosplay is a combination of the words costume and play (Winge, 2006, p.65). Cosplay involves people transforming themselves into fictional characters by creating and wearing costumes (Okabe, 2012, p. 226). Often cosplay involves learning the mannerisms of the selected character or dialogue and attending conventions and events acting as that character (Okabe, 2012, P.225). The term “cosplay” wasn’t coined until 1984 by a Japanese anime director named Takahashi Nobuyuki (Kelts, 2006, p.287). After seeing people dressed as sicence fiction characters at World Con Los Angeles, Nobuyuki used the term to describe the scene and encouraged Japanese fans to use costumes in the same way (Winge, 2006, p. 66). Cosplay started to become increasingly popular
And most of the fashion was ridiculous, but I always thought that even in the series and last movie, the fashion has always been ridiculous, even living in NYC, I don't know why anyone would wear 90% of the things they are costumed in. The ultimate article of outrageously ugly fashion in this film is Samantha's spiky, glittery, shoulder armor during their karaoke moment. I mean seriously, what the hell is that??! Seems far more dangerous than anything else. And for the longest time, Carrie's wardro...
The Victorians' obsession with physical appearance has been well documented by scholars. This was a society in which one's clothing was an immediate indication of what one did for a living (and by extension, one's station in life). It was a world, as John Reed puts it, "where things were as they seemed" (312).
The clothing was definitely not based on today’s modern fashion, but more of the era of vests, shiny armor, bonnets, long layered skirts for women, and trousers for men. This type of clothing was more for man. The beginning of the film focused on a fishing village and because the village is surrounded by water, there must be an increase of humidity, and mist. The clothing looked slightly wet and the colors were earth tones and dark. The people were poor and fish looked like their main source of food. They traveled by water. The costume designers of this film had to produce this effect. In order for the film to be realistic then the clothes would be tattered, well-worn, perhaps even smelly like fish. The purpose of these clothes is to help the actors to tell the story, the story of a poor villager in a home built above water, with little to no pay, hungry, and tired of life. This type of clothing was meant for this particular village and type of people. As for the woodland elves. Throughout all of the “Lord of the Rings” and “The Hobbit” series, it looks like the elves were prideful people. Refinement, organized, not wasteful, trying to have the best of the best, and yet govern other people in the world. Their clothes were rarely ever presented dirty or torn, unless on the bloody battle field. They had clothing that would be neatly woven, clean, designed, and easy to move in. Their costumes were delicate looking but forged to be the strongest
The ‘Merchant of Venice’ is a play, written in the renaissance era, about the default on a large loan provided by a Jewish lender. From Act 4 scene 1 it could be seen that Shakespeare was predominantly writing a story about women and how they should be viewed in the society using cross dressing and mistaken identity to prove his point. The Renaissance era is full of contradictions and was a male dominated society. In this era, women were under the rule of men and were perceived to be less rational and not as intelligent as men. Cross-dressing in the Renaissance era highlighted the inferiority of women to men; Shakespeare’s use of cross-dressing then presented an important change of stereotypical views. Since a woman was not supposed to live
The use of costuming and character placement help to encourage the view to think of the wider effects of rioting and funding cuts to many of the working and un-employed areas of England. The effect produced by the use of costuming and production design is to elude to the ideas of dreams and ‘hero’s’ in such a violent town. For example, Costuming and the use of traditional navy and red colours are similar to the superhero’s superman, Spiderman and captain America, reflecting both the internal and external conflictions and choices that the youth of that day are caught up in. They themselves are not sure where they fit in. (plan B claims is because of the large closures to council centres and cuts for funding to housing). The use of costuming
In conjunction with Art Nouveau style, the Edwardian style of costume and dress was also implemented during this time period. The Edwardian style embodied both extravagance and pageantry.
Merriam Webster defines cosplay as, “the activity or practice of dressing up as a character from a work of fiction (such as a comic book, video game, or television show)”. This hobby that has been around for over a century continues to evolve and grow rapidly. The concept of cosplay can be boiled down to the combination of community and self-expression.