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Casablanca analysis and criticism
Casablanca film analysis
Casablanca review essay
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Audience members, when seeing Casablanca, would associate it as a war film, and I agree with that, but to be more precise, it is a pro Allie war film. The literary elements in the film are the reasons why it can be viewed this way, with the emphasis on the plot and characters. The timing of when the film was released also supports the idea of it being an anti Axis film. Although it was set in 1940, it was made a year after Pearl Harbor and America entering the war, but it was released right before the Allies had a meeting in Casablanca, so the filmmakers seemed to have wanted the audience to empathize with the Allies. The whole plot seems to be focused around how Rick is neutral at the beginning of the film, but because of an old flame coming into his life once again, he slowly becomes in favor of the Allie side. His neutral side is evident in one sense by the way he never drinks with customers, since drinking with a certain group may be considered being biased by another. Throughout the film, it is shown that Rick allows anyone and everyone into his bar; Germans, French, Czechs, and many other nationalities. But at one time during the beginning of the film, Rick's support for the Allies kicks in by not allowing a German into the back of the club, where it is evident that many people have managed to make their way back there, no matter what nationality they are. Throughout the movie, Rick's character slowly shows how pro Allie he really is. In one scene in his bar, this expression of supporting the Allies goes from quiet to vocal and showy. A Bulgarian woman comes over to him at the beginning of the scene, asking for his help in getting exit passes to Lisbon with her husband. In other scenes, Rick would ignore pleas from women but in this case, he sits down with her and listens to her. When he hears her story, he works his way to the roulette table and advises her husband to put all his money on a certain number. While Rick is saying this, the croupier takes Rick's advising the Bulgarian as to rig the roulette to land on that number. Later on, the German soldiers start a drunken rendition of "Wacht am Rhein," the German patriotic anthem.
The film’s depiction of the war was very distant, as there are no portrayals of battle or direct war conflict. There are a select few instances, however, where individuals are shot either by police or Rick. Rick shot a German leader for the greater good, implying that killing the enemy was okay for a greater cause. Laszlo, representing the Allies, was willing to do almost anything for his cause. Rick did not seem to fear death either, as displayed when he was held at gunpoint by Ilsa. The German’s were very oppressive and intolerant, becoming very upset by the citizens of Casablanca simply singing a national song. (Casablanca, 1942) Very little violence was depicted, and it in no way glorified killing anyone aside from the oppressive Germans, and did so only slightly
Salt of the Earth was released in 1954, during the anticommunist McCarthy era by a collection of blacklisted individuals, including screenwriter Michael Wilson, producer Paul Jarrico, and Hollywood 10 director Herbert J. Biberman. Salt is based on the Empire Zinc strike of Local 890 in Bayard County, New Mexico that took place from 1950-1952. In many ways, Salt of the Earth resembles the archetypal American dream by presenting the triumph of ordinary, working class Americans over the forces of discrimination, inequality, and injustice. Salt enjoyed widespread acclaim in Europe, and won prestigious awards in Czechoslovakia and France. Yet in the United States, its production encountered violent opposition from agencies such as the Screen Actors Guild, the American Federation of Labor and the Federal Bureau of Investigation. What particular element of Salt made it seem so threatening and subversive?
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Walking with the enemy is a movie that is based on World War II during the 1940s when a young boy named Alec disguises himself as a Nazi to get his family out of the concentration camp that they are in. This movie was very moving because it showed what happened during World War II and how brutally the Jews were treated. This film was historically accurate, many critics and historians believed this because of how close to life this was. His film was based on a true story and that probably drew many people. Walking with the enemy is a fantastic way to learn about World War II and what happened during it. Walking with the enemy focuses even more on the Holocaust because the main character was a Jew trying to save his family. The movie walking with the enemy is a very good choice for a movie because of all the accurate and real-life events that it depicts.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
The film Casablanca will always remain an American classic. American people critiqued it as a high quality film over a time period, defining a classic and still today Casablanca remains a top American movie. Michael Curtiz, the director, shows World War II on the home front, using the setting to transfer the view point. The famous and popular Humphrey Bogart, Ingrid Bergman, and Paul Henreid play the complex love triangle that leads the film to the stories purpose and theme. Casablanca illustrates liberal criticism through a hometown war rebellion setting, the nationalistic view points, and true love’s tribulations.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Rick is a Caucasian man and the district attorney. He is married to his wife Jean, towards the beginning of the movie Rick and Jean are carjacked. The effects of the carjacking are different on Jean and Rick. Rick tries to spin the situation to make sure he does not look racist and can still count on the African American vote. The event makes Jean believe her prejudice thoughts are justified.
This movie broke through all war anxieties. In fact, it made it easy to forget that WWII was happening during the time setting of Ballad of a Soldier, even when a bridge gets blown up. It was by no means a noir film, but a light and hopeful movie. The viewers also forget that the narrator has already told them how Alyosha’s story ends in a not so happily ever after way. This just shows how well the film was made.
Before the Second World War began Hollywood’s purpose lied within entertainment for the American people. After the war started, the main focus shifted to wartime propaganda. Film was used to display the war in a way that did not show its true colors—including the censorship of soldier causalities and other negative connotations that are a simple fact of war. There was even a time in which some actors became better known to America than politians. Through films, Hollywood began to make a statement of their anti-Nazi beliefs. They began to make motion pictures for American recruitment into the Army as well as many that supported the war effort, and intended to make other Americans more aware of the war’s effect on the United States, and how people can get involved. Many European countries banned these Hollywood films, as they began to affect not only America but many other countries that were involved in the war as well.
Soviet reporters and documentarists filming footage on the Eastern Front provided the world some of its first images of the Holocaust. However, in these images, Nazi crimes against Jews were most often presented as crimes against Soviets—the anti-Semitic dimension ignored and instead presented as anti-Sovietism. Although there were roughly three million Jews murdered within the Soviet Union’s borders, the Soviet’s active suppression of the anti-Semitic factor of Nazi atrocities relegated the Holocaust within the Soviet Union to being an unrecognised event. As a result, the Holocaust within the Soviet Union was absorbed into the greater narrative of Soviet sacrifice on the Eastern Front. This non-recognition of the Holocaust also extended to
Tre and Ricky typically fall under conformity through means that are socially accepted and live within their means. They are willing to work hard by fitting with a certain group through the pressures of societal norms and follow their values and norms in order to attain their goals. There are no rules in Doughboy`s world in order to guide him and has no place in society due to a breakdown of social norms which have led to conflict and deviance. In the movie Rick and Tre are pulled over by black police officers who had an earlier altercation with Tre`s father. They police officer put the gun against Tre`s head for no reason by trying to emphasis they were from a dominating higher class. Instead of law enforcement acting as a last hope in on these youth as a controlling specialist, they further victimized youth experiencing low self-esteem, and a risk at becoming strained. In the end Rick is gunned down by an emerging rival gang his brother had some issues with. This is a reflection of how young black males are susceptible to becoming victims due to social circumstances (Mitrani,
The iconic character within Subject 42 Revolution is Silus the antagonist in our film. An iconic villain reference for term project aesthetically and performance wise would be Kruger from the film Elysium (2013) a sleeper agent that works for Secretary Jessica Delacourt as a covert.
Rick’s disillusionment with politics…is linked to his bitterness over the dismal end to his Parisian affair with Ilsa Lund, played by Ingrid bergman, on the event of the German entrance to the city. Then while Sam plays it, the famous Parisian flashback, complete with skillfully interwoven scenes of the German invasion,
Pop culture outlets such as film and song can be used to push political agendas onto consumers. Most often we see music artist put in their two cents on global current events. For instance, Michael Jackson produced the song "Heal the World" during the Gulf War. In short, Jackson’s song is about making the world a better place and loving your neighbors, but this must start by loving yourself. This song made individuals appreciate what they had and altered their mindset. Another impactful way to present a message with the intention of impacting the way you perceive yourself is through film. In Yenerall study, he mentions how Walt Disney Productions was approached by the government to produce an animated propaganda short film that was anti-nazi. This film was entitled Education for Death. This was a very impactful title because of its implicit meaning, it made you anticipate what the film is about before watching it. The film more or less perceives the Nazi’s as brainwashed infidels, who have no morals what so ever and are raised to do horrible things. People saw this film and it influenced them in their political standing during this war. This film was created to bring nations together and fight a common enemy. Walt Disney was not only involved in making WWII short films but, also films that would encourage Americans to join the US Army and Navy (Yenerall pg. 98 - 2). Other well know anti-nazi / anti-fascist movies include: Casablanca, Julia and Pan’s Labyrinth. Film is a productive way of getting your political ideas to a wide range of people. All of these films, no matter what the message is, has a significant impact on how people perceive