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Characteristics of comedy films
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The movie opens with a short news reel showing the importance of Casablanca on the steps to America. This movie takes place during the time of world war two, so all the people in Casablanca are trying to get out. After the brief newsreel, the director uses a very intriguing way of showing the audience the main character, Rick. Everyone is talking about him, describing him, but we never actually see him. Just from these first few descriptions of Rick, we can tell he is self-centered and does not interact much with others. This is demonstrated by a quote by Captain Renault, saying Rick does not drink with anybody. The actor then states that he is the second largest bank owner in Casablanca. In, a humorous response, Captain Renault states …show more content…
the number one is the chef. Michael Curtiz, the director of Casablanca, keeps this technique going as we don’t see Rick until the very end of the opening scene. Eventually, Rick is finally unveiled.
This is done by using a series of three shots. The first is of his hand signing a paper, just showing his signature. The camera zooms in on another object, then finally, we get to see Rick’s face. This is a technique that is unique to Casablanca. Many have tried to copy this scene, but no one has come close to the way in which Michael Curtis did it. The next line that shows the evolution of Rick’s character is when he is meeting with Ugarte. Ugarte tells Rick that he has killed two men for letters of transit. This scene is clearing showing Ugarte trying to impress Rick. Ugarte states, “Are you impressed now Rick?” This is a common theme of the movie, as everyone is trying to impress Rick. After Ugarte gets arrested for stealing the letters, and is screaming back at Rick, Rick states, “I stick my neck out for nobody.” This showing he doesn’t care or have compassion for others, and only cares about …show more content…
himself. As soon as Ilsa walks into Rick’s cafe, Rick seems to change.
He breaks multiple precedents immediately. One of them being sitting and drinking with customers. You can tell that the two of them have a history just by the way they greet each other. He seems to have gained some compassion. Ilsa asks Sam to play “As Time Goes By” which brings about a flashback of Rick and Ilsa in Paris. Throughout this flashback, the iconic line, “Here’s looking at you kid,” is stated multiple times by Rick to Ilsa. Towards the end of the flashback, Ilsa leaves Rick a note saying she can’t go with him. In my opinion, this is where Rick’s compassion is crushed. After this, he is a changed person. After Ilsa leaves, Rick believes she will come back, as he waits in the bar upset. Sam waits with him. It is in this moment that one of the most famous movie lines in movie history is said. “Of all the gin joints in all the towns in all the world, she walks into mine.” This is referring to his disappointment of her walking into his cafe, and re-entering his life. This is the same night that he says, “Play it Sam. You played it for her you can play it for me!” Rick is clearly changed by
Ilsa. Throughout the film, we learn more about Rick’s history of fighting for the underdog. For example, he ran guns to refuges. When asked why, he said for the money. But the winning side would’ve gave him more money. This interaction makes it clear Rick does care; or, at least he did care at some point. At the end of the movie, a historic series of events happens. First, Rick helps Victor Laslow get the letters of transit by pulling a gun on Captain Renault. Then, he send Laslow and Ilsa go away together, although Ilsa stated she would never leave Rick again. Rick did the thinking for both of them and decided her going with Laslow was the best decision. Then, Rick kills Major Strasser. Captain Renault saw it all, yet he told he associates to “Round up the usual suspects.” Then, Rick and Captain Renault walk away as Rick says, “I think this is the beginning of a beautiful friendship.” This scene demonstrates how much Rick has changed. He goes from sticking his neck out for nobody, to helping one of the most wanted people in the world get to his next step on the way to America. In conclusion, Rick’s character went through a dramatic change from the start of the film to the end. He went from a self-centered guy to a generous guy. Most of this change occurs because of Ilsa. Rick’s character has one of the most interesting character arcs in history.
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
Music is played almost constantly throughout the movie, as it helped to guide the narration as well. Casablanca was part of the sound era, which occurred from the 1930’s- present day. There are a few different elements of sound throughout the film, but I will be focusing on the occurrence of leitmotif. The leitmotif technique is a short, constantly recurring sound that is often associated with a specific person, or place. An example of a leitmotif can be found in the movie Casablanca. We constantly hear the song ‘As Time Goes By’ being played throughout the movie. The first time we hear the song is in the given scene chosen for us. In shot 7, Ilsa asks Sam to play ‘As Time Goes By’ for her on the piano. Later Rick hears the song, and as he goes to stop Sam from playing it, he realizes that Ilsa is there. From then on, the song is played almost every time that Rick and Ilsa are together. The only time that the song is not played is when Rick and Ilsa are arguing. When it comes to the overall music throughout the scene we see that the beginning has calm and relaxed music. Yet, this changes when Rick and Ilsa see each other for the first time. There is a lot of built up tension, and so the music picks up. In shot 17 we begin to hear the sound of violins rapidly playing. The music played in this moment is used to help highlight this intense moment between Rick and Ilsa. The scenes music changes from calm and
The body of Kunze’s essay is broke down by the “three triangulations of desire” and these relationships are dissected to support Kunze’s argument. He elaborates on the importance of Rick, Ilsa, and Sam; Rick, Ilsa, and Victor; and what he believes is most important Rick, Ilsa, and Renault. He uses resources such as Kosofsky Sedgwick’s work on homosocial male desire to support his own argument that Casablanca “accurately depicts the emotional complexity of male friendships and the reductive role of women in these fraternal bonds not only to fulfill the film’s admittedly propagandistic goals, but as an inadvertent testament to gender dynamics in a power structure organized around male power and interactions” (Kunze pg.20). Using Sedgwick’s work as a model, Kunze constructs this erotic triangle between each group of characters mentioned above. Kunze examines each relationship and believes it serves as a sensitive register. Kunze explains that there is more power and meaning that the general content. Utilizing Sedgwick 's model, Kunze suggest that the viewer can see the “complexity of Rick 's interactions with Sam, with Victor, and with Captain Renault—each of whom represents different levels of homosocial desire, all trumping Rick 's love and respect for Ilsa” (Kunze pg.21). Throughout the body of the
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.
... try to secure the downtown area, they were quickly overrun by the zombie horde. After hiding in a burned-out tank, Rick is eventually recused by a group of survivors who have been making risky supply runs into the city. When he returns to the group’s camp outside the city limits, he discovers that his wife, son, and best friend are also part of this rag-tag band. After the tearful reunion, the question of what to do next drives the subsequent episodes.
The city of Casablanca is a bleak place full of hardship and full of people that are tied down. These people look for an escape that can set their mind on a different path. Rick’s Cafe Americain reflects that place to visit that can set the people’s minds free. Specifically, there rests a piano that can turn the minds of the people away so that they can feel free and have an enjoyable time at the cafe. With this, the cafe and piano give the people a sense of living a normal life. In the movie, Casablanca, Sam’s piano resembles a symbol that not only resembles a sense of enjoyment and freedom, but helps establish a connection to the past of Rick and Ilsa.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Despite not being considered as the traditional ‘hero’s journey’ which is outlined in Joseph Campbell’s argument of ‘separation-initiation-return’, Humphrey Bogart’s character Rick Blaine, in the 1942 film Casablanca, can be argued to follow this twelve-step journey. Campbell states “whether the hero be ridiculous or sublime…” (p.38), on this basis, Rick Blaine qualifies as a hero. These twelve steps are: Ordinary World; Call to Adventure/Disruption; Refusal of the Call; Meeting with the Mentor; Crossing the First Threshold; Tests, Allies, and Enemies; Approach to the Inmost Cave; Ordeal; Reward; The Road Back; The Resurrection; and Return with the Elixir. Although in some parts stages may overlap, this essay aims to argue that Casablanca still
In the first battle, Marx gains grounds to better position himself with the Warner Bros. “Ferdinand Balboa Warner, your great-great-grandfather,..., stumbled on the shores of Africa and,... named ot Casablanca”. Warner Bros controls Casablanca and Marx destroyed that whole claim by showing some historical information that there is no connection the histories. He makes an absurd connection to prove that their is no ownership over Casablanca. Marx finds their weak spot with he tried to invade the city.
The most interesting and best played, were Rick Blaine, the owner of the café, and Captain Louis Renault, a crooked cop. Rick can at first is seen as a really tough kind of man, who will only do what is in best interest for him. He seems to be an overall manly man, who would care for no one, but as the movie progresses, you can realize his true personality. Captain Renault, on the other hand, is clearly state to be a crooked cop, and he stays that way to the end. The relationship between both, is very uncommon. Rick owns a café where there is an illegal café, but if you were to stroll in there one night and play roulette, you just might see Captain Renault having good time. Even though they seem to be friends, they still don’t fully trust each other 100%. There’s an instance where Rick help a young women at the gambling table to win money, so she can pay her way out of Casablanca. If Rick wouldn't have helped, she would have had to sleep with Renault to earn her way out. Renault tells Rick that is not that big of a deal since he has a more attractive women he still needs to “attend
Everyone at one point runs from something, whether it be out of fear, or pain, or loss. There is 20/20 vision looking into the past but the effects of the things that have happened are frightening and the future is never very clear. Michael Curtiz’s Casablanca is a war-time film intended to teach the audience the truth in never being able to escape the past and, furthermore, the truth in never being able to escape from problems. The story follows American Rick Blaine, a bitter man who frequently falls into moral ambiguity, who ultimately must decide between the love of his life, Ilsa, and the leader of many resistance movements, Victor Laszlo. Ultimately, Curtiz’s use of characterization, setting, and theme portray the lesson that the confrontation
The Walking Dead, a television show about surviving in the zombie world, is based on the comic book with the same name created by Robert Kirkman. In this show Rick Grimes, a sheriff's deputy, awakes from his coma and finds himself in a hospital. He soon discovers that while he was in a coma the world had become infected, turning humans into flesh-eating zombies later called Walkers by the characters. As Rick sets out to find his family he encounters many other survivors such as Glenn, Daryl, Carl, Maggie, Carol, Sasha, Hershel, Beth, and Michonne, among many others who have died along the way. Rick and the survivors have been through a lot throughout the show, such as having to move from place to place to avoid being eating by walkers. After walking a longs way, they finally find shelter in an old prison where they now live. Although The Walking Dead shows a lot violence, it sends many positive messages to the viewers that teach them about survival, religion and betray and how each of these can be beneficial in the real world