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Media censorship in terms of movies
Media censorship in terms of movies
Media censorship in terms of movies
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Groucho Marx prepares for a war against the largest army in this side of hollywood, the Warner Bros. The cause of this war was the lawsuit against Marx’s new film “A Night in Casablanca” and Marx put on his armor. Marx loads his weapons full of examples and fires at the Warner Bros any chance he can gets using humor as his battle strategy to win the war of the lawsuit. In the first battle, Marx gains grounds to better position himself with the Warner Bros. “Ferdinand Balboa Warner, your great-great-grandfather,..., stumbled on the shores of Africa and,... named ot Casablanca”. Warner Bros controls Casablanca and Marx destroyed that whole claim by showing some historical information that there is no connection the histories. He makes an absurd connection to prove that their is no ownership over Casablanca. Marx finds their weak spot with he tried to invade the city. …show more content…
He uses hidden messages to distract the Warner Bros. He says that the names of the largest army are also unoriginal. “ Now Jack, how about you? Did you maintain that yours is an original name? ... As for you Harry, you probably sigh your chackes sure in belief that you are the first Harry of all time and that other Harrys are imposters”.Marx is saying that the claim that his movie has a too similar title to Warner Bros’ is completely ridiculous and needs to prove that. He compares Jack to a notorious serial killer and Harry to some guy on the street and goes even further by attacking the studio’s name to further prove that it is not the same. All the mean while, Marx sneaks into the main battle ground to finally kill the
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
...o survive and flee the inevitable evil. With World War II raging, viewers in the United States could feel the fear and anxieties as well as compassion for the characters. Although some movies can be rewritten to obtain a better effect over the viewers, Casablanca cannot be redone. The mere fact that the evil of the day was a reality of the time prevents this movie from ever having the same effect on the audience.
To understand Marx point of view, lets learn some background on him. Marx and Engels
...t happen even in Hollywood. You don’t have a revolution in which you love your enemy, and you don’t have a revolution in which you are begging the system of exploitation to integrate you into it. Revolutions overturn systems. Revolutions destroy systems.”
War holds the approximate greatness of a black hole, and is alike one in many ways. From times immemorial writers have used imagery, language appealing to one or more of the 5 senses, irony, things that go against what is expected, and structure, the way the story is written, to protest war. This form of protest has most likely existed since any point in which the existence of both war and written language intersected, and were a part of human life. Through the use of imagery, irony and structure, writers protest war.
The 2006 film V for Vendetta, a cinematic remake of the classic graphic novel series by the same name, is the epitome of a Marxist fairy tale. The film is complete with a bourgeoisie government who spreads their ideology, via mass media, to a citizenry composed entirely of proletariats, and a hero who sets out to break said citizenry from the prison of false consciousness. If one examines the setting and environment of the film, and follows the main characters as they fight against, or break free from, false consciousness, evidence of Marxist themes are present throughout the film.
Welcome to CHSBS! | Central Michigan University. Karl Marx. Retrieved January 27, 2014, from http://www.chsbs.cmich.edu/fattah/COURSES/modernthought/marx.htm
Under this course of dialogue, Marx’s work is seen as speculations and possible reasons for certain patterns seen over history, but it concretes the idea of these patterns in such a way that they are finite and do not lend themselves to change or modification.
Over the course of this semester, many topics and aspects regarding dictators, tyranny, and etc. have been discussed, and one can argue that this film provides a strong, well-delivered message to its audience, and it does a better job of conveying this sort of message than even most of this course’s required books. Through Chaplin’s outstanding use of both the mise en scène and sound elements of film, one can reasonably back these assertions. Chaplin, despite his status as a silent film mastermind, uses both diegetic and non-diegetic sound to clearly convey his message of caution and criticism towards dictators, totalitarian regimes, and specifically Nazi Germany. Through his use of mise en scène, Chaplin also conveys this message with his actors’ facial expressions and body language-related interactions by emphasizing Hynkel’s lack of empathy, even for those so close to him and his beliefs. All in all, through Chaplin’s masterful filmmaking expertise, his audience leaves a screening of The Great Dictator feeling both angry and dumbfounded. The viewers’ dumbfounded feeling stems from their likely lack of attention towards dictatorships such as that of Adolf Hitler and the Nazi party, and their feeling of anger stemming from the clear abuses carried out by such regimes on the citizens of the countries they dictate. In essence, Chaplin achieves his goal in
Karl Marx was a polarizing figure of the mid-19th century whose writings remain relevant today. Some of his main ideas include the relationship between the workforce and the ‘ruling class’ which owns the means of production. Marx refers to the working class as the proletariat and the ruling class as the bourgeoisie. Themes of Marx can be found today in popular culture, namely in books and movies. One example of this is the series The Hunger Games, which correlates with many of Marx’s ideas and writings.
The writings of Karl Marx spell out the philosophic foundations of his radicalism. Marx’s philosophy is complicated and detailed. However, the central theme to Marx’s theories was his view that economic forces were increasingly oppressing human beings and his belief that political action and change were necessary. Marx’s thinking is a reaction to the industrial society of the mid ninete...
“The Great Dictator”, an elegant speech composed by the magnificent Charlie Chaplin, was a particularly moving one that has gained widespread recognition and praise since it was given back in the 1940s. On the surface, it appears as if Chaplin is directing soldiers to think for themselves and to break away from dictators’ indoctrination, as “dictators free themselves but they enslave the people!” is a line that is reprehended throughout the speech. Further analysis of Chaplin’s speech seems to reveal, however, that he rather wants the soldiers to break away from the deeper aspect of tyranny that has been embedded within them, essentially controlling them. Chaplin wants the audience to take action and think for themselves; to help one another and to save humanity from war using three key rhetorical tools: ethos, organization and pathos.
Karl Marx had very strong viewpoints in regards to capitalism, making him a great candidate for this assignment. People constantly debate over whether his ideologies held any grain of truth to them. I believe that although not everything Marx predicted in his writings has come true (yet), he was definitely right on about a lot of issues. As a matter of fact, his teachings can definitely be applied to today’s society. This paper will give a summary of Marx’s political philosophy. It will also discuss a contemporary issue: the current economic crisis— and how Marx believed racism played a crucial a role in it. Finally, through the lens he has developed, I will explain how Marx would analyze this issue and how one can argue that it spurred the current movement known as Occupy Wall Street.