Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The nature of Greek theatre
Oedipus rex tragedy analysis
Comparison and contrast of Oedipus Rex with other dramas
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The nature of Greek theatre
Greek theatre was entwined within Ancient Greek society. Multiple didactic, dramatic works were directed and performed for the Greek society, from multiple tragedies invoking thought upon the layered meanings of the work, to the satyr comedies, which provided relief from the dark tragedies, while also educating the audience. Oedipus Rex is a theatrical tragedy directed by Sophocles in which it describes the consequences of King Oedipus’s past. The dramatic work begins ‘in medias res” in which it commences after the Greek myth tale of Oedipus’s homicide, the banishing of the wicked sphinx and his incestuous activity. Oedipus is oblivious of his past sins, and the dramatic tragedy depicts the events leading up to, and regarding his anagnorisis, then the ramifications of committing his immoral crimes. Within Greek tragedies, the narratives presented a catharsis of the main protagonist to the audience in which the protagonist analyses their flaws and results in some form of ‘restoration’ or ‘renewal’ of the protagonist. This was enhanced via the application of the conventions of tragedy which contributes to the emotion that the audience experiences, therefore likewise, their reaction to the catharsis. Generally the catharsis of the protagonist invokes a catharsis of the audience members. The conventions of tragedy were present within each Greek tragedy, most following the same events, however with varying situations and motives. The protagonist must be viewed by both the audience and characters within the play as someone to be admired which causes audiences to identify with them. They must suffer from some form of hamartia which the audience can identify, therefore when the anagnorisis occurs, they can understand the reasoning and avo...
... middle of paper ...
..., however by the use of tragic conventions, a playwright may enhance how the audience reacts in response to the purification of the protagonists emotions. If the protagonist is viewed as an idol by the audience and the characters within the play, a link may be formed between character and audience in order to create a larger response for the protagonist’s experiences. With the use of a hamartia of the protagonist, the audience may consider the flaws of the protagonist’s personality. An anagnorisis is utilised in order to make the audience assess what is justifiable, and what is not. The punishment of the protagonist via pain or suffering causes the audience to realise that the crime committed was iniquitous. These conventions of tragedy each cause the audience to respond more passionately in their response to the catharsis, while triggering a catharsis of their own.
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Two lovers took their own lives to avoid the consequences, and in contrast while a man gouged his eyes out to deal with his flaw. Although Romeo and Juliet and Oedipus the King were great tragedies, Oedipus the King contains more of the tragic figures described in Aristotle’s definition. First, the protagonist endured uncommon suffering. Second, the tragic hero recognized the consequences of their actions and took responsibility for them. Third and lastly, the audience experienced catharsis. Ignorance and impulsiveness can cause one to stumble and it can ultimately lead to their fate.
Tragedies in the Greek theater when compared to tragedies in the Renaissance theater varied in similarities and differences. Greek theater encouraged the use of religious figures while Renaissance theater was supposed to be strictly pagan in its ideologies. Theater was most dominantly used to depict the social and religious constraints of the time period. For example, Shakespeare’s Hamlet and Sophocles’ Oedipus Rex are both portrayals of deceit, murder, and revenge all of which lead to the demise of its leading characters. Hamlet is depicted as a young man who is seeking revenge for his fathers death. Oedipus is a king who means to free the people of Thebes from a disease that has been plaguing them. They share similarities in that each of their love interest are conduits of their pain and anguish, further pushing the protagonists over the precipice. The voice of reason that they share is Creon in Oedipus Rex and Horatio in Hamlet. Their tragic flaw is that they are both ultimately and utterly doomed and no amount of guidance will steer them away from what has been predestined by fate. They are ultimately doomed to be their own Achilles heel.
The ancient Greeks were famous for their tragedies. These dramas functioned to “ask questions about the nature of man, his position in the universe, and the powers that govern his life” (“Greek” 1). Brereton (1968) stated that tragedies typically “involved a final and impressive disaster due to an unforeseen or unrealized failure involving people who command respect and sympathy. It often entails an ironical change of fortune and usually conveys a strong impression of waste. It is always accompanied by misery and emotional distress” (20). The play, Oedipus the King, by Sophocles definitely demonstrated the characteristics of an impressive disaster unforeseen by the protagonist that involved a character of respect, included irony, and was accompanied by misery and emotional distress.
In ancient Greece, plays were more then simply a form of entertainment. "Athenian drama was supported and financed by the state. (...)Greek theater was directed at the moral and political education of the community." (Kennedy and Gioia, pgs 1357-1363) Sophocles understood this, and dissipated any pollyanic view of society by presenting us with plays that were intended to teach. Sophocles's Oedipus the King issued a warning for those who foolishly believed that they could challenge the forces of nature. Sophocles was known for presenting characters that are fluid not static. So it should come as no surprise that the Oedipus the reader encounters at the outset of the play, an extraordinary leader, but one who's pride has lead him to challenge his fate, has changed by the end of the play. He comes to realize that all his efforts to change the outcome of his life were acts of futility. We are shown a man who has finally accepted divine will and though now fallen from high estate is uplifted in moral dignity. (Kennedy and Gioia Pg 1364-1365)
As Aristotle’s Poetics states; a tragedy is an imitation of an action of men that is serious and also having magnitude that arouse pity and fear where with to accomplish the catharsis of those emotions. With this definition of a tragedy he also stated the components of the tragedy, ranking them in importance. The first was the plot, which had a recognition scene, the tragic hero’s reversal of fortune, and also a scene of suffering. The plot must have unity and also relate universally to the audience while also being probable. Ranked second was character, which was used to support the plot and bring an organic movement from beginning to end. The main component of character was the tr...
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Oedipus looses honor, and respect from many and especially his own self when he finally sees clearly. So of all of Aristotle’s ideas about tragedy, this tragic play acquires four, and they’re interconnected in the way that makes a good tragic play.
In Oedipus Rex by Sophocles, it was said during class that the moment of catharsis was just after Oedipus realizes he is the one who killed his father. The class agreed that the reader was relieved when Oedipus came to comprehend that he was lying to himself the entire time because he was the one responsible for Laius’ death. Catharsis was defined as a moment or breath of relief. I do not agree with his moment of realization as the point where catharsis is reached.
As a tragedy Oedipus the King spends the majority of the play discovering who he is, without knowing exactly what is occurring. The tragedy was that he suffered the improbabilities of murdering his father and then marrying his mother, it is a tail of his revelations about his past, and the events that led him to his ultimate fall. In this play, Sophocles illustrated a world of human frailty, pride, and punishment, which helped to propel, with dreadful inevitability, a protagonist moving toward catastrophe. Oedipus is the direct cause of his own undoing, however it is not because he is evil, proud, or weak, but simply because he does not know his true past or who he is. The facts that he believes to be true are unraveled, thus revealing his fate. Oedipus meets the first criterion of a Greek tragedy, which is that the protagonist is a good person. Oedipus has both a good he...
Early Greek tragedies were made to be performed upfront of an audience in a theater and were never truly intended to be written in the forms of novels. In fact, the origins of comedy and tragedy can be traced back to the great three tragedians: Aeschylus, Euripides, and Sophocles. These great three composed some of the best plays of all time. Each generation re-invented the same myths from a different perspective and this sort of kept the myths alive because they seemed more valid. For example, Sophocles was a, “definitive innovator in the drama, he added a third actor—thereby tremendously increasing the dramatic possibilities of the medium—increased the size of the chorus, abandoned the trilogy of plays for the self-contained tragedy, and introduced scene painting”(Columbia E.E. 1). The Greeks divided their theatre into three genres: tragedies, comedi...
“Oedipus the King” by Sophocles is a tragedy of a man who unknowingly kills his father and marries his mother. Aristotles’ ideas of tragedy are tragic hero, hamartia, peripeteia, anagnorisis, and catharsis these ideas well demonstrated throughout Sophocles tragic drama of “Oedipus the King”.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.