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Tragic elements in Oedipus the King
Character analysis of oedipus the king
Analysis of all the characters in the play "king Oedipus as presented by Sophocles
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Out of Aristotle’s apprehension of tragedy, four out of the six ideas are used in the tragic drama, “Oedipus the King” by Sophocles. These ideas are tragic hero, hamartia, peripeteia, and anagnorisis.
The tragic hero is a person of greatness, and noble stature who usually contributes to their own downfall. Oedipus has greatness and noble stature; he’s sublime, in the way that he cares for his people. What leads to his own downfall is his own pride, which came out when he solved the riddle of the Sphinx and was praised by marrying the queen of Thebes, making him feel untouchable, “Here I am myself- you all know me, the world knows my fame: I am Oedipus. (7-9)” His almightiness caused him to feel obligation into saving his city, causing his rejection of reality, thus causing mistakes throughout the play. The prestige he has causes him to find the killer himself, because no other man other than himself can fix this problem causing a quarrel with Creon and Tiresias. Instead of helping, he ruins himself by cursing the killer, which is his own self saying,” I’ll rid us of this corruption. Whoever killed the king may decide to kill me too,” (157-158). Also he denies what Tiresias is telling him, which is the truth, but Oedipus insults him by calling his prophecies “riddles, murk and darkness. (500)” “Here I am myself- you all know me, the world knows my fame: I am Oedipus. (7-9)” .By being in denial he ignores why he left Polybus and ignores Jocasta’s warning that “if you love your own life, call off this search!” (164), but with the greatness he has, he feels that no knowledge can be kept away from him. “Steals against me… so hungry to overthrone me. (439)” out this situation of against his own friend thinking that Creon was pl...
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...ood for, as a nuisance for everyone, in Thebes. “My father’s murderer”, (1492) he also recognizes the fact that he is the murderer that he was looking for, and realizes the situation that he can’t handle that leads him in the streets “free of pain at last” (1684). He has an internal struggle when he finally knows the truth, because he can’t believe that he killed his father and that he has slept with his own mother. And he accepts the accusations and the messengers words, because he remembered he killed some one of nobility on the way to Thebes, and the coincidence that he had his ankles “pinned together (1133)”.
Oedipus looses honor, and respect from many and especially his own self when he finally sees clearly. So of all of Aristotle’s ideas about tragedy, this tragic play acquires four, and they’re interconnected in the way that makes a good tragic play.
No different when Oedipus calls Teiresias to come to Thebes. When Tiresias arrives Oedipus demands that he tell him what happens, although Tiresias refuses. However, Oedipus pushes him to tell him out of pure frustration. “I say you are the murderer of the king whose murder you see,” (Teiresias. II. 415-416)! Oedipus is quick to respond and speaks without thinking if he had ever killed someone. “Not twice you shall say calumnies like this and stay unpunished,” (Oedipus. II. 417-418). Oedipus vocalizes this without recollecting. If Oedipus thought back to the time he killed a man at the crossroads, the murder could have been solved and the people of Thebes could have suffered less. Oedipus also reacts irrationally when Creon suggest again that Oedipus is the murdered. He speaks to Jocasta and says, “He’s right, Jocasta, for I find him plotting,” (“Oedipus Rex” I. 750). Afresh, Oedipus believes that anyone that accuses or suggest he is the murderer, he automatically thinks they are a traitor. Oedipus has a tendency to think irrationally and not reflect on his past and makes impulsive
In Sophocles’ work, Oedipus the King, Oedipus definitely fits Aristotle’s meaning of a tragic hero which is a man of honorable importance. He is not a usual man, but a man with outstanding superiority and immensity about himself. A man of his own ruins goes for a greater cause or principle. Oedipus conveys many mistakes. In the play Oedipus the King, things really had taken a turn from good to bad. Using Aristotle’s meaning defines will be proven that Oedipus is a 1main example of a tragic hero Nobleness, Tragic flaw, and Hardship are all characteristics that Aristotle described as to what a tragic hero really define as. These are also four features Oedipus proves his well- being of a catastrophic hero.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
Oedipus is a hero, as defined by Johnston. According to Johnston, ‘a hero is someone who confronts fate in a very personal manner and whose reaction to that encounter serves to illuminate for us our own particular condition’ (Johnston, Part 2). Oedipus definitely confronts fate in a personal manner. Among other things, he challenges the mysterious qualities of fate by pursuing the Shepherd despite warnings from Jocasta (Sophocles, 71). Oedipus follows through on confronting fate with his individual approach of uncompromising persistence and integrity (Johnston, Part 3). Even at the end of his downfall, Oedipus maintains that Kreon should banish him and that he must obey the curses he himself ordered for the murderer of King Laios (Sophocles, 89-90). Despite being so broken and publicly shamed, Oedipus still persists with his former way of interacting with fate : noble defiance (Johnston, Part 3). Although this quality itself is admirable, Oedipus takes uncompromising to the extreme, losing insight on everything else. Oedipus becomes ignorant to his surroundings, leading to his downfall (Johnston, Part 3). Oedipus’ story also challenges the fundamental belief that life should be rational and just. (Johnston, Part 3) His story illuminates that fate is arbitrarily cruel and will sometimes pick the gre...
With every Greek disaster, there is main character, also known as a “Tragic Hero” who posses tragic flaws, which lead into their downfall. Oedipus demonstrates three tragic flaws, intolerance, stubbornness, and a short temper, each of which lead into his downfall. An example of Oedipus’ stubbornness’ could be when he demands on finding the murderer of Laius and proving that the prophecy hasn’t come true. However, Jocasta Oedipus’ queen and mother already is aware of the fact that all of this chaos is true and chooses to hide the truth. "That man, why ask? Old shepherds, talk, empty nonsense, don’t give it another thought; don't even think “Oedipus replies with, “What- give up now, with a clue like this? Fail to solve the mystery of my birth? Not for all the world!” Oedipus demonstrates his impatience when he is insists on knowing the truth of his birth. In fact, how could you blame him? "That man, why ask? Old shepherd, talk, empty nonsense, don't give it another thought, don't even think “Oedipus replied with, " What- give up now, with a clue like this? Fail to solve the mystery of my birth? Not for all the world!" His temper is shown when he is unbelievably upset with Tiresias for accusing him that he is the murderer of Laius. "No, I can't say I grasped your meaning. Out with it again" Tiresias replies saying,” I say you are the murderer you hunt” Oedipus demonstrates his temper once again, and threatens Tiresias
Oedipus left Corinth to avoid his foretold fate, he went to Thebes. On his journey he ran into a caravan at the crossroads before entering Thebes. This caravan was of the present King of Thebes, Laius, but Oedipus did not know that. The people on the caravan started insulting Oedipus. Oedipus lost his temper and in a rage he killed them all, except for one servant who escaped "... I found myself upon the self-same spot where, you say, the king perished ... When in my travels I wa come near this place where three roads meet, there met me a herald, and a man that rode in a colt-carriage ... And the old man himself, would thrust me, I, deing enraged, strike him who jostled me-- The driver-- and the old man ... He paid though! duly I ay not; but in brief, smitten by the staff in this right hand of mine ...
Greek mythology and performances are often based off the evidence of calamitous and catastrophic epics, usually called tragedies. An archetypal tragedy is a disastrous play that directly follows the phases of a typical tragedy, and induces a plot revolving around one specific event aimed at one or more protagonists. An archetypal tragedy includes a protagonist that experiences a completion of an ideal, fatal faults, and ardor realizations and intuitions. In Oedipus, an epic written by Sophocles, Oedipus becomes known as the protagonist with harmful circumstances perspiring around his fate. Sophocles introduces Oedipus as a tragic character by inducing hubris and dramatic irony as key components to his downfall. Oedipus’ hubris can directly relate to his determination in finding Lauis’ killer because of his physical actions taken upon other suspects, assuming he himself is not someone to add to the equation. Dramatic irony augments Oedipus’ search for truth and justice; these indication mold the structure for a typical Greek tragedy.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
The tale of King Oedipus is well known. An enraged Oedipus unknowingly slays his father (Laiusq, King of Thebes) and supplants him as monarch and as husband to his own mother (Queen Jocasta). As each successive "layer of the onion" is unpeeled, Oedipus is brought a step closer to realizing the true nature of his actions. Foretold in prophecy and initiated by his anger, the downfall of Oedipus comes to fruition as all facts gradually come to light.
Oedipus ideal behalf of the tragic hero In his famous book "poetry", and the philosopher Aristotle and laid the foundations of literary criticism Greek tragedy. His famous connection between "pity and fear" and "Taps" and developed into one of the greatest questions in Western philosophy: Why is it that people are drawn to watch the tragic heroes suffer terrible fates? Aristotle's ideas revolve around three critical effects: first, the audience develops an emotional attachment to the tragic hero. Second, it is feared that the public may affect the hero.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.