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Comparative study between tragedy and comedy
Greek modern theatre
Greek theatre history examine
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Recommended: Comparative study between tragedy and comedy
Some of the earliest traces of tragedy and comedy date back to Greek festivals honoring their gods. Among all the gods, Dionysus was honored with a festival called City Dionysia. This festival took place in Athens which was a preeminent core of theatrical performances at the time. The dithyramb, an ancient Greek hymn, was sung in honor of this god. In fact, tragedy and comedy almost originated as one. John Morreall of State University of New York wrote, “the great dramatists wrote both tragedies and comedies”(Morreall 3). While this statement is quite valid, there is far more to the origins of comedy and tragedy than what meets the eye. Comedy and tragedy, though once quite the same, eventually began to grow apart as the differences between them strengthened. As this culture developed and went through the Shakespearean Era, tragedy and comedy have evolved into what they are today.
Early Greek tragedies were made to be performed upfront of an audience in a theater and were never truly intended to be written in the forms of novels. In fact, the origins of comedy and tragedy can be traced back to the great three tragedians: Aeschylus, Euripides, and Sophocles. These great three composed some of the best plays of all time. Each generation re-invented the same myths from a different perspective and this sort of kept the myths alive because they seemed more valid. For example, Sophocles was a, “definitive innovator in the drama, he added a third actor—thereby tremendously increasing the dramatic possibilities of the medium—increased the size of the chorus, abandoned the trilogy of plays for the self-contained tragedy, and introduced scene painting”(Columbia E.E. 1). The Greeks divided their theatre into three genres: tragedies, comedi...
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...that deal with emotional disengagement and other social differences. In the end, these are both two quite different genres. The great three tragedians in the Greek culture, and later on Shakespeare, during the Elizabethan era, prove that comedy and tragedy grew apart and expanded dramatically over the centuries.
Works Cited
Morreall, John. Comedy, Tragedy, And Religion. Albany, NY: State University of New York Press, 1999. eBook Academic Collection (EBSCOhost). Web. 21 Feb. 2014.
WALLACE, JENNIFER. "Tragedy And Laughter." Comparative Drama 47.2 (2013): 201-224. Academic Search Premier. Web. 3 Mar. 2014.
Morreall, John. "ComedyTragedyCharacteristics." ComedyTragedyCharacteristics. Albany State University of New York, 29 Jan. 2002. Web. 03 Mar. 2014.
"Sophocles." Columbia Electronic Encyclopedia, 6Th Edition (2013): 1. Literary Reference Center. Web. 3 Mar. 2014.
People become inspired from all sorts of unique things from a play or a quote to a book of poems. Julia Alvarez’s “On Not Shoplifting Louise Bogan’s The Blue Estuaries” conveys the speaker’s discoveries and the passion and inspiration they created through the use of tone, imagery, similes, and alliteration.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Marciano, Lisa "The Serious Comedy of Twelfth Night: Dark Didacticism in Illyria." Renascence: Essays on Values in Literature 56.1 (2003): 3-19. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
Joyce, Joyce Ann. Richard Wright's Art of Tragedy. Iowa City: U of Iowa Press, 1986.
In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society
The differences of these two plays, gives one a sense that any general idea can be broken into a distinct one and not sway away from its intended idea. This means, a comedy can be made into a tragedy, romance, and other themes, and yet still maintain the purpose of providing laughter to the audience. This shows the development of literature over the years, as many more subcategories result because of the contrasts.
Tragedies in the Greek and Renaissance theater were very effective in portraying the social and religious constraints that tainted society. Both playwrights, through the use of their ingenuity and vast literary knowledge were able to perfect and display such flawless spectacles. The differences and similarities between Greek tragedy and Renaissance tragedy, although vast, can be narrowed down to the audience. Greek and Renaissance theater targeted very different audiences that demanded a certain type of play in order to be entertained.
In the reading “Poetics” by Greek philosopher Aristotle, the word Tragedy is defined as “an imitation of an action that is serious complete and of certain magnitude; in language embellished with each kind of artistic ornament” (Aristotle 1). This indicates that tragedy is foreshadowing what might happen in the future. In the book of Oedipus Rex, written by Sophocles, a Greek Philosopher as well, tragedy is well defined throughout the book. The components of tragedy are the following: good or fine, fitness of character, true to life or realistic, true to themselves, necessary or probable, yet more beautiful. A modern tragedy has the components in which characters no longer must be a king or anyone important with power, but it can be anybody
Sophocles. "Oedipus the King." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. By Michael Meyer. Boston, MA: Bedford/St. Martin's, 2000. 1125-166. Print.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
Comedy differs in the mood it approaches and addresses life. It presents situations which deal with common ground of man’s social experience rather than limits of his behaviour – it is not life in the tragic mode, lived at the difficult and perilous limits of the human condition.
Greek tragedies began at a festival in honor of Dionysius, who was the god of wine. At the early festivals, drinking, quarrels, and sexual activity occurred frequently. Later on, tragedies gained much more respect and were taken very seriously. The plays dealt with man's relationship with god(s). These plays also dealt with a specific instance of life. The chorus wore goat-skins and served a great purpose in the tragedies, themselves. Thespis, the father of the tragedy, created an actor who talked with the leader of the chorus to further make the importance of the chorus seen.
To be more exact, it was Old Comedy, “which was a disguise used for political satire” in ancient Greece.(ucf.grtep…) Lysistrata was a story on Aristophanes comment on the war and how it needed to be ended but with a spin put on it. Back in 5th century BC, women were not allowed on stage so they had men dress up as women and tell the soldiers or men that they would not have sex with them until they stopped the war.(youtube…) People found this new type of theatre hilarious yet interesting and Lysistrata started it all. After Lysistrata, which was Old Comedy, came Middle Comedy, then New
A tragedy is defined as beginning with a problem that affects everyone, i.e. the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death [run-on sentence]. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.