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Philosopy of Sophocles
Role of the chorus in the play oedipus the king by sophocles
Oedipus the King and the Oedipus complex
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Poet and Scholar Robert Graves wrote in 1995, “Myth has two main functions. The first is to answer the sort of awkward questions that children ask, such as ‘Who made the world? How will it end? Who was the first man? Where do souls go after death?’…The second function of myth is to justify an existing social system and account for traditional rites and customs.” Oedipus the King written by Sophocles in 430 B.C. focuses around the second function that Graves noted. The play has been around for centuries, has evoked psychological theories, and will remain a classic. Sophocles has managed to touch on social, ethical, psychology, and more importantly philosophical issues in one play. Perhaps one of the most popularly known psychologist, Freud, was able to develop the theory that every child has a desire to sleep with their mother and kill their father. This is called the "Oedipus Complex". Oedipus the King tests all psychological boundaries for the reader by evoking self identification through the tragic concept of fate and using the literary tool of the chorus to internalize all of the emotion.
The play starts out with the destruction of Oedipus' town, Thebes. The citizens seek their king, Oedipus, to resolve the issue as he had done in the past with the Sphinx. At this point Oedipus' brother, Creon, returns with the oracle's news. In order for the plague to be lifted from the city the murderer of Laius must be discovered and punished. As king, Oedipus curses the undiscovered murder and promises to punish him. As a means for help Oedipus sends for Tiresias who is the towns blind prophet. This is where the foreshadowing begins. In an attempt to protect Oedipus, the prophet does not disclose what he has seen in his visions. Oedip...
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...od writing will draw the reader in on a personal level, allowing them to play out the scenarios.
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Naiburg, Suzi. "Between Fate and Destiny: Oedipus and Reactive Certainty in the Consulting Room." ProQuest. N.p., 01 Aug. 2006. Web. 4 Nov. 2013.
Sophocles. "Oedipus the King." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. By Michael Meyer. Boston, MA: Bedford/St. Martin's, 2000. 1125-166. Print.
Vernant, Jean Pierre., and Pierre Vidal-Naquet. Myth and Tragedy. New York: Zone, 1988. Print.
Zachrisson, Anders. "Oedipus the King: Quest for Self-knowledge." ProQuest. N.p., 2013. Web. 4 Nov. 2013.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Gioia, Dana, and X.J. Kennedy. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 887-924. Print.
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays.
Oedipus Rex (the King), written by Sophocles, is the tragic play depicting the disastrous existence to which Oedipus, an Athenian, is 'fated' to endure. With a little help from the gods and the 'fated' actions and decisions of Oedipus, an almost unthinkable misfortune unfolds. Athenian perfection can consist of intelligence, self-confidence, and a strong will. Oedipus, the embodiment of such perfection, and his tragedy are common place to Athenians. Ironically, the very same exact characteristics that bring about the ominous discovery of Oedipus' fate: to kill his father and marry his mother. Oedipus' 'fated' decisions entangle everyone whom is of any significance to him within a quagmire of spiraling tragedy. Sophocles uses the riddle of the Sphinx as a metaphor for the three phases of Oedipus' entangled life, the three phases of human life, and to describe how every life-changing action or decision can influence other lives.
Dodds, E.R. "On Misunderstanding the Oedipus Rex." Greece & Rome, Second Series 13.1 (1996): 37-49. Jstor. Muntz Lib., Tyler, TX. 21 Mar. 2009.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
The play's plot, in a nutshell, develops like this. After solving the riddle of the Sphynx, who had kept Thebes under a curse of some kind, Oedipus is invited to become king of the city. He marries Jocasta, the widow of the previous king, and they have two children. When the play begins, Thebes is again under some sort of curse, and Oedipus tries to find out its cause so that he can rescue the city. He is told that the cause of the curse is that the murderer of the previous king is still in the city and has gone unpunished. In the process of searching for the murderer, Oedipus discovers that it is he, himself, who is responsible and that he is actually the son of Jocasta and her previous husband. Horrified by his sins of incest and murder, Oedipus claws out his eyes. Jocasta commits suicide because she is so disgraced.
Dodds, E. R., (1966). On misunderstanding Oedipus. In Kennedy, X. J., & Gioia, D., Literature an introduction to fiction, poetry, drama and writing (6th ed.). (pp. 900-901). Boston: Pearson
Sheehan, Sean. "Reader's Guides : Sophocles' "Oedipus the King"" Summon. Continuum International Publishing, Mar. 2012. Web. 3 Mar. 2014.
Little, Jennifer. "ClassicNote on Oedipus Rex" GradeSaver Free Online Study Guides. 19 July 2000 http://www.gradesaver.com/classnotes/titles/oedipus/wwwboard/forum 9.html
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne, 1993. Print.
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien.
Works Cited:.. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.
It is the fate of all of us, perhaps, to direct our first sexual impulse towards our mother and our first hatred and our first murderous wish against our father. Our dreams convince us that this is so’’(Freud). The real power of Oedipus The King lies not in the fact that it illustrates the Oedipus complex—that Oedipus was oedipal—but that it depicts a troubling and seemingly universal dimension of human behavior; the way we unwittingly create the fate we fear and abhor. Oedipus, like many of us, falls victim to what he frantically strove to avoid. Readers identify with Oedipus not because they wish to possess one parent and eliminate the other, but because they often end up precisely where they didn’t want to be: a woman who was abused as a child may choose a partner who mistreats her; or the boy who was crushed by his marginal status in his family and unwittingly lives his life so that as an adult he is repeatedly unseen and under appreciated. What Oedipus could teach us is how magnetic the pull is to repeat what we desperately wish to