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Philosophy of sophocles in oedipus rex
Philosophy of sophocles in oedipus rex
Philosophy of sophocles in oedipus rex
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o Structure:
The play is divided into three parts. This is very logical. In The first part we have the problem and the accusation of Creon. In part two we have the discovery of the truth. At the end of the play we find the truth and the consequences of it. Oedipus admits his blindness, feels ashamed and is pious.
The strengh of the dialogue is not felt as it is translated from Latin into English.
o In what way classical and Greek drama are different from modern drama?
- greek drama is not concerned with the description of life. It presents man's fight with powers greater than man himself.
- Relationship between past, present and future is a repeated theme in modern drama. Life is one circle. The past life of the dead has an impact on the life of people. The philosophy of Sophocles is that the dead control and affect our life.
- In Greek tragedy the natural forces are destructive. These forces might be nature, gods or fate. Man is helpless in facing these powers.
o A rational play(Sophocles' Philosophy):
-Sophocles has his own philosophy reflected in his plays. One of these philosophies is that nothing is constant in this life. A friend yesterday may be an enemy today. This philosophy is so clear in this play: Oedipus and Creon were close friends in the past but they become enemies. Creon is the opposite of Oedipus and he is not rash or hot-tempered. But he will change. Why do we change? We change according to circumstances.
-chance does not control our life Can we say that our life is ruled by chance? Oedipus tells his past to Jocasta and how he killed an old man. This shows how things go logically. We cannot say that our life is ruled by chance. Classical drama is based on fate but Sophocles says that man's life is controlled by both fate and free will.
-Past, present and future make one circle. The past life of the dead has an impact on the life of people. The philosophy of Sophocles is that the dead control and affect our life.
- man's life is not separate from the universal order. We live in our universe and are affected by what happens around us. Oedipus was left in the desert and somebody pitied him. Solving the riddle was the direct reason for being proud and marrying his mother.
Sophocles depicts that family is superior to authority by showing how bloodline is a sole part of one's identity, that listening to one's heart over one's mind in making a decision is preferable—especially when it comes to family—and how relationship are more important than rules.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Sophocles: A collection of critical essays edited by Thomas Woodward: Oedipus at Colonus. Whitman, Cedric H. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1966.
In Oedipus at Colonus (OC), one sees the beginning of Creon's decline. Creon has now come to occupy the throne that once belonged to Oedipus. It soon becomes apparent that his vision of the proper role of a king has changed to accommodate his new-found position. The emphasis shifts from that of a king who must rule wisely to one who must rule unyieldingly. The kingship becomes a selfserving instrument for Creon in his attempt to secure the return of Oedipus and the good fortune prophesied to accompany him. Creon's notion of justice is severely distorted in OC. He becomes monomaniacal - conducting his affairs with tyranny and belligerence. For example, he threatens to harm Oedipus' daughters if the blind beggar does not return to Thebes. His view of rightness and fairness is no longer in line with that of his subjects.
Even though "fate" seems to determine Oedipus' life, he does, in fact, have a free will.
How often can one look back on life and see the choices one makes, only to come to the realization that no matter what decisions one makes about any and all of life's choices, most of humanity is paralleled by the same metaphor Sophocles uses to guide Oedipus' life? The riddle of the Sphinx is fate for each and every man, woman, and child. Although in real life the ending isn't always quite as tragic, everyone brings about his or her own discovery of truth and that quest of discovery inevitably touches, and in some cases, dramatically changes the lives of significant and insignificant friends, family, and acquaintances.
At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other play, “Antigone”, however, he undergoes a drastic personality change. He becomes more and more like Oedipus. Creon commits acts of hubris, kills and humiliates people for no reason whatsoever. Once he realizes the folly of his ways, he punishes himself for going against the gods and destroying all that he loved, This is strikingly similar to the story of Oedipus. At first Oedipus and Creon seem like entirely different people. But through the course of events, they share almost identical personalities and even fates.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
In the play Oedipus the King, by Sophocles, two themes appear; one that humans have little control of their lives because fate always catches up with them and the theme that when someone makes a mistake, they will have to pay for it.
In his tragic trilogy, The Theban Plays, Sophocles portrays the essence of Ancient Greek life; their culture, politics, religion and the maxims that are intended to guide their daily life through the actions of the main characters, Oedipus, Creon, and Antigone. Sophocles employs the use of thematic structures that coherently affects each character uniquely, and one of the most common themes depicted in these plays is that of fate vs freewill. In the Theban trilogy, Sophocles uses a well-structured theme of fate vs freewill to establish the relationship between the Greeks and the gods, as well as to illustrate the limits of mortality.
In today's society we let our lives be led by a certain force that we believe in very strongly. Yet, a common debate that still rages today is whether we, as a species, have free will or if some divine source, some call it fate, controls our destiny. In the play, Oedipus the King, that special force is also used and is known and defined as fate. This played an important role in the lives of the characters just as it plays one in our daily lives.
In Oedipus The King, Sophocles presents a view of life fixed by fate. This fate, predetermined by the gods, is the sole factor in deciding human destiny. Tiresias expresses his understanding of the unchangeable fate of Oedipus, laid out by the gods, as he argues with the King about revealing the truth of all the Theban troubles. When Oedipus, frustrated by the lack of cooperation, insults Tiresias, he responds "I pity you, flinging at me the very insults / each man here will fling at you so soon."(322) Even more telling of the fated existence of Sophocles' characters is Jocasta's revelation of prophecies given before Oedipus' birth which foretold all that the gods had in store, which had indeed come to pass (332).
This illustrates one of the qualities that make Oedipus an admirable leader. The rising action of this play occurred when Creon returned from the oracle with the news that the plague in Thebes will end when the murder of Laius, the King of Thebes before Oedipus, is found and driven out of Thebes. In some parts of the play Oedipus’ investigation of the murder of Laius has turned into an obsessive investigation into his own hidden past as he begins to suspect that he is the man responsible for King Laius death and the plague that has attacked Thebes. By his own free will, Oedipus pushed the oracle, the Shepard, Jocasta, Tiresias, and Creon to inform him regarding him about his origin. No matter how much other characters refused to inform him, Oedipus keeps moving onward. The falling action of this play occurred when Oedipus’ suspicion turned into reality. Through his investigation of the murder of Laius, Oedipus discovers that King Laius and Queen Jocasta of Thebes, where his birth parents, and the prophecy that was given to him when he was an infant. His strong desire for seeking the truth and knowledge has led Oedipus to his
Jevons, Frank B. “In Sophoclean Tragedy, Humans Create Their Own Fate.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Yaeger, Werner. "Sophocles' Master of Fate." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.